Li Bai (701-762) was a poet of the Tang Dynasty. Longxi Chengji (now Qin'an, Gansu) people, the word is too white, the number is Qinglian monk. In his early years, he lived in seclusion and roamed in Shu, and later went out of Shu to Jiang and Han, and roamed Huang and Huai. once entered Chang'an as a Hanlin. After resigning, he traveled with Du Fu to Qi, Lu, Wu, and Yue. In his later years, he wandered and died of illness in Dangtu (now Dangtu, Anhui). During his lifetime, he wrote a large number of poems, sang the sound of the Tang Dynasty, criticized the corrupt ruling group, and described the magnificent mountains and rivers. The poetic style is majestic and bold, full of positive romanticism. There is "The Complete Works of Li Taibai".
In December 1949, on the way to Moscow, ** commented on Li Bai of the Tang Dynasty with the Soviet sinologist Federin who accompanied him on the train. ** Li Bai is considered to be an outstanding poet of the Tang Dynasty. Like the genius poet Pushkin's contribution to the people, he wrote many precious artistic poems for the Chinese people. Li Bai's poetry is the pinnacle, and he is an immortal artist who has never been seen before. So far, no one in China can surpass the poetry talent of Li Bai and Du Fu. Although this statement is not all the original words, we can also get a glimpse of the authoritative comments of a generation of great men on Li Bai.
**I like Tang poetry, but among the 100 Tang Dynasty poets, Li Bai's poems are the most appreciated. He once said that Li Bai's poems are bizarre, magnificent, and unworldly. For decades, ** often talked about his love for Li Baishi. On April 13, 1942, in order to prepare for the Yan'an Literary and Art Symposium, He Qifang and Yan Wenjing were invited to exchange views. During the conversation, when answering Yan Wenjing's question about whether he liked Li Bai or Du Fu, he said: I like Li Bai. But Li Bai has Taoist morale. Du Fu stood in the position of small landlords. At the beginning of 1957, he talked about poetry and Li Bai with the poet Zang Kejia and others. According to Zang Kejia's recollections: "* There are also ancient poets who are particularly favorite. During the conversation, compared with the two great poets of the Tang Dynasty - Li Bai and Du Fu, ** admired Li Bai more. βγIn January 1958, ** spoke at the Nanning Conference, and he proposed that it is not good to engage in realism in creation, "Li Bai, Li He, Li Shangyin, engage in some fantasy." This is also one of the reasons why he likes Li Baishi. Lu Di, a lecturer at Peking University who accompanied him in his later years, once said: "* I like the poems of Li Bai, Li He, and Li Shangyin, especially Li Bai's poems." According to Xie Jingyi's later recollections: **The poems I like are generally patriotic, backbone, and courageous poems. once told her that Li Bai's poems were good. He ordered a lot, such as "Sleepwalking in the Sky and Leaving Farewell", "Shu Dao Difficult" and so on. The chairman also praised Li Bai many times as the crown of poets.
**Reading Li Bai's poems, I also like to quote Li Bai's poems and comment on Li Bai's poems. In January 1935, after the Zunyi Conference, **sent** to the front line to command the operation, **asked him not to see him off, he used Li Bai's "Send Wang Lun" poem: It should be so. The Peach Blossom Lake is thousands of feet deep, not as good as you and me. In February of the same year, the Red Army occupied the Loushan Pass in Sichuan, climbed the tower, looked at the ups and downs of the surrounding mountains, and immediately recited aloud the "Remembering Qin'e" made by Li Bai: "Xiao Sheng, Qin'e dreams of breaking Qinlouyue." Qin Louyue, willow color every year, Baling hurts goodbye. The autumn festival of the Qing Dynasty in the original Leyou Yuan, the sound of the Xianyang ancient road is overwhelming. The sound is absolutely dusty, the west wind is still shining, and the Han family mausoleum. "Touching the scene, ** thinks that this word is from the nostalgia of distant people, mixed with the meaning of nostalgia for the past and the present, and the weather suddenly opens up, which proves his familiarity and love for Li Bai.
