Dream of Red Mansions is a book written for the daughters of the boudoir, mainly describing the tragic fate of the outstanding daughters. It is worth mentioning that it was the big family of Jiafu that decided the fate of these outstanding daughters. The Jia family is a carrier, carrying the Jia family and these daughters. The Jia family is like a big ship sailing in the turbulent waves of the times, and there is a risk of sinking at any time. In the Dream of Red Mansions, there is an event that is the turning point of the concentrated outbreak of contradictions in the Jia family from prosperity to decline. After this incident, the state of the Jia family shifted from full bed wat to Nan Kemeng.
The Jia family started with martial arts, and the two brothers Jia Yan and Jia Yuan followed the emperor to fight the world, and they had the merit of being a dragon. Jiao Da, an old servant of the Jia family, once said that he followed the grandfather to buy troops and horses, and rescued the grandfather from the pile of the dead, so that the Jia family had this wealth and wealth. The Jia family was therefore trusted by the emperor. Jia Daihua, the second generation of the Jia family, served as the envoy of the Beijing Camp Festival, and held the real power of the soldiers and horses. The Jia family is a family of two dukes, and the four kings and eight princes support each other, and the Jia family is in full power, which corresponds to the state of a full bed.
After that, Jia Yuanchun, the daughter of the Jia family, was promoted to the Shangshu of Fengzao Palace, and was crowned a virtuous concubine, and the Jia family ushered in a prosperous wealth of flowers and fire. But Jia Yuanchun did not bring real benefits to the Jia family, on the contrary, the Jia family spent all their money to welcome the provincial relatives, and all the inner bags were exhausted. Jia Yuanchun did bring superficial prosperity to the Jia family, but it was not useless, and it played a certain role in delaying the decline of the Jia family.
Although the Jia family was raided overnight, the defeat of the Jia family was not achieved overnight. As Jia Tanchun said, a big family like the Jia family is difficult to be defeated from the outside.
It can be known that such a big family, if killed from outside, it will not be able to kill for a while, this is what the ancients once said, 'a hundred-legged insect, dead but not stiff', must first commit suicide from home to self-destruction, in order to be defeated!(74 times).The defeat of the Jia family, as Jia Tanchun said, began with internal suicide, that is, the family fought within and was later killed by external forces. And the book does not directly write about the process of the decline of Jiafu. It is reflected sideways by describing the trivial matters of the boudoir of the daughters. There is an event that is a sign of the Jia family's decline from prosperity, and then the contradictions of the Jia family broke out in a concentrated manner, and the book reflects the frequent tragedies of the daughters. This incident is the Void View Jiao.
Before the Dragon Boat Festival, Jia Yuanchun rewarded the sisters with the Dragon Boat Festival ceremony, Jia Baoyu and Xue Baochai's are the same, and Lin Daiyu's is the same as Jia Sanchun. and also asked Jia Zhen to lead the gentlemen to Qingxuguan for three days. In the Qingxu Guan play, there are three plays: The Legend of the White Snake, The Full Bed Wat and Nan Ke Meng, which hints at the rise and fall of the Jia family. And Qingxuguan Jiao is the turning point of the full bed wat and Nanke's dream. It is the Jia family's internal strife that has turned to the dividing line that is targeted by external forces.
Before the Qingxuguan Jiao Festival, although the Jia family had the infighting between Aunt Zhao's conspiring nightmare Jia Baoyu and Wang Xifeng, it had always been prosperous from the outside. Zhong Ming Ding Food House, the family of Hanmo scholars, and then Jia Yuanchun was crowned concubine, and the Jia family became a real royal relative. There are no external forces here to suppress the Jia family.
Before the twenty-second episode of Dream of Red Mansions, it was all about describing the luxurious and rich life of the Jia family, and the words were full of joy. But the twenty-second Jia Zheng's sad words revealed a coolness, hinting at the ominous fate of the sisters. What followed was the emotional entanglement around Jia Baoyu and the infighting of the Jia family. But this is only an internal problem of the Jia family, and it does not involve outside the Jia family. Until Jia Baoyu met Jiang Yuhan.
Qingxuguan Jiao is an activity that came after Jia Baoyu and Jiang Yuhan exchanged sweat towels. Jiao was followed by internal and external dangers in the Jia family. First, the conflict between Lin Daiyu and Xue Baochai broke out, Xue Baochai was rarely angry, and borrowed the little girl Indigo to find a fan to sarcastically mock Jia Baoyu and Lin Daiyu. Jia Baoyu molested Jin Chuan and was found and punished by Mrs. Wang. The love tragedy between the drama Ling Guan and Jia Qiang first came to an end, and Ling Guan painted Qiang in the rain. Jia Baoyu kicked the attacker in the rain. Qingwen and Jia Baoyu quarreled, and then tore the fan.
After the internal contradictions of these Jia families broke out, suddenly it was the chief historian of the Zhongshun Mansion who came to the Jia Mansion to ask for Jiang Yuhan, which was a danger from outside the Jia family. As Jia Tanchun said, the Jia family first committed suicide from the inside, otherwise it would not be possible to kill from the outside for a while. And the arrival of the chief historian of the Zhongshun Royal Mansion was the beginning of the Jia family's internal strife and turned to be suppressed by external forces.
Jiang Yuhan eventually married the attacker. The attacker is the man in Longyi, and Jiang Yuhan is the box containing the jade seal. Alluding to imperial power. Jia Baoyu and Jiang Yuhan exchanged sweat towels, which meant that the Jia family was involved in imperial power. This is not to say that the Jia family wants to compete for imperial power, but at least the Jia family is involved in the political struggle for imperial power among the princes.
Jia Yuanchun is the person closest to the imperial power of the Jia family, and she ordered Jia Zhen to go to Qingxuguan to fight Jiao, perhaps to ** the fate of the Jia family. The three plays are the answers given by the gods and Buddhas. Jia Mu said that since the gods and Buddhas want to do this, they have to give up. It shows that the Jia family can only resign themselves to fate and accept it. And the dividing line of the Jia family from prosperity to decline is this clear and void view of the fate of the Jia family. After the Jiao fight, the book describes the process of the tragic fate of the sisters, and it is also a concrete manifestation of the internal struggle of the Jia family and the suppression of external forces.