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Come to think of it, let's start with the picture. is like Hui Yinghong in "Hiding from the Sky and Crossing the Sea", she is really a person who radiates light. In the film, she plays a haggard mother who hides secrets, but she herself is warm and bright. There is a calm observation of the world in his eyes, but occasionally he will show a smile of the warm spring sun. Speaking of "Hiding from the Sky and Crossing the Sea", she is like a leisurely flowing water, quiet but very connotative.
What she said: "I got involved in 'Hidden from the Sea' entirely because of this boss, who has a soft spot for movies. "Although Sister Hong and I have similarities, I don't want the audience to confuse me with the character. "I don't know what kind of role I want to play, I just want to play the best script. "If I had to choose my next life, I would choose to be a doctor. In this Tingwu interview, the next story of Hui Yinghong is sorted out by the author. Her words are like a picture, making the characters come to life. Her words are full of deep meaning, as if she has touched the core of acting.
She said: "A lot of people say that I am younger and more beautiful than I am in reality. I don't seem to be my true self in front of the camera. To become a good actor, you have to go deep into the heart of the character. Adjust the core, and the performance will naturally change. Young actors, I often tell them, it's important to adjust internally, don't always worry about your appearance. Emotions are reflected in the eyes. By understanding the character's heart, the eyes can convey emotions. Happiness, sadness, and doubts can all be seen at a glance. Her words are simple and straightforward, but they are as magnificent as the ocean. Let's talk about her role as Sister Hong in "Hiding from the Sky and Crossing the Sea": "For me, playing Sister Hong is a bit of an advantage.
Sister Hong used to be an opera troupe Wudan, and she had good skills. I've also acted in kung fu movies, although I'm older, my skills are still there. This talent is inescapable. Although the audience can find a lot of similarities with me in Sister Hong, I hope they don't get confused and don't think that I am playing myself. Every character should have their own vitality, and I'm just the one behind it. Her words are like a symphony of the heart, full of emotional ups and downs. She also went deep into the ** script processing: "Reading the script is not looking at the individual, but looking at the whole team." You have to get out of the story, sort out the character's personality, quickly experience her life, and forget about her usual self.
The character is deep-rooted, and habits and actions are also subconscious. You have to pay attention to these and change them, for the sake of the characters, for the sake of radical change. Each person has a unique personality, and each character is basically different. Her words are like a beacon that guides the direction of the actor's challenge.
She said: "Although Sister Hong and I have similarities, the changes in the movie have to be performed repeatedly. Quite challenging. Every line, tears, and even the opponent's expressions and movements must be memorized. It's hard to get a handle on this detail. It may not be difficult to watch a movie, but for actors, when performing in front of a green screen, they have to think about the position and movements of their opponents, and constantly adjust their emotions.
It's hard to achieve perfection, so you have to keep improving. Her words are full of dedication to art. She also talked about her cooperation with Xu Guanghan, Zhang Junning, and Yin Zheng: "Xu Guanghan acted well in the film. Playing two very different roles, but he convincingly portrays my son, and the two roles are well balanced. He is a very good actor. Her evaluation is like lighting a light for her partners, illuminating their performance path. She emphasized: "Ordinary roles are more difficult to play. It's not the focus of the film, but throughout the film, you have to be able to hold it up, and you have to have a good balance. This requires great acting skills.
I like to take on challenges, so accept everything. "She is like a mirror, reflecting the courage of the actors in the face of challenges. She also shared her experience in "Blood Guanyin": "The director didn't think about me at first. But I have a soft spot for this character. Finally, the director interviewed other actors before meeting me. He hadn't seen my performance in literary dramas before, he only knew that I was an actor who filmed action scenes. His producer insisted on seeing me. I wore a pink shirt, a denim skirt and red heels.
Shoes, Shanghai woman fan, walked into the interview room. I asked the director directly: 'Director, please tell your story.
And just like that, I got the role. "She portrays the characters as carefully as if she were telling a story. She analyzed Mrs. Tang in depth: "In order to play Mrs. Tang, I added a lot of small details. She went through hardships, came from a humble background, and even though she was in a high position, she still feared and distrusted others, including her daughter. She had dinner with the soldiers, raising a glass to show off her previous communicative skills. After Tang Ning's death, she was able to recite the scriptures calmly. This woman had a dark heart, and she killed her daughter, but she was able to face God and recite words of mercy. Her words are like the outline of a figure sketched by a painter, meticulous and full of life.
"When I'm acting, I tell myself it's working time and I'm the character," she said. I'm no longer myself, I'm completely integrated into the character. After the play, I was at ease. Detached from the role, I don't have the trouble of distinguishing between the role and the self. Her words seem to show the self outside the role, and that focus and proportion. Her attitude towards the script is also thoughtful: "Many people ask me what role I want to play, and I say I don't know. Because I just want to play the best script. Lines are the soul of an actor's performance. Grasp the key lines, and the character will be able to stand on its feet. ”
She deeply understands the core of the script and builds rich characters. In the end, she said: "No matter how many lines there are in the script, if there is no soul, the performance will be boring." Let's see if this script is good or not. The script is good, no matter how good or bad the characters are, the director, the opponent actors, etc. will be ideal. "She treats every character, every work, with that standard. She kept commenting on her partners and studios: "It's the first time I've collaborated with iQIYI on a movie, and we've collaborated on many episodes before, so I'm very confident in them. This collaboration has been smooth and I look forward to working together again. I chose an actor because my family was poor and I didn't study.
In the next life, I will choose to study and study medicine. I've always loved medicine and now read a lot about it. When my friends have questions, they turn to me physically and mentally. He was depressed, and later became a psychological counselor. "She portrays the characters so carefully that it's like telling a story. She said affectionately: "At that time, it was listed for 9 months and went through hardships. I want to help others and reduce their suffering. Later, I found out that actors are still consultants, and they have to understand themselves before they can help others. Only by understanding oneself and being able to face all emotions in harmony can one influence others. "Her experience is like a book that teaches people how to deal with challenges and hardships and become a better version of themselves.