After the founding of the People's Republic of China, he inspected the land of China and walked through many places where Li Bai had been to and expressed his poetry. On March 29, 1958, ** after the Chengdu Conference, when he went out of Sichuan and sailed through the White Emperor City of the Three Gorges, when he knew that it was the place where Li Bai left poems, he immediately recited "Xia Jiangling": "The white emperor of the dynasty is among the clouds, and thousands of miles of Jiangling are returned in one day." The apes on both sides of the strait could not stop crying, and the light boat had already crossed the ten thousand mountains. When the boat arrived at Jiangling after passing through Yidu, he faced the river and said with emotion: "Between the white emperor and the clouds, thousands of miles of Jiangling will be returned in one day." The sound of apes on both sides of the strait could not be heard, and the whistle whistled to the public security. In August 1959, on a moonlit night on the eve of the Lushan Conference, when he said goodbye to He Zizhen, he chanted a Li Bai poem with great reluctance: "At the Donglin send-off place, the moonrise white ape cries." Laugh goodbye to Lushan far away, why bother Huxi. During the meeting, I learned that my daughter-in-law Liu Songlin had an illness, so I wrote a letter to her, in which Li Bai's poem was quoted to encourage, "Ascend the spectacular world, and the river will not return." The yellow clouds are moving, and the white waves are nine snow-capped mountains. Here are a few lines of Li Bai's poems. When you're depressed, you can read some classical literature." In September 1961, ** wrote these four more poems during his stay in Lushan, and after he finished writing, he wrote a few words: "Four sentences in Li Bai's poem "The Ballad of Lushan". Climb Lushan, look at the Yangtze River, and write this book to the comrades of the Standing Committee of Lushan. β
**I like Li Baishi, and I am full of praise for "Will Enter the Wine", "Shu Road Difficult" and other articles. In October 1952, ** wrote a painting "Will Enter the Wine" for Ye Ting's children. In the fifties, when I met with representatives of the literary and art circles attending a conference on intellectuals, when I learned that the writer Du Pengcheng was experiencing life at the construction site of the Baocheng Railway, he said: Li Bai's "Shu Dao Difficulty" is written about the difficult scenes of the places where you are working now, but "Shu Dao" will soon not be "difficult"!After that, he emotionally recited some fragments in "Shu Dao Difficulty". In the seventies, I talked to the staff around me about this Yuefu: "Shu Dao Difficult" is very well written, and some people make all kinds of speculations from the ideological side in order to improve the evaluation, but there is no need. Ignore the lawsuits. This poem is mainly very artistic, who can write it as vividly as he did. It brings people into the magnificent and steep mountains and rivers of the motherland, brings people into the magical and beautiful mythical world, and makes people seem to have come to the Shu Road where it is difficult to go to the blue sky.
Although *** praised Li Bai's poems for their unbridled, enthusiastic and unrestrained, and fantastical romance, he also pointed out that Li Bai was an official fan. On April 24, 1945, in an oral report at the Seventh National Congress of the Communist Party of China, he told this story about whether the Yan'an cultural circles said that there was Han Jingzhou in the border area at that time: "During the Tang Dynasty, there was a man surnamed Han who was a 'superintendent' in Jingzhou, so people called him Han Jingzhou. Later, there was a person who could write articles named Li Taibai, he wanted to be an official, so he wrote a letter to Han Jingzhou, praising Han Jingzhou in order to ask Han Jingzhou to give him an official. Therefore, there is an allusion to 'Han Jingzhou'. This is the story of Li Bai's "I don't want to seal the marquis of ten thousand households, but I hope to see Han Jingzhou". On July 3, 1973, ** talked about Li Bai's desire to be an official in a conversation. He said: In the early decades, China's national language textbooks said that Qin Shi Huang was good, and the car was on the same trackThe book is the same text, and the weights and measures are unified. It was Li Bai who talked about Qin Shi Huang, and a large paragraph at the beginning also talked about his greatness. "King Qin swept Liuhe, looking at He Xiong!Swing your sword to break the clouds, and the princes will come to the west. A large article, but there were two sentences behind the buttocks: "But when I see the three springs, the golden coffin is buried in cold ashes." "That is, it's still dead. What about you Li Bai?I want to be an official!As a result, the army was confiscated in Guizhou, and when he walked to the White Emperor City, the amnesty order came down. So, "the white emperor of the court." In fact, he wants to be an official. "Liang Fuyin" said that it is not possible now, but there is hope in the future. "You don't see Gaoyang drunkards drafting" and "Command Chu Han is like a spinning tent". It was full of spirit. I added a few sentences, which were more complete: "Unexpectedly, Han Xin was disobedient, and an army of 100,000 went down to Licheng." King Qi was furious for 3,000 zhang, and caught the drunkard Fu Dingzhuo", and put him in the oil pot.