Chang'an ancient meaning
Lu Zhaolin Tang Dynasty
Chang'an Avenue is even narrow and sloping, and the green cow and white horse are seven incense cars. The jade chariot crossed the main house, and the golden whip flocked to the Hou family. The dragon title covers the sunrise, and the phoenix spits tassels with the sunset. Hundred-foot gossamer scrambles around the tree, and a group of delicate birds cry together. On the side of the thousand doors of the swimming bee and butterfly, the green tree and the silver platform are of ten thousand colors. The double road crosses the window as a acacia, and the double que is connected with the wings of the phoenix. The Liang family painting pavilion rises from the sky, and the golden stem of the Han Emperor is straight outside. I don't know each other in front of the building, and I don't know each other. By asking ** to Ziyan, he once learned to dance for a long time. If you have to become a muddle, why die, and be willing to be a mandarin duck and not an immortal. The flounder mandarin duck is really enviable, and the double goes and the double comes to the king. The hated account is embroidered with a lonely luan, so as to take the door curtain and double swallow. Shuangyan flies around the painting beam, and Luo Weicui is tulips. Pieces of clouds are lined with cicada temples, and the slender early moon is crow-yellow. Crow yellow powder white car**, delicate and emotional. The demon boy BMW is even rich, and the prostitute is on his knees. The dark night cries in the Imperial History Mansion, and the birds in front of the Tingwei Gate want to perch. Faintly Zhucheng Linyu Road, far away Cui Wan no golden embankment. Bomb flying eagle Duling north, Tan Pill borrowed the west of Weiqiao. Invite the chivalrous Furong Sword to stay with the prostitute. The prostitute skirt at dusk, the atmosphere of the song is full of mouth. The north hall is like the moon at night, and the south is like a cloud. Nanmo and Beitang are connected to Beili, and three of the five dramas control three cities. The weak willow and green acacia are hanging on the ground, and the good air is red and the dust rises in the dark sky. In the Han Dynasty, Jin Wuqian rode in, and the jade slaughtered Su parrot cup. Luo Xiangbao belt is the king's solution, and Yan Ge Zhao dance is the king's opening. Don't have a luxury called the general, and the day will not give in. The origin of the spirit is the drain and irrigator, and the dictatorship does not tolerate Xiao Xiang. The authoritarian spirit is heroic, and the green and purple swallows sit in the spring breeze. He said that he had been singing and dancing for thousands of years, and he called himself arrogant and extravagant. The scenery of things does not treat each other, and the mulberry field and blue sea must be changed. In the past, the gold-level white jade hall was now only seen in the green pine. Lonely and lonely Yangzi dwelling, a bed of books every year. The unique Nanshan osmanthus hair, flying around and attacking people. 
The avenues of Chang'an connect various alleys and streets, and cars and horses are constantly coming and going.
The cars of the princes and nobles shuttled outside the mansions of the nobles, and there was an endless stream.
The car with a dragon carved on the hood and a phoenix mouth hanging on the tassel on the lid travels through Chang'an from morning to night.
Silkworm silk flutters on the trees, and a flock of small birds sings on the flowers.
Bees and butterflies flock on both sides of the palace gates, and green trees and silver steps show a variety of colors in the sunlight.
The pavilion and window of the mansion are carved with the pattern of acacia flowers, and the ridge of the two watchtowers is like a golden phoenix spreading its wings.
The painting pavilion of the Liang family is tall and towering, and the copper pillars built by Emperor Wu of the Han Dynasty are towering into the clouds.
The ladies in the pavilion looked at each other, not knowing each other's identities;When you meet on the road, will you recognize each other?
When asked if they would **, they replied that they had learned to dance and spent their youth.
As long as you are with your loved ones, you will be willing to die even if you dieAs long as you are accompanied by your loved ones, you would rather be mortal than jealous of the gods.
Flounders and mandarin ducks are something to envy, but it's a pity that the king can't see them in pairs.
I hate the lonely peacock in front of the embroidered tent, and I am willing to paste the door curtain with swallows flying around the flowers and wooden beams.
Swallows flying around the beams of flowers and trees, curtains and emerald feathers sprinkled with the fragrance of tulips.
The flowing hair is like a flowing light cloud, combed into a cicada-like hairstyle, and a crescent-like pattern is drawn on the forehead.
Each forehead is painted with a tender yellow crescent, and the beautiful women with red lips and white lips are traveling with the car, they are charming and moving, and there are all kinds of charms.
A frivolous young man rode a horse with blue dots on a white background, and a singer sat on the carriage, and hinges with dragon patterns surrounded the carriage.
The crows could be heard in the silence in front of the Forbidden Army's Mansion, and there were birds in the trees in front of the Tingwei's Mansion that wanted to rest.
The luxurious street next to the mansion could be seen faintly from the carriage, and the curtain of the car obscured the sturdy river embankment in the distance.
Some people hunted in the north of Duling, and some assassinated officials on the west side of Weiqiao.
Later, the Assassins with swords were attracted to stay in brothels and spend the night with them.
The prostitutes miss the prostitutes night and night, their melodious singing and the fragrance of their bodies filling the room.
The prostitutes rejoiced with the prostitutes who were as beautiful as the moon every night, and when the morning came, they rode away as if they were sailing.
The streets of the brothel stretch all the way, crisscrossing the streets of Chang'an and connecting to the market.
The hanging willows and locust branches touch the ground, and the noisy sound of chariots and horses echoes in the night.
The cavalry of the Praetorian Army arrived, and they drank in the brothels.
The prostitutes took off their beautiful dresses for them and danced.
The dignitaries vied for power, and were loyal to the emperor and excluded each other.
