Literary giants in worry How the cult of money erodes the beautiful world in Mo Yan s eyes

Mondo Culture Updated on 2024-01-28

The outstanding writer Mo Yan is not only a recorder of the times but also a guide for the future. As the only Chinese writer to win the Nobel Prize in Literature, his presence is unique. Mo Yan's personal experience has given him unique insight, however, he has repeatedly expressed his concern for the future of mankind in public, believing that the cult of money is destroying everything that is beautiful.

Born in 1955 in the countryside of Gaomi, Shandong Province, Mo Yan suffered from natural disasters as a child. When the country encountered the "W Revolution", Mo Yan chose to return to the countryside and spend 7 years of dullness. After entering the agricultural processing plant, joining the army became a turning point in his fate.

Mo Yan's experience was not lucky, there was no systematic education and the opportunity to change his fate. Joining the army provided him with the opportunity to learn Xi, and after becoming a librarian, he loved reading and became deeply immersed in books. In 1976, he joined the army as he wished, opening a new chapter, and although he was criticized by his fellow villagers, he moved forward with tenacity.

Life in the army changed Mo Yan's fate, and he had the opportunity to continue his studies Xi. During this period, he published his first work, Spring Night Rain (1981), which began his illustrious creative career. Mo Yan's works are often rooted in reality, set in the countryside, clearly showing the past and thinking about the future.

Mo Yan is outspoken about his concern about the cult of money, which he believes is destroying all that is good in the construction of human society, including the literature of which he is proud. He firmly believes that the meaning of his work is to influence people who can change the world, but the pursuit of money makes creators lose their responsibility and society loses the power to change.

Today, material life is abundant, and the economy has achieved unprecedented achievements. However, Mo Yan pointed out that the creator's pursuit of money has emptied the spiritual world and the work has lost its depth. The material and the spiritual are mutually reinforcing, not mutually exclusive, but today's society seems to be willing to succumb to money and lose the motivation to change.

The article emphasizes the symbiosis between material and spiritual, and proposes that while solving the material foundation, we should also pay attention to spiritual construction. Over the past 100 years, humanity has developed rapidly, but the cult of money has slowed us down. The author calls for deep reflection and responsibility to change the world.

Human development should not stand still, and we should have more ambitious goals. From the use of tools by primitive people to the Age of Discovery, humans continue to explore the unknown. Writers may not be the most rational, but they are the most emotional, they record the changes of the times and faithfully express their hopes for the future.

Mo Yan's worries are not unfounded, and the cult of money is threatening the construction of a better society. The article calls on readers to think deeply, cherish the symbiosis of material and spiritual, and take responsibility for changing the world. Driven by curiosity to explore the unknown, we should move towards a better future.

As a great master in the field of Chinese literature, Mo Yan's works and life experience profoundly reflect the changes in Chinese society and the bumpy course of individual struggle. This article provides an in-depth analysis of Mo Yan's life, creation, and worries about the cult of money, which provoked me to think deeply about the relationship between literature and society and the direction of human development.

First of all, the essay vividly depicts Mo Yan's rich and bumpy life journey, from being born in the countryside, experiencing natural disasters and turbulent times, to joining the army, this series of experiences provides a rich life background for his works. This also made me realize that the source of a writer's creativity often comes from the profound accumulation of life, and his perception of life and unique insights into society run through his works.

Second, the article makes a powerful exposition of Mo Yan's concerns. Mo Yan believes that human beings are falling into the cult of money, and this phenomenon is destroying all the beauty of human construction, including literature. This makes me think deeply, the rapid development of modern society has indeed brought material prosperity to people, but at the same time, it has also brought excessive pursuit of money. In this process, whether literature as a spiritual force has been diluted, and whether writers have lost their original creative intentions because of their external successes are all issues that society needs to think about urgently.

The article also emphasizes the symbiotic relationship between the material and the spiritual. While the improvement of material life brings comfort and abundance, the spiritual level also needs to be enriched and satisfied. The author pointed out that creators should maintain a sense of responsibility to society, pay attention to social issues, and use their works to arouse people's thinking about a better society. It reminds me that literature still plays an indispensable role in modern society as a tool for reflecting society and enlightening people.

Finally, the article calls on people to remain curious about the unknown by making a sense of confusion about the future. This reminds me to keep an open attitude towards new things in social development, and to keep exploring and innovating, rather than stagnation because of short-term material achievements.

Overall, this review profoundly dissects Mo Yan's works and concerns, and through thinking about the relationship between literature, society, and individual development, it provoked me to think deeply about the role of literature in contemporary society and the direction of human development. In modern society, we need more writers like Mo Yan who pay attention to society and the fate of mankind to guide us to think and explore the direction of the future.

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