This year, the NetEase Cloud** platform announced the list of the most popular singers, and the news that Hua Chenyu won the award has attracted widespread attention and discussion. Although Hua Chenyu has a huge popularity and fan base in the mainland ** circle, his ** works have always been controversial.
At the same time, Daolang, who was once in the limelight, also caused a sensation again this year with a hit single "Rakshasa Sea City", and achieved a total of more than 10 billion, but failed to win any awards. This result has aroused people's doubts and reflections on the world.
Hua Chenyu has always been a popular figure in the mainland's ** circle, and his concerts can always attract a large number of fans.
However, despite the extremely high traffic and popularity, Hua Chenyu's ** works are often questioned, and even accused of lacking real masterpieces.
His adaptation of songs has caused controversy, for example, he previously adapted Pu Shu's masterpiece "Ordinary Road", but was criticized by Pu Shu, questioning Hua Chenyu's creative ability.
Such a controversial singer actually won the award of the ** platform, which makes people wonder. At the same time, Daolang's comeback has also become a hot topic in the ** circle.
Although he has achieved great success in the ** world, Daolang has been forgotten by people due to years of silence, but with the song "Rakshasa Sea City", his popularity is once again close to the top, and "Few Mountain Songs" has achieved a total of more than 10 billion.
Daolang has always been a singer who focuses on his works, and his ** is full of a strong traditional cultural atmosphere, and has been well received by his predecessors in the industry.
However, it is a pity that such a high-profile singer did not receive any recognition at this year's awards ceremony. What's even more touching is that "Umezi Sauce", which was selected as a single this year, turned out to be the work of the controversial composer Li Ronghao.
This result also caused people to think deeply, and the situation of Daolang in the ** circle ten years ago and ten years later does not seem to be much different. In such a situation, it is understandable that the ** platform chose to award the grand prize to Hua Chenyu and Li Ronghao.
After all, the entertainment industry pays more attention to traffic and commercial value, in contrast, Daolang's focus on creation does not meet the current mainstream needs. This also makes people sigh at the reality of the entertainment industry and the sadness of the entire music scene.
Whether it is Hua Chenyu's controversial or Daolang's comeback not being affirmed, the results of this ** award have triggered people's deep thinking about the ** world. In the current era of commercialization and traffic first, will excellent creations be ignored?
Perhaps this is not only a controversy over the awarding of awards, but also a reflection on the development direction of the industry. It is hoped that in this context, excellent works can be more recognized and promoted, so that the real value can be highlighted.