The Paris concert really sang unsteadily.
After the lip-syncing turmoil, at 3 a.m. on December 8, the **Paris concert started on time. In this concert, whether or not to really sing is still the focus. Some netizens compared *** previous concerts and found that at the Paris concert, Ashin had problems such as out of tune and broken sound, and he did not sing the "e6" mentioned in Ashin's previous post, and it is suspected that in order to ensure a stable breath during the singing process, he reduced the jumping, throwing off the microphone and other actions in the previous concert, almost "standing pile" singing. And after the concert, ** lead singer Ashin ignored the questioning and posted: "The years have you on the same road, sing with me until sunrise." Thank you to all the cities for their support, thank you to the concert team, thank you to everyone. ”
Previously, ** had posted a long post in response to the question of lip-tens-singing, saying that "there is no way to move you except for real singing," every roar, every scene, every sound, comes from the voice I have relied on for 24 years", but I was still questioned about avoiding the question of true and false singing, after all, the songs recorded in advance are also from ***'s own voice. The long article also said that "every time I sing this 10-beat e6 treble, I always kneel and pound the ground" sparked a new round of discussion, saying that *** can't sing 10-beat e6 at all.
What is singing with breath.
First, the stability of the breath.
Second, the length of the breath.
All the materials will advocate the use of deep breathing in singing, and then put forward the concepts of abdominal breathing, chest and abdominal breathing, etc., and will also allow everyone to practice Xi weak sustain, blow out candles, haqi and other Xi, the purpose is to make everyone's breath longer and more stable. This is indeed what singing needs to do, but it is obviously not the kind of "singing with breath" that everyone has heard of.
The so-called "singing with qi" in the mouth of the master not only refers to the breath, but also refers to a mode of breath and sound coordination. That is what teachers often say, "pneumatic and silent" or "active breath, passive vocalization".
How to practice the breath of singing.
1. Sigh and sing in a sighing voice.
2. Take a breath and slowly deflate it with your mouth and sing in this way. Don't let the gas go through all at once, but slowly deflate it.
3. When singing high notes, pay attention to raising your eyebrows, and don't raise your head if you can't pull it up. The sound of meditation comes from overhead.
4. When singing bass, raise your chest, and don't lower your head if you can't lower it. The sound of meditation emanates from the chest.
5. Relax your mouth and sing with the strength of your abdomen, the softer the better.
6. Sing a round tone with your mouth as much as possible, and don't sing hard with your throat. You can feel the throat to see if it is hardened.