This year, Mango Channel's variety shows can be said to be in full bloom, the ** route "Flowers and Youth Silk Road Season" has revitalized this early IP, and the ** program "The Sound of Life 3" has relied on the concept of ** cultural inheritance to become popular out of the circle.
In the latest episode of the program, the PK competition launched by "The Sound of Endless 3" is even more eye-catching, bringing the good-looking level of the show to a new height.
The first stage is Hu Yanbin's "11", Hu Yanbin's voice itself is highly recognizable, his pop singing style coincides with this song, and the chorus of "11" is also a popular track in the field of short **, so as soon as Hu Yanbin sings the high-pitched part, the whole stage is across the screen and the audience to produce a refreshing sense of time and space connection.
The interactivity of the song is vividly demonstrated under Hu Yanbin's beautiful singing skills.
The second stage is "The Nameless Man" brought by Sun Nan and Chen Chusheng, Sun Nan and Chen Chusheng's timbre is a relatively calm type, the two are very good at slow songs with emotional expressions, and the style of "The Nameless Man" happens to be the comfort zone of the two.
When Chen Chusheng spoke, the loneliness of the song was infinitely amplified in his voice.
When the light hit Sun Nan's body, his more ethereal singing style gave this song sung to ordinary people a deeper sense of power.
The two are a perfect pairing, and without either one, it is incomplete.
The third stage immediately after is Zhou Shen and Song Yaxuan's "Peach Blossom Nuo", from the perspective of stage style, this song has a very heavy national style and a classical style, and Zhou Shen's bright treble gives this song an ethereal ancient rhyme.
As soon as Zhou Shen opened his mouth, the audience's ears exploded, and it was so easy to hear that people were reluctant to breathe, which was the real sound of nature.
Of course, Song Yaxuan, who partnered with Zhou Shen, finally had the appearance of a professional singer.
In the first episode of the show, Song Yaxuan's song style was too lively and naïve, which could not highlight his personal strength at all.
In the second episode of the show, Song Yaxuan was soft and soft but played rock songs, the whole person was not in a state, he was going to die as soon as he opened his mouth, and there was no rock and roll at all.
But this time, Song Yaxuan found the right style. "Peach Blossom Nuo" has certain requirements for singing skills, even the soprano part Song Yaxuan handles it very professionally, Song Yaxuan is not as good as Zhou Shen in terms of amazingness, but his performance this time is really impressive.
The fourth stage comes from "Our Tomorrow" sung by Gu Juji and Wang Sulong, in fact, the singing styles of the two singers are very different, so their singing alone is very good, but there is no chemical reaction together, and it even seems that Wang Sulong's sense of strength is insufficient, it can only be said that compared to technology, the harmony of style is also very important.
The fifth stage is the chorus stage of the first group members, the song "Amani", the style is obvious, it sings about freedom and peace, and the choral part is the essence of this stage compared to the brilliance of the individual.
The sixth stage is also a chorus stage, and the chorus part of the song "Flowers" is not much, this group splits the chorus to everyone, and because of this, a singer like Huang Qishan, who is very high-pitched, has become the focus of this stage, and Han Hong's monologue is also a little awkwardly abrupt.
The seventh stage is Tan Weiwei's "You Are My Rose", this stage conquered the audience with a sense of exoticism as soon as it opened, the instruments of the national band and the repeated chanting always lingered in the minds of the audience, when Tan Weiwei spoke, the ethereal voice and the majestic folk song style formed a sharp contrast.
In terms of the presentation style of the stage, Tan Weiwei can be said to be the undisputed hegemon in the field of national style. The adaptation of this song is novel and good, ethereal and shocking, and the sense of collision is really strong.
The eighth stage is "Those Flowers" by Wang Xinling and Han Hong, judging from the singer's style alone, Wang Xinling's sweet singer and Han Hong's powerful singer who is suitable for high notes are actually not very suitable.
But I didn't expect the stage of the two to work together was surprisingly perfect.
Han Hong's opening is a sense of story, and Wang Xinling's more girlish voice is as innocent as a child. The only regret is that compared with Han Hong's singing, Wang Xinling's handling of the treble is obviously difficult.
However, on Wang Xinling's body, what the audience can get is not only auditory enjoyment, Wang Xinling, who is 40+ in the camera, is really as young and beautiful as a girl, she is wearing a blue shirt with a golden hip skirt, and when she sits on the stage with Han Hong, her delicate and fair-skinned ** seems to glow, which completely attracts the audience's attention.
I have to say that Wang Xinling, as an early idol idol, can be regarded as using his own example to prove that the first generation of idols really need to be in shape, in state, and in strength. Through the footage of this issue, the audience obviously feels that compared with Wang Xinling before, she is now more tender and girly.
The ninth stage is "Daylily Flower" cooperated by Huang Qishan and Yu Kewei, in fact, I knew that it was stable as soon as this song came out, because Huang Qishan's singing can basically control all melodious slow songs, and Yu Kewei is the god of atmosphere, and her voice has its own filter.
Sure enough, the cooperation between the two on the stage is perfect, Huang Qishan's mouth has a taste of precipitation, and Yu Kewei's voice is more like a child who has grown up under Huang Qishan's gaze, full of vitality and at the same time bound by family affection.
In the voices of Huang Qishan and Yu Kewei, the audience can really hear the voice of **.
The last stage is the chorus of the second group, "Send You a Little Red Flower" is a very powerful song, but the tune is very sad, as if it can carry all the pain of life, so such a song itself is not suitable for many people to sing and interpret.
But the second group is basically a female voice, and all of them have a softness that touches people's hearts. Even if it is the only male voice, it is a voice with a sense of vicissitudes, this voice will not be too abrupt in the chorus, on the contrary, he has become everyone's cushion sound, the sense of presence is very weak, and it contrasts with the voices of other female singers.
All in all, on the stage of the third issue of "The Sound of Endless 3", every one has something to amaze the audience, not only the singer's skills and emotions, but also the choreography and stage style, all of which have achieved the ultimate unity and refinement.
It is precisely because the quality of this episode is so high that I am now a little worried about the new content that will be launched next, how to ensure the quality and surprise the audience again.
Finally, which stage do you like the most, and which singer's performance do you like the most?Join the discussion in the comments section and leave your opinions.