Introduction: Inequality on the stage of "The Sound of Life: The Glory of the Family".
In 2023, "The Sound of Life: Family Years" will sweep the screen and become a focus that cannot be ignored. However, in this anticipated variety show, there is a reality that the audience did not expect - young singers Zhou Shen and Wang Sulong seem to have become "corner creatures" in this huge lineup of singers. 
This phenomenon of "seniority" not only appears in their interaction with their predecessors, but also exists in the entertainment industry and life for a long time. This article will delve into the inequalities reflected in the show and what it means more broadly in the entertainment industry and society.
Reflection on the shortcomings of the program: not only the lack of "family years".
As the theme of this season, "Family Years" continues the tradition of men's and women's teams, and deviates from the concept of "home". The family is not only a combination of men and women, but also a combination of parents, elders, and children. This lack of performance led to the show's supposed performance of mixing men and women to materialize.
The more serious problem lies in the existence of "seniority". Young singers look cramped in front of their seniors, which makes people feel sorry and embarrassed. This situation is especially prominent in entertainment programs, but it also reflects a phenomenon in the entire entertainment industry. It is expected that future programs can skillfully reconcile the interaction between singers of different generations and create a more harmonious atmosphere.
The show's flashes and blind spots: a balance between professionalism and entertainment.
Although the program is well-made, rich in content, and top-notch in production, it may focus too much on professionalism and neglect the balance of entertainment. The professionalism of the program does present a high-level performance for the audience, but there is still room for improvement in the balance between "positive" and "entertainment".
There were also issues with guest selection and interaction, lacking freshness and appearing a bit stiff, and needed further improvement to enhance the overall experience of the audience.
Inequality among artists: both inside and outside the celebrity circle.
The problem of "seniority" not only exists in the show, but is reflected in the entire entertainment industry and even in life. The difference in rank between stars is not only shown in variety shows, but also in daily work and life. I look forward to paying more attention to equality in the future, respecting every guest, and creating a more harmonious atmosphere.
Zhou Shen's observations: a vivid microcosm.
Especially taking Zhou Shen as an example, he was a little restrained in his interaction with his predecessors. The awkward encounters in the corridor and the stiff fragments in the exchanges highlight the existence of "seniority". It seems that this kind of scene cannot escape the social rules on the stage of entertainment programs.
Conclusion: Looking forward to a fairer and more harmonious future.
"The Sound of Life: Family Years" may be a bright star, but it is also difficult to escape the troubles and pressure. It is expected that future programs will pay more attention to entertainment while maintaining professionalism, so that the audience can enjoy pleasure while feeling the best charm. Perhaps this show can guide us to a sincere and deep path of life.
The unfair phenomenon of "seniority" shown in young singers such as Zhou Shen calls on the entire entertainment industry and society to pay more attention to equality, respect every participant, and create a more harmonious and fair environment.
Conclusion. This night, on seniority, suppression and exclusion, it is vividly shown in Zhou Shen" This article aims to comprehensively ** the inequality presented in "The Sound of Life: Family Youth", and reflects the prevalence of this situation in the entertainment industry and society. It is hoped that future programs will pay more attention to humanity, equality and harmony, and create a more pleasant and just environment for the audience and artists.
This issue is not limited to the production itself, but also about how we, as a part of society, perceive and deal with the relationship between people of different ages, regions and backgrounds.
The status of young singers such as Zhou Shen in the "corner creature" of the show is a microcosm, reflecting a certain bias of "seniority first" that exists in the real world. However, we should use this as an introduction to solve broader social problems. Through more equal and inclusive ideas and actions, everyone can show their true strength and value on the entertainment stage and in life.
What we are looking forward to is not only a show, but also a better and more fair entertainment industry. This circle should not be a high wall, but an open platform where everyone has the opportunity to showcase their talents and be treated and recognized fairly. Only in this way can the entertainment industry radiate greater vitality and charm, attract more outstanding talents, and bring more diverse and richer wonderful programs to the audience. Zhou Shen