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Tang Sancai
The evolution of the three colors.
In the Tang Dynasty, with the development of the Silk Road, a large number of exotic cultures were integrated into the local area. Monochrome glazed ceramics no longer dominate the world, and colorful glaze colors flow on a vessel at the same time has become an international fashion.
Three-color samurai figurines
Palace museum.
Tang Sancai riding camel figurines
Palace museum.
Three-color "Kaiyuan Luojing" pottery impression
Tang Yaozhou kiln system three-color jar
Tang Zezhou kiln three-color jar
Tang Sancai does not refer specifically to which three colors. On all kinds of terracotta figurines, pottery statues, and other pottery excavated in the Tang tombs, some are only single or two colors, and some are complex and colorful. Generally speaking, in addition to the white ground of the carcass, lead yellow, green, and green are the most common, and they are also the most artistic in the blending techniques of the three colors.
Tang Sancai diamond-shaped lid jar
Palace museum.
Tang Gongyi kiln three-color jar
Tang Sancai can
Tang Sancai engraved string pattern candlestick
Palace museum.
Tang Sancai high-foot furnace
Song Sancai
The evolution of the three colors.
Song Sancai
Song Sancai mainly used the carving method for decoration. It is after the first firing of the astringent tire, according to the need to fill in the color glaze, and then after the second firing. Song Sancai glaze is rich, on the basis of Tang Sancai, Liao Sancai, in addition to yellow, green, white, brown four main colors, there are bright red, jet black, sauce color, and create a new kind of jade glaze, the color is verdant and bright. Compared with Tang Sancai, Song Sancai's picture is vivid, the color is regular, and the blue glaze is not visible. Song Sancai has been found in ancient kiln sites in Yuxian, Lushan, Neixiang and Yiyang in Henan.
Song Sancai pillow
Jiyuan Museum.
Song three-color peony pattern pillow
Luoyang Museum.
Since ancient times, ceramics have been endowed with the function of carrying information, and its glaze color, ornamentation and subject matter often represent the preferences of the rulers of the current dynasty, reflecting the people's living Xi habits, economic level, religious beliefs and folk culture at that time, and the new vitality of various cultures in different regions during the same period.
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