Zhu Muyun, whose name is Muyun, male, was born in the Xinjiang Corps in October 1970, and his ancestral home is Ningbo, Zhejiang. Graduated from Xinjiang Normal University, he later studied in the Chinese Painting Seminar of the ** Academy of Fine Arts and the Advanced Research Class of the China National Academy of Painting. He was a teaching assistant in the Advanced Research Class of Calligraphy and Painting at the Academy of Fine Arts of Tsinghua University, an assistant teacher in the Brush and Ink Language Conversion Workshop for Zhu Ling's Landscape Painting, and is now a freelance artist in Songzhuang, Beijing. He is a director of the XPCC Calligraphy Association and vice president of the Guangdong Shenzhou Academy of Literature and Art. He has held solo and group exhibitions in Xinjiang, Beijing, Shandong, Anhui and other places, participated in many national art exhibitions and academic exchange exhibitions, and published his works in newspapers and periodicals and collections at all levels, and has been collected by some institutions and individuals. He has published "Contemporary Chinese Painters Sketch Series ---Zhu Muyun Volume", "Classic Works of Contemporary Artists ---Zhu Muyun", "Collection of Chinese Painting Masters ---Zhu Muyun's Selected Chinese Paintings", etc. Endless streams and mountains are written calmly
Wen Ma Xiao. excerpts).
Quiet and calm, elegant and light, bright and transparent, this is the overall characteristics of Zhu Muyun's landscape, from which we can see the trajectory and direction of his art, Dong Yuan, Zhao Mengfu, Yuan Sijia, Dong Qichang, Wumen School, Gong Xian, the four kings of the early Qing Dynasty, these grandmasters for more than 1,000 years are guiding him, making him go to the mountains, ravines, streams, but also to his own heart. Over time, the brush in his hand is no longer a simple tool, but a means of telling; His paintings are no longer a simple presentation of objects, but a display of self-existence and the relationship between itself and other objects.
Guo Xi of the Song Dynasty said: "Not limited to one family, I must take it all together, and take a broad examination, so that I can become a family of my own, and then I will get it." ”
As a successful practitioner of Chinese painting, Zhu Muyun is using his diligence to turn his learning, skills and talents into hills and ravines, patches of forests and springs, and clusters of plants and trees. His artistic path also extends and expands between these endless streams and mountains...
(The author is the deputy director of the Training Center of the China National Academy of Painting, a famous calligrapher, painter and critic).
Walkers know no boundariesZhu Lingwen (excerpt) shows that Mu Yun's landscape works show that he started from the Ming and Qing dynasties, traced back to the Song and Yuan dynasties, learned the skills of the ancients, and learned the hearts of the ancients. In his works, we can see the connection between tradition and nature, the aesthetic orientation of an artist, the choice of nature and the state of existence, we can find that under the traditional purpose of the teacher, the face of nature is not a simple simulation, but emphasizes the integration of the self, mobilizes the traditional brush and ink language to express objects with a subjective mental state, and the expression of natural perception is more than the true depiction of nature. Borrowing the language of traditional brush and ink to transform the natural objects of reality is an in-depth reflection of a contemporary person, and traditional brush and ink has regained vitality in his works. He integrates the strength of the northern school with the simplicity of the southern school, is familiar with the chest, according to the painting theory and painting method, the unity of the natural structure, so that his landscape painting in the expression of the northern landscape of the vast and heavy and into the elegant and distant situation, the layout is natural, majestic and high, the pen is calm and happy but the pen is solid, the rigidity and softness are combined, the ink is thick and the Huazi is vigorous and ancient, thick and fresh without losing the agility. The layers of mountains and jungles composed of dots, lines, and planes, and the lush firmament of ink layers, not only show the natural external characteristics of the work, but also show the artist's humanistic spirit and natural feelings, presenting a brilliant spirit and a myriad of meteorological realms in the vast smoke and clouds.
The author is a famous painter and tutor of the advanced research class of Tsinghua Academy of Fine Arts
PaintingAppreciation of works
SketchingAppreciation of works
One person cheers for the graduate school entrance examination