The scenery of the south of the Yangtze River is infinite, and the beauty of the West Lake is undoubtedly intoxicating. However, without the Leifeng Pagoda, this lake and mountain scenery may be just an illusory phantom. Leifeng Pagoda has become the world's attention with its profound cultural heritage, especially in the south of the Yangtze River, the history of child-seeking culture is long, and the story of the Song Dynasty child-seeking related to Leifeng Pagoda is even more beautiful and moving.
Hangzhou is located in the southeast, with pleasant natural scenery, and Xizhao Mountain has become an ideal place for people to climb high and pray. At the end of the Yu era, the reproductive culture of seeking children took root in this ancient land. Even in the late Neolithic period, the worship of male gods and goddesses continued to permeate and became an expression of fertility and childbearing. Archaeological excavations have revealed that the ancient ancestors in the Jiangnan area once worshipped male roots and female yin, and although their survival ability has improved, natural disasters and diseases are still irresistible challenges.
Human deaths, especially the untimely deaths of children, underscore the importance of having children. In the Dayu era, the strength and survivability of the clan were closely related to the number of members, and the death of each member was a huge loss. Therefore, asking for a child from the gods of famous mountains and rivers became an extremely important ritual at that time. The fertility cult is not only rich and unique in content, but also has a profound influence on future generations. The Yue people in Jiangsu and Zhejiang regions have been passed down to this day, and they hold activities to eat dirty and pray to the gods to give their children.
Qian Yue, the king of Wuyue, built Leifeng Pagoda because of his son. Wu Yueguo was founded in the hands of Qian Miao, a native of Lin'an, and its capital was in Hangzhou. In the turbulent times, the policies of "doing good deeds to China" and "relieving the army and relieving the people" enabled Wu Yueguo to settle down in the southeast corner. This country regards itself as the "Southeast Buddhist Country", Buddhism flourishes, and the kings of Wuyue all believe in Buddhism. The last king Qian Yu did his best to repair temples, build towers, carve scriptures, and promote Buddhism. The Wuyue region escaped the destruction of Buddha in the troubled times, and Buddhism was continued here.
During the reign of Qian Li, Buddhism was widely cultivated, especially in Hangzhou, where the Lingyin Temple was repaired, and the Liuhe Pagoda, Baochu Pagoda, and Leifeng Pagoda were built. Following the story of Ashoka in India, he built 84,000 Ashoka pagodas and awarded them to Japan. Qian Li's devotion to faith is not only manifested in the cause of Buddhism, but also on a personal level. In order to atone for his sins and pray for healing, he imitated Emperor Ashoka in building pagodas, of which Leifeng Pagoda became the most famous. Legend has it that Qian Yu's favorite concubine Huang has not been able to give birth for many years, and in order to let Huang give birth to a son, he personally ordered the construction of Leifeng Pagoda on Xizhao Mountain. The pagoda houses Buddhist scriptures and a large number of Ashoka pagodas. After praying, Huang became pregnant and gave birth to a son for Qian Li. As a result, Leifeng Pagoda became a holy place for the Buddha to ask for children at that time and in later generations.
The construction of Leifeng Pagoda is not only a religious building, but also a king's wish for the continuation of the family and the prosperity of the country. During its construction, each Ashoka pagoda carries the beliefs and expectations of Qian Yu. This kind of pious belief not only had a far-reaching influence at that time, but also was praised by later generations, making Leifeng Pagoda a business card of Hangzhou.
Where does the mysterious power of Leifeng Pagoda come from?This is not only a building, but also a witness to the culture of seeking children in Jiangnan. It bears witness to the ancient people's desire for fertility and their dedication to the reproduction of their offspring. Leifeng Pagoda has become a symbol of Wu Yue Kingdom, and it is the embodiment of Wu Yue people's faith.
To this day, Leifeng Pagoda still stands on the Sunset Mountain, carrying the vicissitudes of the past years. Its existence reminds people of the ancient child-seeking culture and feels the piety and perseverance. Leifeng Pagoda is not only an ancient building, but also a witness of history and a cultural inheritance. Perhaps, in modern society, we can't fully understand the beliefs of people at that time, but Leifeng Pagoda has its unique charm that makes people constantly think about the deep connotation of ancient culture.
In the shadow of Leifeng Pagoda, the monarchs and ministers of Wuyue Kingdom sincerely believe in Buddhism, praying for the reproduction of children and grandchildren, and the peace of the country and the people. Leifeng Pagoda carries not only the faith of a country, but also the ardent expectation of a generation for life. It shines in the long river of history and has become a treasure of Jiangnan child-seeking culture.
The mystery of Leifeng Pagoda blends with the culture of seeking children in the south of the Yangtze River, making this article a thought-provoking historical story. First of all, by describing the historical origin of Leifeng Pagoda, this article cleverly reveals the development and evolution of child-seeking culture in the Jiangnan region. This culture is not only rooted in the local geographical environment, but also deeply reflects the desire of ancient humans for fertility and family continuity. The article cleverly takes the sunset mountain as the background, and integrates the reproductive child-seeking culture of the Dayu era into the natural scenery, so that readers can feel the scene of people climbing high and praying at that time.
As the protagonist of the article, Qian Yu, the king of Wuyue, made the article more vivid through his belief in Buddhism and his efforts to promote the cause of Buddhism. In particular, Qian Yu followed the story of Ashoka in India and built the Ashoka Pagoda, among which the Leifeng Pagoda was the most famous, which was built for his wife Huang to seek a son. This legend not only shows Qian Yu's faith and piety, but also lights up the mysterious brilliance of Leifeng Pagoda. Leifeng Pagoda is no longer a simple building, but carries the expectations and prayers of a king, and has become a symbol of asking for a son from the Buddha at that time and in later generations.
The reputation of the "Southeast Buddha Country" of Wuyue Kingdom mentioned in the article and the prosperity of Buddhism in the Wuyue region have made the Buddhist culture inherited in this land. The pious beliefs of the monarchs and ministers of Wuyue and the local people have built a picture of national peace and cultural prosperity. During the reign of Qian Yu, the prosperity of Buddhism, as well as the construction of pagodas, carving scriptures and other activities, contributed a lot to the cause of Buddhism in the Wuyue area, and achieved the reputation of "Southeast Buddhism".
Finally, through the review of Leifeng Pagoda, the article makes it not only an ancient building, but also a witness of a piece of history. The existence of Leifeng Pagoda makes people reflect on the beliefs of ancient people and their efforts to continue the family and prosper the country. Through this historical story, the article arouses people's respect and thinking about traditional culture.
Overall, this article profoundly shows the close connection between Leifeng Pagoda and Jiangnan Qiuzi culture through clever narrative techniques. At the same time, through the story of Qian Yu, the king of Wuyue, history and faith are integrated, so that the whole article has both historical depth and cultural connotation. Such articles not only provide readers with a wealth of historical knowledge, but also stimulate thinking about cultural inheritance.
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