Lyrics by Pan Zhen, music by Zhang Dichang, and sung by Li Shirong and Wen Minglan with the characteristics of Yi folk songs, "Burmese Osmanthus Blossoms Ten Miles of Incense" is an episode of the anti-special film "The Mysterious Traveling Companion." After the film was released in the fifties of the last century, it was generally praised by the audience and has been sung to this day.
Burmese osmanthus is a kind of plant in the Yi nationality area of Yunnan Province, China. It is white, fragrant, and symbolizes pure love. The connotation of the song is rich, which not only creates a peaceful and stable environment atmosphere for the natural scenery and customs of the border area, but also helps the plot of the struggle against the enemy and the love established by the young men and women of the Yi nationality in the struggle to defend the frontier.
The song absorbs the characteristics of the sweet timbre and cheerful rhythm of the Yi folk songs, and deliberately makes a perfect artistic treatment in the first movement, so that the beginning of the song is raised from the low part to the high part and then jumps to the third scale, like a mountain cliff and a waterfall, with the handsomeness of a high place, and then flows straight down, gurgling and tactful, and floating with a lingering aftertaste.
The actor Wang Xiaotang, who played Xiao Liying, was on the screen for the first time at that time, so he put forward a bold idea to advance the actor's facial expressions in the first movement of the Burmese osmanthus blooming ten miles of incense from "ten miles of incense" to the "opening" of the Burmese osmanthus, and the actors should raise their faces in the treble department. Recognized by director Lin Nong. The forward movement of this facial expression, the portrayal of the character's personality and even the tone of the entire plot are all glorious strokes.
A good film interlude, as well as other excellent songs, is a crucial part of capturing the listener's emotions in the first movement. Even if it doesn't shock the listener in the first movement, there should be a movement in the whole song that makes "this sentence" linger in the listener's mind.
If that happens, that's enough. "This sentence" is also something that songwriters, directors, screenwriters, and even singers have worked hard to seek.
Classic Song Review
Dazhong poetry and painting (191-195).
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