The powerful could not tolerate virtuous ministers and excluded them everywhere.
Authoritarian people are like heroes and heroes, and they are complacent on horseback.
The prostitute thinks that his dancing skills are better than those of the ages, and the hero thinks that he is richer than the Five Princes.
The world is unpredictable.
What was once a luxurious mansion now has only a few green pines.
In the Han Dynasty, after being disappointed in his career, he was willing to be lonely, concentrating on writing books year after year, and finally went down in history with his articles.
Only some osmanthus flowers on the South Mountain are flying, falling on people's sleeves.
Chang'an Ancient Meaning is one of the representative works of the Tang Dynasty poet Lu Zhaolin, this poem takes Chang'an as the background, through the description of the ancient capital Chang'an, expresses the poet's nostalgia for the ancient meaning of Chang'an and the emotion of reality. The following is a detailed appreciation of the poem.
1. Background.
Chang'an Guyi is one of the representative works of the Tang Dynasty poet Lu Zhaolin, which takes Chang'an as the background, and expresses the poet's nostalgia for Chang'an and his feelings for reality through the description of the ancient capital of Chang'an. Chang'an was the political, economic, and cultural center of the Tang Dynasty and one of the most prosperous cities in the world at the time. Through the depiction of Chang'an, the poet shows the image of a city full of historical vicissitudes and humanistic atmosphere.
2. In-depth analysis.
At the beginning of the poem, "Chang'an Avenue is narrow and sloping, and the green ox and white horse seven incense carts" directly points out the characteristics of Chang'an, the avenue is connected to the path, and the four horse incense carts are stepping on the grass to find spring. Here the poet uses concise and clear language to describe the prosperous scene of Chang'an Avenue, and at the same time hints at the prosperity and affluence of the society at that time.
Next, the poet vividly showed the prosperity and luxury of Chang'an by depicting gorgeous scenes such as the vertical and horizontal of the jade chariot, the golden whip, the dragon title treasure cover, and the phoenix tassel. These depictions not only show the material prosperity of Chang'an, but also reflect the cultural outlook of the society and the aesthetic tastes of the people at that time.
However, as soon as the poet's pen turned, there was a scene of "hating the lonely luan embroidered on the forehead, so as to take the door curtain and double swallows". The poet hates the embroidery of solitude on the account because it is a symbol of loneliness, and instead likes to put the pattern of the double swallow on the door curtain, because the double swallow represents happiness and joy. This contrast highlights the poet's reflections on loneliness and happiness, reality and the past.
In the following sections, the poet shows the cruelty and ruthlessness of reality through the depiction of prostitutes. However, even in such an environment, the poet still does not forget the pursuit of beauty. He depicted gorgeous scenes such as the demon boy BMW Tielianqian and the prostitute Panlong Jin bending his knees, as well as realistic scenes such as the dark night cry in the Imperial History Mansion and the birds in front of the Tingwei Gate. These scenes not only show the poet's criticism and satire of reality, but also express his yearning and pursuit of a better future.
In the end, the poet ends with "the unique Nanshan osmanthus hair, flying around and attacking people's clothes", using flowers to imply good memories and nostalgia for the past. This ending is both concise and poetic, elevating the theme of the whole poem.
3. Artistic characteristics.
Gorgeous depiction: Lu Zhaolin used a lot of gorgeous language and imagery in "The Ancient Meaning of Chang'an", such as "the jade chariot crosses the main place, and the golden whip flows to the Hou family", "the dragon title treasure covers the sunrise, and the phoenix spits tassels with the sunset" and so on. These depictions not only show the prosperity of Chang'an, but also reflect the cultural outlook and people's aesthetic tastes during the Tang Dynasty.
Contrast: Lu Zhaolin uses the technique of contrast in his poems, contrasting the prosperity of the past with the dilapidation, loneliness and happiness of the present, highlighting the poet's thinking on loneliness and happiness, reality and the past. This contrast not only enhances the artistic effect of the poem, but also makes the theme of the poem more profound.
Criticism and Satra: Lu Zhaolin criticizes and satirizes reality in The Ancient Meaning of Chang'an. In his poems, he depicted the dilapidated house of prostitutes and the deserted scene in front of the Imperial History Mansion and Tingweimen, expressing his dissatisfaction with reality and his yearning and pursuit of a better future. This kind of criticism and satire not only reflects the poet's ideological concepts, but also reflects the practical problems of the society at that time.
Symbolic meaning: Lu Zhaolin uses symbolic meaning in the poem, using flowers to symbolize good memories and nostalgia for the past. This symbolic meaning not only enhances the artistic effect of the poem, but also makes the theme of the poem more profound.
Structural rigor: Lu Zhaolin uses rigorous structural design in The Ancient Meaning of Chang'an. The whole poem begins with the description of the prosperous scene of Chang'an, gradually unfolds the nostalgia for the past and the emotion of the reality, and finally ends with the yearning and pursuit of the future. This rigorous structural design makes the whole poem a complete artistic whole.
Fourth, personal opinions.
"The Ancient Meaning of Chang'an" is a poem full of history and humanistic atmosphere. Through the depiction of Chang'an and the criticism and satire of reality, the poet Lu Zhaolin expressed his nostalgia for the past and his feelings for reality. The whole poem has gorgeous language, vivid imagery, rigorous structure, and profound theme, showing the poet's superb artistic talent and profound thinking about reality. In the process of reading this poem, I deeply felt the vicissitudes of history and the joys and sorrows of the world during the Tang Dynasty, and also felt the poet's yearning and pursuit for a better future. I believe that this poem will forever be engraved in my heart and become a valuable treasure on my life path.