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Lin Sanzhi (1898-1989), known as Lin, also known as Yilin, the word Sanzhi, the number three idiots, the left ear, the old man on the river, etc. He is a native of Wujiang Town, Hexian County, Anhui Province, and was born in Jiangpu, Jiangsu. Lin Sanzhi is a typical example of "late bloomer". It is precisely because of its late fame that decades of hard work have nourished the atmosphere, rhyme, meaning and interest of its books, so that it can reach an extraordinary and extremely high realm. It is also because the book has an otherworldly realm and a profound and timeless rhyme, so that people in the book industry can appreciate it for a longer time, benefit more, feel more deeply, and understand it deeply. His contribution to the art of modern Chinese calligraphy can be described as "great achievement". In order to commemorate this outstanding contemporary calligraphy master, poet and painter, the descendants have established a memorial hall and an art museum for him.
Lin Sanzhi made 11 words in cursive in 1980.
Size 294 38 cm 2
Estimate: RMB 500,000-600,000
Price realised: RMB 6,440,000
Style: Qixia Temple souvenir. In the middle of June of the Gengshen year, eighty-five Lin San'er wrote a book.
Seal: The seal of Lin San, the old man who is not disabled, and the big year.
Lot description. Commentary: The Buddha is shining again, and the mountains on all sides are shocked by yesterday's dream;The river is unharmed, and the red leaves of the forest are as bright as flowers.
Lin Sanzhi's "Cursive Eleven Words Couplet" was written in 1980 by Qixia Temple, and Lin was 83 years old at the time. This is one of the pillars written by Mr. Lin Sanzhi for the Bilu Treasure Hall of Nanjing Qixia Temple, and it is the title of Lin Lao when he visited Qixia Temple. Lin Sanzhi's lines are straight, straight and curved, rigid and soft, and soft and rigid, so as to achieve a kind of pure and elegant and subtle realm. Although Lin Sanzhi's cursive style is positive and symbiotic, it often restores the changes in it to normality, and it can be in the middle, strange and stable, so it seems to be particularly old and serious. Because Lin Sanzhi's artistic ideas are deeply influenced by Buddhism, and this is written by Qixia Temple, the birthplace of the Three Treatises, we can see the piety of his writing.
Lin Sanzhi's fortune operator Yongmei (Dazhongtang) vertical axis.
Size 1775×95.5cm
Estimate: RMB 1,800,000-4,500,000
Price realised RMB 4,370,000
Title: Fortune operator Yongmei Lin scattered an ear.
Seal: Lin San's seal (Zhu), ancient for modern use (Zhu).
Commentary: Wind and rain send spring back, and snow welcomes spring. It is already a cliff with a hundred feet of ice, and there are still flowers and branches. Pretty doesn't compete for spring, only reports spring. When the mountains were full of flowers, she laughed in the bushes.
Lin Sanzhi Wuwu (1978) composed a cursive "Six Songs of Writing" handscroll.
Size this width 325×432cm；After paper 325×70cm
Estimate: RMB 1,680,000-2,500,000
Price realised RMB 3,565,000
Inscription: The old man on the river, the private seal of the scattered, and the big year.
Inscription: In the first month of Wuwu, the book is a commemoration of Comrade Rushan. Eighty-one old man Lin San'er wrote on the shore of Xuanwu Lake.
Later Paper Qigong (1912-2005) Title: Lin Sanweng Xingxian Ye. Poetry is used as grass, and songs are recited for a new day after that. It has been watering the art forest for a long time. This volume is a self-written book on books and poems, vast and naïve, and especially cooperative. Comrade Rushan saw the indication, respectful of the end of the volume, and was fortunate to be viewed with his ambition. In June 1978, he started his work. Seal: Qigong private seal, small passengers.
Lot Description: Commentary: Six Treatises. The dark clouds in the sky suddenly helped me, and a cloud of ink came in front of me. got the heavenly machine first, and smeared vertically and horizontally like a baby (the word "child" is wrong). Looking back at the pen array of the year, Mrs. Wei went to Haitian Lonely. Laughing at the ancients and laughing at me, the vast ink is too blurry. There is a law at the beginning, and there is no way to return from the law. Through the ages, Dacheng looks at famous players, and they can seize geniuses. Calligraphy is like an ink pig, a village man in dirty clothes and bare feet. The horizontal brace and vertical dragging, the ancient and modern smiles. The cross-legged horse bends the bow and stretches more, and the rigidity and softness are hidden in the force. I know how much I have worked hard for many years, and I was crazy when I was not reading books. Thousands of years of Si people have been obsolete, and only the truth remains. Please look at the rain and wet walls, and the moon shadow is uneven.
Lin Sanzhi Liu Guest Autumn Words Soft Film.
Size 100 33cm
Estimate: RMB 700,000-1,100,000
Price realised RMB 1,725,000
Lin Sanzhi made the Huangshan Chronicle in 1964.
Size 925×33.5cm
Estimate: RMB 300,000-500,000
Price realised RMB 1,725,000
Inscription: The seal of Lin San, longevity.
Style: Written by Lin Sanzhi in late October.
Lot description: Lin Sanzhi, who is mainly a famous calligrapher, although his paintings are not well-known and his paintings are not many, in fact he is one of the only artists after Wu Changshuo who has been most successful in the practice of painting with books. He himself knows a lot about this, and in the "Self-Preface to Lin San's Collection of Calligraphy and Painting", he claimed that "the process of learning calligraphy is the process of learning painting by Yu." Writing with the principle of painting, painting with the principle of writing, influencing each other and smoothing its wit. And his best friend Shao Zihui wrote a poem: "Mr. painting is like writing a book, and the spring snake enters the grass and the summer vine withers;."Mr. writes books like paintings, and the iron paintings are hung with silver hooks. "You know.
Lin Sanzhi made the Huangshan Banshan Temple in 1982.
Size 180 47cm
Estimate: RMB 800,000-1,600,000
Price realised for RMB 1,552,500
Title: The universe is immutable, and objective reason exists. So Huangshan clouds, the new old day replaced. There are guests from afar, take a break in the Banshan Temple. Love trees and clouds, look at the mountains and see the paintings. The ink seeks to be true, and the pen sweeps the vine and the vine is hindered. Temperament determines the liver and lungs, and words dispel weeds. Cunning Mi Xiangyang, willing to bow down. Huangshan Banshan Temple, in August of the year of Renxu, Lin Sanzhi painted in the Xuanwu Lake on the shore of the residence, when there are five out of eighty.
Seals: Poems on the River, Old Men on the River, Half-Crippled, Scattered Letters, Great Auspiciousness.
In 2010, the transaction price of "Four Screens of Landscape Calligraphy" was 11.2 million, and the transaction price of the works often exceeded the estimated price several times, with a total turnover of nearly 500 million yuan in the past three years, becoming the king of the auction in the southern calligraphy and painting market, which shows that the market highly recognizes the works of Lin Sanzhi of the "generation of grass saints".