Yi Nian Guan Shan" is finished, and the picture of Ren Ruyi's light yarn man dance still lingers in my mind. Liu Shishi's comeback work is indeed a good choice: the characters in the play are both tender and gentle and moving, which is convenient for her to show her dancing skills;Most of the time, it is a burst again, which is very in line with everyone's desire to see strong women at the moment. But to say that she got the role of a big heroine, it's still not true. 
Of course, Ren Ruyi has a lot of seemingly sober golden sentences in the play. For example, when Linglong was advised not to be trapped by men, Ruyi said:
and Yang Ying talked about being educated to "marry a good colt", Ren Ruyi told her that she was more comfortable being single. Moreover, Ren Ruyi's behavior of planning to leave his father and son was once considered "brave" by everyone, and the audience was also very happy to watch. However, these conversations and behaviors are designed too deliberately, and you can feel that they are to cater to the market, but they themselves are completely untenable. Ren Ruyi asked Linglong not to fill in his life for a man, but in the follow-up cooperation with the mission team, he filled in his life several timesHer own main task is to use Ning Yuanzhou's resources to find out the cause of Empress Zhaojie's death;The side quest is to kill the enemies on the list. 
But in the subsequent actions, Ren Ruyi basically followed the mission as the main task. She and Ning Yuanzhou agreed on three chapters, saying that they would never get involved too much, but in fact, they would do everything themselves, and those who could get out of the horse would do their best.
When he helped them face Tianxingxia, he knew that he had not yet recovered inside, and he firmly said that he could assassinate the first general. At the cost of removing an arm. 
If you jump out and look at it, I really feel that this kind of assistance and dedication is too strong. And then there are the words to Yang Ying, Yang Ying is an unpopular princess, if it weren't for the sealing, she wouldn't have to take the risk of this "tanuki for the prince".
In ancient times, women were not allowed to make their own decisions about their marriages, especially the daughters of famous and noble families and relatives of the emperor, usually as a tool for exchanging interests. 
Ren Ruyi's celibacy is not an option that Yang Ying can reach.
Talking like this, it doesn't make much sense, at most she encourages Yang Ying not to be a little princess in captivity in the harem, and it is quite helpful to encourage her to get rid of her status as a royal prince and noble.
Like, it's not realistic. There is also a bully who gives birth to a baby with a hard bow, probably to reflect the strength of women. But in the relationship between the sexes, to replace the previous active performance of men, it is a very empty "strong woman". 
If you really want to go to the Father's determination to keep the Son, it is not necessary to do it in a high-profile manner, so that the whole mission will know about it. Taste it carefully, does it feel like a serf turned over and sang?
Women's firmness, assertiveness, and strength really don't need to be shown in this way. I understand the film and television dramas in recent years, and I want to echo and get closer to the reality of the rise of female power.
The previous female characters were all foiled by the existence of the male protagonist;But now, there is another kind of green and yellow, and there will be more or less some of these previous routines in the plot, and the whole wants to create a big heroine, so there is a feeling of forcibly setting the frame - the heroine is so strong that she is **, and she has a beautiful face + superb martial arts + full double business. was forced to a dead end when she was miserable, and she gritted her teeth countless times. 
Relying on the acting skills of the actors, it can indeed make the audience cry at the moment. But when you look at the big picture, it's really hard to empathize. So after watching it, you will find that it is refreshing, but the audience can't actually get inspiration and thinking from it. In the author's opinion, the real big heroine drama should figure out the two points of "motivation" and "reaction and performance after being hit to the bottom". It's not that you blindly want the heroine to have a career, and you are not allowed to fall in love. The core of independence should be to respect one's own heart and not make judgments due to external interference. Making a no-regret love choice out of your heart is equally attractive, but don't be coerced by other ingredients. 
In the episode where Ning Yuanzhou almost died, Yu Thirteen specially chatted with Ren Ruyi. Regarding the dialogue between the two of them, I have also analyzed it in this article, and interested friends can review Yi Nian Guan Mountain: Seeing Yu Shisan's efforts to maintain the relationship between Ren Ruyi and Ning Yuanzhou, I suddenly wanted to abandon the drama.
I think it was very fascinating when Ren Ruyi was determined to assassinate the Wolf King of Beipan.
This decision was made by her deliberately, and on the whole, it should be a martyrdom for the country, because she did die a worthwhile death. But after Ning Yuanzhou's death, this decision will appear to be mostly emotional, and to some extent, it weakens the heroine's personality charm. 
The mission and growth of the female protagonist are relatively smooth to achieve by themselves, but after Ren Ruyi met the male protagonist, her life was largely bound to the male protagonist. The only struggle was the discussion of birth or accession. In the end, I didn't talk about the reason, and I took the opportunity of the male protagonist almost dying to play a tai chi. See, this is another distracted choice. The second point is to see how the heroine faces the darkest moments of her life.
When it is smooth, it is to show the heroine's wisdom and bravery, so when she can't win, what should she do?
It is often a reversal, which will make the audience more emotionally invested in the character. 
Ren Ruyi's predicament, most of the pain is in love. As for herself, the obstructed level is just a stumbling block for Li Tongguang, who is obsessed with herself, and Zhu Yiwei's right envoy wants to kill her.
It's all within the range of any Ruyi, and it's all easily solved. You will find that these threats are painless, like being lifted high and gently lowered. Even in the process of solving these difficulties, she still had the kung fu to separate the eldest prince and the second prince, and killed one of them.
is too attacking, the big heroine drama is not enough to be cool, and the audience still wants to see a sense of power in it. is the kind of sense of blood that after watching the drama, I feel that as a woman, no matter how difficult and bitter it is, I can control my own life with my personal wishes.
Therefore, Ren Ruyi seems to be chic and wanton, but he still hasn't been able to get out of that shackle. It's a pity, this role is both beautiful and sassy, and it should have been better played.