Wang Meng, whose name is Shuming, is a famous painter in the late Yuan Dynasty and early Ming Dynasty, and his paintings are well-known in the field of art. He and other outstanding painters are known as the "Four Masters of the Yuan Dynasty", and his achievements in calligraphy and painting are extraordinary. His masterpieces, such as "Qingbian Seclusion" and "Spring Mountain Reading Map", have been treasured by major museums around the world. Especially in 2011, his "Migration Map of Watagawa" ended with 402.5 billion yuan**, becoming the highest transaction price of ancient Chinese calligraphy and painting works that year.
However, Wang Meng has a peculiar painting that has not survived, and this painting is very legendary. In Wang Meng's creation, there is a painting depicting the beautiful scenery of Mount Tai, but this painting is different from other works because it contains an untold creation story.
On the occasion of the unification of the world in the Ming Dynasty, Wang Meng was recruited by Zhu Yuanzhang to serve as the governor of Tai'an, Shandong. The house he chose to live in was facing Mount Tai, and after returning home every day, he had a special fondness for the beautiful scenery of Mount Tai, and his painting brush and ink did not stop. There was a plain silk hanging on the wall of his home, and when Wang Meng saw the beautiful scenery, he was interested in drawing a few strokes on the plain silk. In such a fit-in-fit, it took him three years to paint the painting. The landscapes are becoming richer and the colors are becoming more and more intense.
At that time, another great painter, Chen Ruyan, was also working in Shandong, and he had a deep friendship with Wang Meng. One day, Chen Ruyan visited Wang Meng, and the sky was snowing heavily, making the scenery of Mount Tai even more wonderful. When Wang Meng saw this beautiful scenery, he had a strange idea and wanted to change the painting to a snow scene. However, his attempts were unsuccessful, and the picture was stiff and lacking in vividness. Chen Ruyan had a sudden inspiration and helped Wang Meng in a unique way, using a small bow to hold the pen to make the white powder fall like snowflakes, and the picture suddenly showed a flying trend, like a real snow scene. In the end, the title of the painting was set as "Daizong Mixue Tu", and Wang Meng gave it to Chen Ruyan.
The descendants of the Chen family treasured this painting until Zhang Tingcai, a scholar in Songjiang in the Ming Dynasty, came to see it and felt that the painting was exquisite. Later, the Chen family fell into the middle of the road and sold the painting to Yao Shou, a calligrapher and painter in Jiaxing in the Ming Dynasty. Unfortunately, Yao's family later suffered a fire, and this precious work was destroyed in ashes and lost to this day.
This "Daizong Mixue Tu" bears witness to Wang Meng's miraculous painting process, but its regrettable fate has become part of the historical regret. If this painting were to survive today, it would have become an eye-catching work of art.
This story leads us to explore the legend behind Wang Meng's peerless masterpiece, and how his immortal works contain the emotion of time and the charm of art.
Wang Meng's paintings and his lost "Daizong Mixue Tu" are legends in the history of art. The creative process and fate of this painting have gone through many twists and turns, which is emotional.
First of all, Wang Meng, as an outstanding painter in the late Yuan and early Ming dynasties, is famous for his outstanding calligraphy and painting talents. He showed extraordinary creative skills and perseverance in "Dai Zong Mi Xuetu". In the process of creation, his love and intention for the scenery of Mount Tai can be seen, and the persistence and concentration of three years have made the scenery of the picture richer and richer, and the colors more vivid and profound. This kind of perseverance and creativity is worth learning Xi, especially in today's fast-paced society, where perseverance and dedication become more and more precious.
Secondly, the process of the loss of this painting is also regrettable. From Wang Meng's gift to Chen Ruyan, to the collection of the descendants of the Chen family, and then to the final Yao family being turned into ashes by fire, this tortuous fate is embarrassing. This lost art treasure may have become an important cultural heritage for future generations to appreciate and inherit, but fate has made it lose sight of the world. This irreparable regret has also led to reflections on cultural protection and cherishing historical relics. Now is the time for us to redouble our efforts to protect and cherish our cultural heritage, so that it can be passed on and perpetuated in the world.
Finally, the charm of "Dai Zong Mi Xuetu" lies in its extraordinary artistic expression. Chen Ruyan's unique method brings the snow scene to life, as if the viewer is on the top of Mount Tai. This kind of intoxicating artistic expression not only embodies the creative wisdom of Wang Meng and Chen Ruyan, but also makes the viewer fall in love with it. The loss of this painting is a deep regret for the true feeling of losing this artistic treasure.
To sum up, "Dai Zong Mi Xuetu" is not only a lost painting, but also a legend that carries the artist's creative efforts and cultural heritage. Wang Meng's masterpiece is a testament to the excellence of his artistic talent, and this lost painting has also left endless regrets in history. For us today, the cherishing and protection of art is particularly important, only in this way can we inherit and continue more precious cultural heritage in the long river of time.
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