Huang Zhou's artistic journey can be divided into three stages: early, middle and late, each with its own unique style and characteristics.
In the early days, Huang Zhou's works were vivid, dripping with pen and ink, both form and spirit, and the meaning of brush and ink was quite high. Although his works are closely related to tradition, he is not confined to the constraints of tradition, but integrates tradition and modernity through his own brush and ink language, forming his own unique artistic style.
In the middle period, Huang Zhou's works use strong ink and color, realistic images, and pursue grandeur and courage. Through in-depth observation and experience of life, he integrates the details and feelings of life into his works, which makes his works have a more profound ideological connotation and emotional expression.
In the later period, Huang Zhou paid more attention to the importance of sketching, and strengthened the sketch into the frame, and the cheerful brush and ink would be swayed to establish his own characteristics. His sketches are smooth and powerful, unrestrained in style, and vivid in imagery. He uses sketchwriting as an important means of his artistic creation, capturing the moments and feelings in life through sketching, making his works more vibrant and infectious.
Huang Zhou is good at using sketches to capture the characteristics of characters or animals, with smooth and powerful lines and unrestrained style. The donkey shape he painted is accurate and vivid, the technique is concise and concise, and many cumbersome details are removed, the sense of light and shade and volume is weakened, and the vividness of the donkey and the free flow of brush and ink are highlighted. His donkey paintings not only have high artistic value, but also show us a unique artistic style and creative techniques.