Hualiu is very admirable!
This is not unfounded boasting, but an unshakable "truth".
The "Twelve Women's Orchestra" was popular all over the country with its team that gathered various folk musical instruments and its style rich in Chinese characteristics, and even once achieved an annual income of as high as 1300 million yuan".
Their original intention changed after becoming popular, and it turned into "insisting on abandoning the Chinese market and going to overseas markets such as Japan and the United States".
Twenty years have passed since they, and are they on fire in Japan as they wish?
In 2001, China's pop ** scene set off a wave of folk music. As a lover of folk music, Wang Xiaojing saw the potential of folk music in its development, so she made up her mind to form a women's orchestra that integrated national style.
He conducted a selection activity in ** colleges, and finally selected 12 folk music performance masters from all over the country.
These 12 Quyuan artists are talented and good at plucked music and wind music, they are from the first department of the first college in China, China ** college and other top domestic universities, and have a strong interest in traditional folk music culture, and have extraordinary attainments.
Wang Xiaojing regarded these 12 girls as treasures, and let them gather together to live and receive training, forming a new orchestra called "Twelve Women's Orchestra", hoping that they can become a new force in the cultural inheritance of the Chinese nation.
To match the band's style, Wang Xiaojing also designed costumes and hairstyles with classical Chinese elements, making them perfectly integrated with traditional Chinese aesthetics.
When they first formed the army, the 12 people lacked a full understanding of each other, and their tacit cooperation needed to be improved. To this end, Wang Xiaojing arranged for them to live together, to live together, train and collaborate together. They need to figure out how to combine different instruments to achieve the best possible performance.
Wang Xiaojing is fully committed to everyone, and he pushes the girls to overcome regional differences and cultivate deep emotions. In order to get to know each other better, Wang Xiaojing will even randomly change their room layout and seating position.
After a long period of running-in, the 12th Women's Orchestra gradually showed a better and better state, and Wang Xiaojing personally arranged a number of original songs that integrated Chinese style.
In October 2001, they held their first special performance in Beijing, showing colorful teamwork and high-level performance, and won unanimous praise from the audience. The positive response to the first performance encouraged the whole team and gave Wang Xiaojing hope.
In 2002, the ** TV Spring Festival Gala invited the women's 12th orchestra to perform on stage. 12 girls dressed in Chinese-style cheongsams held traditional musical instruments and worked together on the stage to play a touching movement.
This wonderful performance perfectly blends the charm of traditional Chinese musical instruments with modern stage performances, bringing a new feeling to the audience and raising its popularity in one fell swoop.
Since then, the 12th Women's Orchestra has become a household name and star orchestra, attracting wide attention at home and abroad, and has held many large-scale touring performances.
However, after the orchestra reached its peak, some elements of discord gradually emerged within it. Due to the disagreement between the members in terms of creative ideas and singing methods, coupled with the fatigue caused by the busy schedule, some run-in problems began to arise among the team members.
In the face of sudden challenges, Wang Xiaojing and her team did not back down, but actively sought solutions.
After a series of trials and tribulations, the 12th Women's Orchestra has successfully pushed China to the international stage with its unique and innovative performance style, and has become a powerful force for Chinese national culture to "go global".
They chose to abandon the Chinese market, despite the coexistence of strength and fame.
Their ** swept the streets and alleys, and even became a frequent visitor to the car radio, which can be said to be popular nationwide**. They are passionate about the Chinese nation and eager to push the Chinese nation to the world stage.
In 2003, under the leadership of the troupe leader Wang Xiaojing, the 12th Women's Orchestra decided to set its sights on overseas markets. They first signed a contract with a Japanese entertainment company, which was very optimistic about the unique national style elements and commercial value of the Girls Twelve Orchestra.
The band members had already enjoyed enough "dividends" in Japan, so they were eager to enter the overseas market, so the whole group moved to Japan.
A local company soon released their first Japanese album of the same name, which blended Chinese folk music and pop music with a beautiful melody.
In Japan, this ** caused a sensation at an astonishing rate, surpassing 1 million copies in just two months, breaking the all-time sales record for Japanese bands**.
After its first success, the 12th Women's Orchestra rose to fame and received widespread attention from Japan**, frequently appearing on the covers of major TV shows and magazines. This girl band from China became a popular target for young Japanese people for a while.
They were also invited to tour cities in Japan, and despite the high ticket prices, they were still sold out, and every show was sold out.
In 2004, the women's 12 Bands rode the east wind of the Dongying market and crossed the Pacific Ocean to the United States, and their English** "Twelve Bands" immediately won the popularity of many fans as soon as it came out.
The 12 Women's Orchestra skillfully integrates Chinese classical instruments with Western pop elements in this album, presenting a unique style of the world, which is highly respected by Western audiences, and its sales are close to the Japanese market.
In just two years, from 2003 to 2004, the Girls Orchestra has undergone an astonishing transformation from a niche band to a top superstar. They have not only attracted attention at home and abroad, but also achieved brilliant results in Japan and the United States, the world's largest markets.
According to statistics, the annual income of the 12 Women's Orchestra during this period was as high as 1.3 billion yuan. For a team that has just debuted for two years, this is undoubtedly a legendary success.
Why do some bands lose their charm immediately after their success?These bands once went abroad because of the love of people at home and abroad, but they quickly fell off the altar.
Nowadays, little attention has been paid to their news, and everyone must be curious about what happened to them after joining Japan
The brokerage company has great expectations for them, and has achieved millions of sales on the launch of two ** in a row, and after the company saw the huge profits, it couldn't wait to start making the third ** to keep it hot.
Unexpectedly, it only took a week to win the championship on the list, making "Twelve Girls of Le Fang" a cash cow for the company.
The girls' dreams were quickly crushed by the pressure of heavy work, and they had little time to rest due to their non-stop performances, many of whom slept only five hours a day, and could not take time off even if they were suffering from menstrual pain.
Young women in their twenties are under tremendous physical and mental pressure and are considering the idea of leaving. Once there is a shortage of teams, the company's profits will decrease, causing the whole company to be in trouble. Filling vacancies has become extremely difficult to recruit new people and old employees are leaving.
The integration between the old and new members did not go well, and the lack of tacit understanding between them led to a sharp decline in the quality of the band's work. The company was overwhelmed by this and decided to adopt a strategy of reinventing itself.
They asked the band to abandon the national style and turn to pop**, and try to add dance elements to win back the hearts of the audience. However, it was this move that completely made the band "the thing of yesteryear".
The new work is not in line with the past, and it has lost its original loyal fan base, and the reputation of the band has plummeted, and no one cares about it. The company kept changing personnel to fill the vacancies, but the performance of the new members was uneven, and the veterans were hard to find good news, and the band was left with its old form for a while.
Although the costumes of the members are becoming more and more daring, and they no longer even perform while sitting, it is still inevitable that the time and space of the performance will be cold and the ticket sales will be **.
Gradually, the company lost confidence in them, and as a result, many members also quit their contracts.
Giving up their original ideals, in order to pursue interests, now the "Twelve Girls of Le Fang" are no longer in their former style, and in desperation, they decided to return to China and make a comeback.
However, the current Chinese music scene has been occupied by the new generation of ** people "she, Jay Chou, etc.", and they can no longer find the opportunity to "become popular".
More than 20 years have passed, and they are now forgotten by most people. When they debuted, their light was so dazzling, and with the attraction of "national style", they could have become popular all the way and occupied the domestic market.
Once they became popular, they forgot their original intentions and went to "Japan" to seek development, and finally became the object of spurning by the Chinese people.
Coming to this point may be said to be self-inflicted.
What do you think about this?