Editor: Ji Jun
An in-depth analysis of the fusion of Japanese literature and qin art in the Heian period, and explore the role and symbolism of the lyre in ancient Japan.
Japan during the Heian period, like a reflection of China, showed a distinct "Tang culture" in the fields of institutions, literature, and art. This paper will focus on literary analysis and literature comparison, deeply study the reception and use of the lyre by Japanese literati in the Heian period, and reveal the cultural connotation behind it through the analysis of literary works and historical materials.
During the Heian period, the art of calligraphy became known as the "Heian Three Brushes", and great masters such as the Chinese scholar Sugawara Michizane and the compiler of the Ancient and Modern Waka Collection, Ki Kanyuki, played a pivotal role in the history of medieval Japan. Chinese poetry works such as "Huaifeng Zao" and "Suga Wencao" also show extremely high literary value. During this period, Japanese literati flexibly used Chinese allusions and imagery such as "mountains and flowing water" and "bright moon" in their artistic creations, and incorporated the essence of Chinese literature into their creations.
As a literary imagery and emotional symbol, the lyre was widely accepted and skillfully used by Japanese literati during the Heian period. Through the analysis of the literature written in Chinese characters, it is found that most of the words "qin" refer to the lyre. Imagery such as "mountains and flowing waters" and "the sound of coming" also frequently appear in Japanese literary creations, constructing a picture of Chinese literature and Japanese literature reflecting each other.
Historical materials from the Heian period in Japan, especially the diaries of the nobility, are important for understanding the literati of the time. These literati were very fond of Han culture, and their diaries recorded various cultural scenes such as court banquets and performances. For example, the Midoseki Hakuki, which was taken as an example by the regent Seki Shirajiwara Michicho during the Heian period, has become a national treasure of Japan and has extremely high historical and literary value. Through the analysis of these historical materials, we can get a glimpse of the enthusiasm and inheritance of the literati at that time.
In the diaries of the Heian period, we found records of the piano skills of courtiers such as Fujiwara Itsu. These diaries not only depict the peak of Han culture during the Heian period, but also bear witness to the inheritance and evolution of the art of the qin in Japanese society. Through the comparison of multiple diaries, we can highlight the confusion between "qin" and "heqin" in some documents, so as to restore historical facts more accurately.
When analyzing the "qin" in literature, we can deeply interpret the shape, rhythm and literary imagery of the qin by using the method of literary analysis. For example, when the Japanese scholar Uehara studied the types of musical instruments in the Mido Seki Hakuki, he revealed that the "koto" may represent different instruments in different scenes through repeated recorded comparisons, and then speculated on the specific shape of the qin.
In modern Japan, the digitization of classical documents is relatively well developed. Through the search of electronic literature, we can quickly find the same type of literature for comparison and mutual corroboration. This method not only greatly improves the efficiency of review in the research process, but also helps to make up for the problems caused by incomplete literature and authors' mistakes or misremembers. Through a large number of comparisons and research of documents, we are more able to obtain documents and historical materials that are not isolated and correctly restore historical facts.
Through the in-depth study of literary analysis and literature comparison, we not only have a clearer understanding of the Japanese literati's reference and development of Chinese culture during the Heian period, but also reveal the unique position of the lyre in it. The inheritance of this qin art is not only a miracle in the history of Japanese literature, but also a profound imprint of Sino-Japanese cultural exchanges. In the years when the sound of the piano was light, we seemed to be able to hear the melodious echo of the thousand-year-old covenant.
Japanese Literature and the Art of the Piano in the Heian Period" profoundly and exhaustively describes the borrowing and development of Chinese culture by Japanese literati during the Heian period, especially in the inheritance of the art of the piano. The article takes the method of literary analysis and literature comparison as the main line, skillfully connects the historical background, literary works and historical materials, and presents a rich and vivid picture for readers.
First of all, by introducing the literary giants of the Heian period and the flourishing of the art of calligraphy, the article outlines the style of the literati at that time. The emergence of Heian Sanbi, Sugawara Michizane's contributions, and the compilation of the Ancient and Modern Waka Collection show the flourishing of Japanese literature and art during the Heian period. This widespread acceptance of Chinese literature and art enabled Japanese literati in the Heian period to fully demonstrate a deep understanding of "Tang culture" in their creations.
Secondly, this paper deeply analyzes the expression of the qin in literature through literary analysis. Through a detailed analysis of the literature written in Chinese characters, it is revealed that the word "qin" mostly refers to the lyre. By citing specific literary works, such as the Temple Calendar, the author vividly demonstrates the frequent appearance of the lyre in the literature of the Heian period, highlighting its important position in literary imagery and emotional symbols. This section provides readers with a deeper understanding of the role that the art of the piano plays in literature.
In addition, through the method of literature comparison, the article introduces the credibility of the diaries of the Heian period, especially the diaries of the nobility, which provides us with a more intuitive way to understand the inheritance of qin art at that time. For the development and inheritance of the art of the qin in ancient Japanese society, the comparative literature method has become a key and has opened a rich treasure trove of historical documents. Of particular interest is the records of Fujiwara Itsu's koto technique, which can be seen through the comparison of different documents, which allows us to better understand the diversity of ancient Japanese society and culture.
Finally, this paper provides us with the enlightenment of research methods through the application of literary discrimination and the use of electronic literature. Literary discrimination not only helps us better understand the symbolism of the qin in literature, but also reveals the author's specific description and intention of the qin. The use of electronic literature makes the research more efficient and reliable, and provides researchers with a more convenient way to consult the literature.
Overall, this article delves into the blend of Japanese literature and the art of the piano during the Heian period, presenting a rich and vivid picture for the reader. Through a comprehensive analysis of literature and historical documents, we not only expand our understanding of Japanese culture in the Heian period, but also leave a precious trace of the inheritance of the art of qin throughout history.
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