In the trend of various adaptations and adaptations of big IPs, if you want to say that they are different, it must be the "Tomb Robbery Notes" and "Ghost Blowing the Lantern" series, these two are related to exploration and going to the tomb**, and there is basically no meal replacement.
However, there are a lot of adapted versions, but there are very few that can really be changed. In particular, "Notes on Tomb Robbery" has appeared a lot, but every time it is the effect of directly falling through the glasses.
So far, in the "Tomb Robbery Notes" series, the only ones with more praise are "Ultimate Notes" and "Sand Sea", and the others are indescribable.
As for the "Ghost Blowing the Lantern" series, from "Exquisite Ancient City" to the current "Return to the Ruins of the South China Sea", except for the trio in the first part, which is Jin Dong, Chen Qiaoen, and Zhao Da, the other series are starring Pan Yueming, Zhang Yuqi, and Jiang Chao.
"Exquisite Ancient City" got off to a good start and restored most of the plot. Although the trio changed later was controversial, it can be regarded as gaining the favor of most of the audience, and the broadcast effect has been good.
This is also the first case of domestic entertainment, and the filming has not changed the leading actors. After watching it for a long time, the audience can also accept Pan Yueming, Zhang Yuqi and Jiang Chao.
However, with the large deletion of the plot, the story of this "Ghost Blowing the Lantern" series has become more and more fragmented, starting from "Yunnan Worm Valley", one is not as effective as the other.
Moreover, the difficulty of launching new dramas is becoming more and more difficult. "Return to the Ruins of the South China Sea" was carried several times, changed the time several times, and in the end, it was directly airborne without publicity.
In this environment, it is already very good that "Return to the Ruins of the South China Sea" can be broadcast, and it still attracts a large number of audiences, and many plots are incoherent, which everyone can accept.
However, with the progress of the plot of "Return to the Ruins of the South China Sea", this story has become a little inexplicable.
The "Ghost Blowing the Lantern" series tells the story of Hu Bayi, Shirley Yang, and Wang Fatzi, who go into various fantasy but dangerous situations and go on adventures.
Hu Bayi and Wang Fatty are pure Chinese, Hu Bayi understands feng shui, Wang Fatty is shrewd, Shirley Yang is a foreign female elite, influenced by her grandfather Partridge Whistle, only to understand some ancient Chinese culture, very understanding, back to China.
The combination of these three people makes up for each other, cooperates with each other on every adventure, and goes through many hardships and obstacles, and no one has ever given up.
After the end of "Kunlun Divine Palace", the "curse" on the three of them was lifted, and they all planned to give up the adventure, but by mistake, they embarked on the road of "Return to the Ruins of the South China Sea" again.
said so much, in fact, to sum up, it is just a paragraph, the person has not changed, and it has not been long since then, it is still the three of them.
"Return to the Ruins of the South China Sea" originally only had sixteen episodes, and one episode had a plot of about 30 minutes, but the pace of this drama was really slow.
Foreshadowing the plot, explaining the plot, the first two or three episodes ended, a few people said something boring, and then the fat man had a little red heart, a nymphomaniac, and it was over. When it comes to the key plot point, it is always one step and three jumps.
The most critical and unbearable place is the collapse of the personality. Shirley Yang and Hu Bayi, after the end of "Kunlun Shrine", have already expressed their hearts to each other, and the two are together.
In the original book, the two of them are also in this direction. However, in the original series of "Ghost Blowing the Lantern", the scene where the two of them fell in love couldn't make up a single chapter.
However, in "Return to the Ruins of the South China Sea", Shirley Yang has really changed. Originally, a good foreign female elite, a smart, wise, and calm strong woman, directly turned into a weak, backward love brain.
When you encounter a little problem, you want to go back, worry about this, worry about that. Then, Hu Bayi came out again. Let's not talk about how this plot is, let's ask the director if he has seen the first few films?
That's right, the starring role of "Return to the Ruins of the South China Sea" has not changed, but the director has changed. Before "Yunnan Worm Valley", it was directed by Fei Zhenxiang, although it can be seen that the plot has been greatly deleted, but it is trying to restore it as much as possible, and is using adventure experience to advance the plot.
Starting from "Kunlun Divine Palace", the "Ghost Blowing the Lantern" series has been replaced by director Cai Yuexun. The previous one was barely acceptable, but "Return to the Ruins of the South China Sea" really couldn't hold back.
Obviously, at the critical moment, the person who will retreat and gag is Wang Fatzi. Shirley Yang will always be the one who can contribute at critical moments.
But in "Return to the Ruins of the South China Sea", it is always Shirley Yang and Hu Bayi who quarrel back and forth, do you know that you are dying just now?
Then, no matter what he did, it was Shirley Yang who stopped him, pulled Hu Bayi back, and persuaded him to retreat. seems to be the incarnation of the love brain, and she is no longer the delicate, confident strong woman when she first appeared.
Of course, this can't all be blamed on Shirley Yang, this drama Hu Bayi collapsed quite badly, at the beginning, Hu Bayi was the focus of the trio's analysis, the person who stabilized everything.
But in "Return to the Ruins of the South China Sea", he directly became a representative of the rampage, and he didn't know how to operate the submarine safely, and he had to go, all kinds of frizz. If he is not allowed to go down to the bilge, Hu Bayi will have to go too.
As for this one, the frizzy Wang Fat Man has completely changed, becoming more greasy, gags, and wandering around women.
Jiang Chao's other famous work is "Wulin Gaiden" Li Dazui. No matter how I watched it before, I didn't think his acting skills were bad, but this time, I directly dreamed back to Li Dazui's obsession with Huilan.
The "Ghost Blowing the Lantern" series, every time it is broadcast, there is inevitably a discussion that the plot is deleted, and then it comes down to the review issue.
But "Return to the Ruins of the South China Sea" was filmed like this, the steady Hu Bayi became a risky act, Shirley Yang, a strong woman, became a lagging love brain, and Wang Fatzi was directly greasy and doubled.
None of this has anything to do with auditing, right? Now, I'm really not looking forward to the next one!