In the era of mobile Internet, the development of Deyun Club is inseparable from the support of Gangsi, but this matter must also be looked at from two sides.
It has obvious advantages such as flexibility, speed, free and down-to-earth, but at the same time, due to the uneven level of creators, it will also bring shortcomings such as miswording, excessive advocacy and easy controversy.
What I want to talk about in this article is the "Leaving the Land in the Year" cross talk special session held by Deyun Club at the 2023 Gangsi Festival.
This time, regardless of the performance of the actors of Deyun Club, at least it can be regarded as an innovation in the form of performance, restoring a performance model of the era of cross talk and the era of tea houses, which is worthy of encouragement and affirmation.
However, before and after the start and end of this special performance, the various activities carried out by Gang Si Zi really brought controversy to the discrediting of this Deyun Club's special performance.
When the official announcement of Deyun Club's "Leaving the Land in the Year" special session was just announced, Yougangsi spontaneously emphasized: (Leaving the ground special) is currently the first time in the cross talk industry.
After the end of the Deyun Club's special session, there were a number of articles from **, which praised Deyun Club to the position of the industry leader, and it was "never imitated" and "never surpassed", and said in a weird way that "someone will imitate Deyun Club soon".
In fact, Tianjin Qian Xiangyi held an original ecological performance of cross talk as early as 2011, reproducing the performance mode of the era of cross talk, whether it is a dozen dollars or a performance program, it is an original restoration.
The cast invited by Tianjin Qianxiangyi's original ecological performance is even more incomparable, Zhang Yongxi, Yu Youfu, Tian Lihe, Liu Wenbu, Huang Tieliang, Zhang Wenxia, Wei Wenhua, Yin Xiaosheng, Li Boxiang, Wang Wen, Wei Wenliang, these cross talk predecessors are all artists who have performed in the era of land abandonment, and the main product is an original taste, and even the snacks sold on the spot are popular radishes of the year.
After that performance, Qian Xiangyi made the "original ecological performance of cross talk" his own signboard, and also opened a special Qian Xiangyi original ecological cross talk experience hall.
Driven by Qian Xiangyi's demonstration, other cross talk groups have also successively carried out original ecological performances of cross talk, such as Qingdao ** in 2022, which reported on the local Qingdao Quyi Society's performance in the shopping plaza, and reproduced the traditional opera performance on Qingdao Zhongshan Road, where Ma Sanli and Liu Baorui left the ground that year.
In December 2023, Deyun Club will hold its own special show for abandoning the ground, so those who say that their peers want to imitate Deyun Club's Gangsi Zi** have obviously made a very low-level mistake in cross talk common sense.
What's even funnier is that some netizens gave Gangsi Zi** the original ecological cross talk of popular science Qian Xiangyi, and some Gangsi Zi** defended himself with the reason of "I don't know that it is equal to nothing" or "Qian Xiangyi is not famous and equal to nothing", which is simply ugly.
This kind of mistake will only seem to be their personal level and lack of common sense, but the bad thing is that because of their inferior level, they will recruit black for Deyun Club.
You must know that the Deyun Club itself has never publicized that the special session on the ground was their first creation, and it was all blown by Gangsi from **, where do you let Deyun Club go to reason.
In addition to the great controversy of this "first time", some Gangsi not only stepped on their peers in the article, but also said that the Deyun Club special show was to restore the original appearance of cross talk, which is actually not accurate.
Deyun Club's special performance is similar to the performance of the old society cross talk tea club in terms of surface form, but there are essential differences in the middle.
First of all, Deyun Club's land abandonment special is not really a "zero dozen money", after the audience enters the venue, they buy the copper coins provided by Deyun Club, a pack of copper coins is ten yuan, and then use the copper coins as props to "reward" the actors of Deyun Club, and the copper coins are props here.
It's a bit like feeding the pigeons in the square, you buy the food from the pigeon keeper and then feed it to the pigeons, the important thing is not to feed the pigeons, but to have fun and an experience.
The real "zero money", the audience does not need to buy tickets to enter the venue, and when the money is played, it is also given by real money, so Deyun Club's "land sale" is just a gimmick.
Secondly, this kind of "zero dozen" performance is not what cross talk was originally like.
Cross talk was born in the late Qing Dynasty Zhang Sanlu and Zhu Shaowen's flyover, at the beginning due to limited conditions and limited income, cross talk artists did not have this performance mode.
Abandoning the land requires leasing land, buying benches and stage tables, and arranging curtains, etc., which is not a small amount for early cross talk artists, so the original performance mode of cross talk is actually "painting pots".
To draw a pot, you only need the cross talk artist to find an open space, draw a circle with a stone on the ground, and then the cross talk artist stands in the circle and sells to passers-by, because this circle is like a pot, and at the same time it is a place for cross talk artists to earn money and eat, so this form of performance is called "painting pot".
For the cross talk performance of the pot, the onlookers don't need to buy tickets, they come over to listen to the cross talk when they want to listen to it, and when the cross talk artist finishes a paragraph and starts to ask for money, the audience who is willing to reward will give some money, and the audience who is not willing to reward will leave on their own, and no one will stop them.
Some viewers are more skinny, they leave when the cross talk artist pestle Menzi, and they come back when they start talking about the next cross talk, and then leave when they pestle Menzi, for this kind of listening audience, cross talk artists generally don't get angry, after all, there is a saying first, "those who have money hold a money field, and those who don't have money hold a personal field".
Therefore, the degree of freedom of painting the pot is higher than that of the ground, and the "zero money" is generally not in the field or in the tea house, and it is basically impossible for the audience to not pay a penny once they go in, but the painting pot can be listened to.
Looking at all aspects, if you have to say which cross talk group's performance is more like the original appearance of cross talk, the free live broadcast of cross talk represented by Tingyunxuan is obviously more qualified, in addition to Tingyunxuan, crosstalk groups that carry out crosstalk live broadcasts such as hip-hop baggage shops and new crosstalk forces also have this qualification.
There may be some simple-minded netizens who will immediately jump up and refute: Was there an Internet more than a hundred years ago?Is there a live stream?
Don't worry, let's talk about the nature of cross talk performances, not the external conditions of performances.
First, listening to Yunxuan's cross talk live broadcast is free, as long as the audience has a mobile phone and an Internet, anyone can listen to it for free, which is basically the same as the cross talk performance of painting a pot.
Second, if the audience who listens to Yunxuan's live broadcast room thinks that the cross talk is good, they can directly reward through their mobile phones, which is all voluntary, and the audience who rewards can continue to listen, and the audience who does not reward can also continue to listen.
Third, if the audience listens for a while and doesn't want to listen, they can row away, and then come back after a while to listen again, no one will stop them, no one will pull them back, and no one will force them to give rewards.
Fourth, the audience who rewards brings money to the live broadcast room, and the audience who does not reward will bring people to the live broadcast room regardless of whether they like it or not, after all, the popularity of the live broadcast room is also very important to cross talk actors.
Therefore, judging from the form of cross talk performances and the way the audience watches them, what really restores the original appearance of cross talk is really not Qian Xiangyi and Deyun Club, but the free cross talk live broadcast represented by Tingyunxuan.