There is no chrysanthemum here, and there is no chrysanthemum.
A brief comment on the seven-law poem of "Anhui Poetry Garden" editor-in-chief Li Dazhi's "Yongdai".
Wen Hu Jiyuan.
Yongdai" Author: Li Dazhi (Anhui) likes to be proud of the late frost in early winter, and the flowers are fragrant. Ye Sheng is cold and dewy at night, and the night garden is quiet, and the sky is cold and the moon is cold. Wonderful borrowing of Yi'an's mercy and thinness, adding to the intoxication of the long. Don't be surprised that the autumn flowers of the old garden are light, and the wind and bones have entered the jade chapter for thousands of years. The title of this poem is "Yongdai", but there is not a single chrysanthemum between the lines. Is it off topic?Definitely. Although there is no chrysanthemum in the poem, there is a chrysanthemum fragrance in every word, a chrysanthemum shadow in every sentence, and a chrysanthemum soul in the line. Why?This is because the author cleverly borrowed seven allusions, which reflected the various postures of the chrysanthemum and tasted the fragrant fragrance of the chrysanthemum from the allusions.
The first couplet "A Hundred Flowers Bloom and Fragrance Alone" writes the power of chrysanthemum and tyrant ("Wait until September 8 in autumn, I will kill a hundred flowers after the flowers bloom", "Not the first and then Fu Chrysanthemum" Tang. Yellow Nest). The jaw couplet "Fu Yi Cold Sky and Residual Moon Cool" wrote the cold and fragrant chrysanthemum ("Cool Night and Residual Moon Cold Autumn Bully, Drunk Lying on the Ice Bed and Sleeping Late" "Reunion Occasional" Tang. Han Hong). The couplet "Wonderful Borrowing Yi'an Pity and Thinness" writes the feeling and affection of chrysanthemums ("The curtain rolls the west wind, and people are thinner than yellow flowers" and "Drunk Flower Yin. The mist is thick and the clouds are sad for eternal day" Song. Li Qingzhao). "Qing Tian Tao Ling Drunk Love" wrote the leisurely and drunk chrysanthemum ("Picking chrysanthemums under the east fence, leisurely seeing Nanshan", "Drinking" Wei Jin. Tao Yuanming, "Tao Ling chrysanthemums are still there, I don't know if I am willing to drink a cup or not" "and Jiang Longtu" Song. Xu Ji). The tail couplet "Mo Jing Lao Pu Qiu Hua Dan" writes the character and virtue of the chrysanthemum ("Although I am ashamed of the old garden autumn appearance, and look at the yellow flowers and evening fragrance" "September Water Pavilion" Song. Han Qi). The last sentence "Wind and bones enter the jade chapter for a thousand years" contains two allusions. "Wind Bone" is from Li Bai's "Dapeng Fu. And preface": "Yu used to be in Jiangling, and saw Tiantai Sima Wei, which is said to have fairy wind bones. "Jade Chapter" comes from Song Li Zhongguang's poem "Wuyi Ziyan Peak": "Langlang recites the Jade Chapter, trying his best to explore Xiyi." "Feng Gu" writes the style and temperament of chrysanthemum, and "Jade Chapter" refers to Taoist scriptures, poems, calligraphy, calligraphy and painting. "Wind and bones thousands of years into the jade chapter" only seven characters and two dictionaries to write chrysanthemums have been recorded and praised in articles and calligraphy and painting for thousands of years, and have become a permanent theme for ancient and modern poets, writers and calligraphers and painters to symbolize people's demeanor and temperament by chrysanthemum.
Therefore, although there is no chrysanthemum in the poem "Yongdai", the reader can see the chrysanthemums all over the mountains from the lines of the poem without chrysanthemums. After reading this poem, the reader seems to be wandering hand in hand with the author among the potted plants in the garden and the pavilion, admiring the various colors of chrysanthemums, reminiscing about the arrogance of all kinds of chrysanthemums blooming alone after the flowers are let go, and appreciating the wonderful artistic conception and taste of "no chrysanthemum here is better than chrysanthemum, and there is chrysanthemum fragrance everywhere".