In the era of mobile Internet, the development of Deyun Club is inseparable from the support of Gangsi, but this matter must also be looked at from two sides.
Since it has the significant advantages of being flexible, fast, free and down-to-earth, it also brings about wording errors, excessive advocacy and easy to cause disputes due to the uneven quality of the creator level.
This article is going to talk about the 2023 Deyun Club Gang Silk Festival "The Year of Leaving the Land" cross talk special.
In this special performance, not to mention how the actors of Deyun Club performed, at least from the perspective of the performance form, it has been innovated, and the performance pattern between the era of cross talk and the era of the tea house has been restored, which is both remarkable and remarkable.
However, before and after the performance of this special performance, all the activities done by Gang Si since ** really caused controversy in the discrediting of Deyun Club.
As soon as the official announcement of Deyun Club's "The Year of Leaving the Land" special session, some Gangsi deliberately emphasized that (the special session of leaving the ground) is now a rare first time in the cross talk industry.
After the end of the Deyun Club's special session, there were a number of articles from the **, which praised Deyun Club to the position of the industry leader, and it was "always the object of people's emulation" and "has never been surpassed", and said that "people who will effectively imitate Deyun Club will appear soon".
In fact, Tianjin Qian Xiangyi held a cross talk original ecological performance as early as 2011, reproducing the era of cross talk.
The special cast of Tianjin Qianxiangyi's original ecological performance is even more incomparable, Zhang Yongxi, Yu Youfu, Tian Lihe, Liu Wenbu, Huang Tieliang, Zhang Wenxia, Wei Wenhua, Yin Xiaosheng, Li Boxiang, Wang Wen, Wei Wenliang, these cross talk predecessors are all artists who performed in the era of abandoning the ground, with an original flavor as the main hit, and even the snacks sold in the live broadcast are radishes.
After that performance, Qian Xiangyi took the "original ecological performance of cross talk" as his logo, and specially opened the original ecological cross talk experience hall of Qian Xiangyi.
Under the guidance of Qian Xiangyi's demonstration, the original ecological performances of cross talk have been carried out in other cross talk groups, such as the 2022 Qingdao ** report on the local Qingdao Quyi Society Shopping Plaza, and the traditional quyi performance was reproduced on Qingdao Zhongshan Road where Ma Sanli and Liu Baorui fell.
In December 2023, Deyun Club held a special session for its own land, so those who said that their peers should follow the example of Deyun Club Gang Silk were obviously making a very low mistake in the common sense of cross talk.
What's even funnier is that when some netizens asked Gang Si Zi ** to popularize science Qian Xiangyi original ecological cross talk, some Gang Si Zi ** defended on the grounds of "I don't know, it is equal to nothing" or "Qian Xiangyi is not famous, it is equivalent to not being famous", which is almost ugly.
This mistake, in the opinion of Gang Sizi, will only show that he has no level and common sense, but the bad thing is that because his level is not high, he recruited black for Deyun Club.
It must be known that the Deyun Club itself has never advocated that the special session was created by them, and it is all the Gang Silk from ** blind touting, you call Deyun Club to ** reason.
In addition to the great controversy of this "first time", some of Gangsi's self-** did not only trample on their peers in the article, and even some self-** thought that the special session of Deyun Club was to restore the original appearance of cross talk, which is actually not accurate.
The special performance of Deyun Club and the cross talk tea house of the old society are roughly the same on the surface, but there are essential differences between them.
First of all, the Deyun Club Dumping Special Session is not a real "zero dozen money", when the audience enters the venue, buy the copper coins of Deyun Club**, a bag of ten yuan copper coins, and then use the copper coins as props to "reward" the actors of Deyun Club, and the copper coins are the props here.
This form is a bit similar to square pigeon feeding, you buy pigeon food from the pigeon breeder in advance and give it to the pigeon, the key is not to give the pigeon, but to have fun and experience.
It's really "zero money", the audience doesn't need to buy tickets to enter, and it's really gold when they make money, so Deyun Club's "special show on the ground" is just a trick.
The second is that this kind of "zero dozen money" performances are not the prototype of cross talk.
Cross talk was born from the overpass of Zhang Sanlu and Zhu Shaowen in the late Qing Dynasty.
To rent land, buy a stool, a scene table, and arrange curtains, etc., this cost is not a small number in the eyes of early cross talk artists, so the original performance mode of cross talk is actually "painting pots".
When painting a pot, the cross talk artist only needs to find an open space and draw a circle on the ground with a stone, and the cross talk artist will stand in the circle to sell his craft to passers-by, because the circle is like a pot, and it is also a place for cross talk artists to make money and eat, so this form of performance is called "painting a pot".
To perform cross talk on the painting pot, onlookers don't need to buy tickets, they want to listen to cross talk when they want to listen to it, and after the cross talk artist finishes a paragraph, he will start to "pestle menzi" to beg for money, and the audience who is willing to reward will give some money, and the audience who is not willing to reward will leave on their own, and no one will stop them.
Some viewers are more skinny, they left when the cross talk artist pestle, and when they started to talk about the next cross talk, they came back, and when they started to talk about the next cross talk, they left again, and the cross talk artist is usually not angry at listening to the audience like this, after all, there is something to say, "Those who have money hold a money field, and those who don't have money hold a personal field".
Therefore, the degree of freedom of painting the pot is much higher than that of the ground, and the "zero money" is usually either in the field or in the tea house, and the audience basically does not take a penny to listen to the play as soon as they come in, but the pot can be rubbed to listen to the play.
From all aspects, if it is not said that which cross talk group performs closer to the original appearance of cross talk, then Tingyunxuan is obviously more qualified as a representative of the free live broadcast of cross talk, in addition to Tingyunxuan, hip-hop baggage shops, new forces of cross talk, and other cross talk groups that conduct live broadcast of cross talk all have this condition.
Perhaps some simple-minded netizens will immediately jump out and refute: Was there an Internet more than a hundred years ago?Is there a live stream?
Don't worry, let's talk about the essence of cross talk performances rather than the external conditions of the performance.
First of all, Yunxuan's cross talk live broadcast sounds free, as long as the audience has a mobile phone and the Internet, anyone can listen to it for free, which is basically no different from a pot cross talk performance.
2. The audience who listens to the Yunxuan live broadcast room thinks that the cross talk is very good, and they can directly use their mobile phones to reward, which is completely done by the individual, and the audience who rewards can continue to listen, and the audience who has not rewarded can continue to watch.
The third is that if the audience doesn't want to hear it after a while, they can cross it out, and then come back after a while to continue listening, no one will stop them, no one will pull them back, and no one will force them to reward.
Fourth, rewarding the audience makes the live broadcast room have a money field, and without rewarding the audience, whether it is a point or not, it can make the live broadcast room have a person, after all, for cross talk actors, the popularity of the live broadcast room is also very important.
Therefore, in terms of the form of cross talk performances and the way of the audience, what really restores the original appearance of cross talk is indeed not Qian Xiangyi and Deyun Club's special cross talk, but the free live broadcast of cross talk represented by Yunxuan.