Heng Mei coldly pointed at Qianfu, bowing his head and being willing to be a son of a cow. This is a two-line poem from Lu Xun's "Self-deprecation". The whole poem: What do you want to get the canopy, but you don't dare to turn over. Broken hats cover up the city, and the leaky boat carries wine in the middle of the stream. Heng Mei coldly pointed at Qianfu, bowing his head and being willing to be a son of a cow. Hide in a small building and become a unity, taking care of him in winter, summer and spring and autumn.
Lu Xun's real name was Zhou Zhangshou, and he was later renamed Zhou Shuren, and later renamed "Zhou Shuren". A famous proletarian writer, thinker, and revolutionary in modern China, formerly known as Yushan, also known as "Yushan", also known as "Yucai", is a native of Huiji County, Shaoxing, Zhejiang.
Heng Mei coldly pointed at Qianfu, bowing his head and being willing to be a son of a cow. is the essence of the whole poem. It means: Horizontal eyebrows and anger towards those who are ruthless and unrighteous, spit on by ten thousand people, bow down to the people, and be willing to be children. These two lines express his patriotism and patriotism, and show his noble sentiment of never giving in to the enemy and dedicating himself to the people. These two lines are also a true portrayal of the author's life.
The following is the calligraphy of 20 people, including Lu Xun, Guo Moruo, Sha Menghai, Shu Tong, Qi Gong, Wu Zhongqi, Fei Xin, etc.
There are two translations of Lu Xun's Dream of Red Mansions, one is vigorous and chic, the other is restrained and subtle, and the other is simple and steady.
Guo Moruo's calligraphy dragon flying phoenix dance, the pen is strong, the pen is sharp, especially the red font, which is even more shocking.
Mao Dun's calligraphy is vigorous and powerful.
Each of Sha Menghai's four versions is a dragon flying and a phoenix dance.
These two translations of Shu Tong are both mellow and simple.
Qi Gong's paintings are beautiful and refined, with an external softness and inner fortitude.
There are two versions of Wu Zhongqi, both of which are majestic and magnificent.
Fei Xin's calligraphy is powerful and has a strong rhythm.
Shen Yinmo's paintings are mellow, strong, neutral, and subtle, with distinctive artistic characteristics.
Xiao Xian's handwriting is calm, elegant, and majestic.
Xie Zhiliu's calligraphy is a rare big opening and closing, unrestrained big opening and closing.
Ren Zheng's calligraphy is steady, rigorous and beautiful.
Liu Haisu's calligraphy is calm and atmospheric, which is breathtaking.
Chen Moran, under the guidance of the great calligrapher Shen Yinmo, the calligraphy dragon and phoenix dance, majestic and extremely domineering.
* The calligraphy pen is strong, straight, simple and simple.
Feng Zikai's calligraphy is vigorous and powerful, simple and unpretentious.
Li Guolian's folding fan has a rigorous structure and a unique charm.
This is the writing of wooden fish and stone tablet, which is the most beautiful and refined.
Jiang Kun's calligraphy is handsome and chic, and he has some skill, and the former sentence is not as natural as the latter sentence. He had never seen anyone write an 'eyebrow' in this way.
Zhao Zhongxiang's calligraphy style is fresh and simple. Some words are hard to read.
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