Princess Yuzhen s prosperous Tang Dynasty

Mondo Fashionable Updated on 2024-01-30

Meteorology of the Tang Dynasty - "Thirty Thousand Miles of Chang'an" (5).

Princess Yuzhen's style - the whole body is full of details

Princess Yuzhen does have a person in history, but does the Yuzhen in the story coincide with the Yuzhen in history, and even the Yuzhen in the real world?We don't know. What we know is that in the era of the Tang Dynasty, the "big heroine" was particularly popular, and a powerful princess appeared at every turn. Before Princess Yuzhen, there was Princess Anle, and there was also Princess Taiping. It's just that unlike her cousin and aunt, Princess Yuzhen is mixed in the "literary circle". Although it is not a circle with the lust for power, peace and tranquility, but every day Princess Yuzhen's mansion is full of high-ranking friends and laymen, that is a certainty!

Although it is said that there was already a imperial examination system in the Sui and Tang dynasties, Li Shimin also arrogantly said: All the heroes of the world are in my ranks!However, the imperial examination is not yet an ideal and effective way for Bai Ding to enter the country. The inspection system and the sponsorship system are the shortcuts for the rivers and lakes to leap into the dragon gate, and Princess Yuzhen is in Tang Xuanzong's place, "Speak well!."This is the reason why Wang Wei, Li Bai and Gao Shi are eager to try in the film. Princess Yuzhen has a lot of buffs, and if you develop 30,000 miles of "IP" and "universe", it is very story-because Princess Yuzhen is famous, but there are many mysteries on her body, and there are many things to deduce. For example, the relationship between her and Li Bai and Wang Wei can "form" a love triangle according to the arrangement of the bloody drama: for example, the Li Bai she recommended could not be reused by Tang Xuanzong, and Princess Yuzhen once ignored Li Longji, the eldest brother;For example, she arranged a petty official for Wang Wei, who has little power but is convenient to enter and exit the palace, and after Wang Wei continued the strings, he was picked a small mistake - this gossip is very flavorful!

Princess Yuzhen is the ninth girl of Tang Ruizong Li Dan, and she and her sister Princess Jinxian and Tang Xuanzong Li Longji are brothers and sisters of the same father and mother. He became a monk at the age of 20 and was unmarried but had two son......sI don't know if it's because I'm unmarried and have children to escape the world, or because I'm simply tired of royal intrigue. After all, her grandmother is Wu Zetian, her grandmother ordered to kill her own mother Empress Dou when she was young (before she was four years old), after all, she has a father who has been repeatedly erased as the emperor several times, after all, she has a powerful aunt Princess Taiping, after all, her cousin Princess Anle is so hot-hearted, not to mention that her brother Li Sanlang is the ......master of the war when he has nothing to doWith such a big family as a relative, Princess Yuzhen's performance is normal!

Not long after the movie opened, the scene where Princess Yuzhen and the young Gao Shi intersected. During the banquet, the screen picture behind Princess Yuzhen and King Qi is the "Qujiang Map" painted by Li Zhaodao in the Tang Dynasty. This masterpiece shows the prosperous scene of Qujiang Pond full of tourists in the Tang Dynasty, and it is also "only this green", which is another style comparable to the Song painting "A Thousand Miles of Rivers and Mountains" that we are most familiar with.

The shape of Princess Yuzhen refers to the Tang figurines in the museum, and the shape is covered with Tang style labels.

The prototype of the necklace worn by Princess Yuzhen is from the gold necklace with pearls and gemstones unearthed from the tomb of Li Jingxun, a nobleman of the Sui Dynasty, and is now in the collection of the National Museum of China. This necklace is set with 28 pearl gold balls set with a crystal clear bloodstone and dark blue lapis lazuli. According to the analysis of experts, this necklace comes from Afghanistan, that is, the Western Regions in ancient times, and contains exotic customs. Her headdress is a reference to the gold basket Baodian unearthed from the tomb of Li Qi in the Tang Dynasty (now in the Shaanxi Archaeological Museum), which makes the audience's eyes shine with the "jewels", reflecting the superb level of gold and silver production and inlay craftsmanship in the Tang Dynasty.

Princess Yuzhen's makeup also basically covers the typical characteristics of the Tang Dynasty, such as Huadian, goose yellow, oblique red, and face (ye) ......Not to mention eyebrow shape and lip color. Princess Yuzhen's eyebrows are "laurel leaf eyebrows", which is a broad, plump eyebrow shape like a new laurel leaf that became popular in the late Tang Dynasty, which looks a little playful. "The cherry is small, and the laurel leaf is thick", the laurel leaf eyebrows are short and wide, slightly inverted figure-eight, and the color is scattered and faint, giving people a graceful impression. In the "Hairpin Lady" existing in the Liaoning Museum, the peculiar beauty of the laurel eyebrows is vividly depicted. The "Hairpin Lady" painted by Zhou Fang in the Tang Dynasty has almost the same experience as "The Lady of the Kingdom of Qiu", and was almost made to Japan by Pu Yi, so I will not repeat it here.

Princess Yuzhen's hairstyle in the movie is also very representative. The aristocratic women of the Tang Dynasty liked to wear large high buns and put on various delicate flower combs as decorations. Flower combs are mostly made of gold, silver, rhino horn, ivory and other materials, and the number of flower combs gradually decreases from the early Tang Dynasty to the late Tang Dynasty, and the specifications gradually increase. The Tang Dynasty poet Yuan Zhi once wrote in "Hate Makeup", "The soft beard hangs down on the back and forehead, and the temples follow the hairpin." Ning Cui fainted his eyebrows, and his face was lightly red. The head is full of small combs, and the round face is applied. It is a description of the delicate flower combs worn by women at that time.

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