After the resignation of the prime minister to Jinling, Wang Anshi's poetic style changed significantly, and a large number of works written about scenery and poetry appeared, and more attention was paid to tempering words. In the literary circle of the Northern Song Dynasty, there were not many people who were keen on writing poetry, especially at that time, it was more popular to write poetry, but Wang Anshi was an exception. His poems involve a variety of genres, among which quatrains are the most famous, and "Boat Zhai Poems" bluntly says: "Jing Gong's quatrains are wonderful in the world." In "Canglang Poems", he said: "The public quatrain is the highest, and its pride is higher than Su, Huang, and Chen, and it is still separated from the Tang people." This shows that Wang Anshi's quatrain even surpassed Su Shi, Huang Tingjian and Chen Shidao. Most of his quatrains were written in his later years, and they are characterized by precision and grace.
In February, Nanpu Pugang teased me with new poems.
The wind and the yalu are sparkling, and the goose is yellow and hanging.
This poem was composed by Wang Anshi in Jinling in his later years, and mainly depicts the natural scenery of Nanpu. The most praised sentence of this poem is the last two sentences, which show Wang Anshi's superb artistic attainments. The "Yalu" in the poem corresponds to "Goose Yellow", the former refers to water, the latter refers to willow, and the four characters are paired in pairs;"Sparkling" and "curling" form a confrontation;On the other hand, "Hanfeng" and "Day" place the verb at the beginning of the sentence, and "rise" and "hang" are the ends of the verb.
Through these ingenious techniques, Wang Anshi shows the dynamic beauty of green water with wind and yellow willows reflecting the sun, and vividly depicts the state of spring water willow. This neat structure and elegant and delicate expression made Wang Anshi quite proud of these two sentences.
The thatched eaves are long and clean without moss, and the flowers and trees are planted by hand.
A water to protect the field will be green, and the two mountains will send the green.
Triggered by the quiet environment of the neighborhood, Wang Anshi composed two poems of seven uniques, of which this one is the most widely circulated. It depicts the neighbor's thatched hut cleaned, with neat flowers and trees, surrounded by a stream in front of the door, and a series of verdant mountains on both sides. Such a landscape picture presents a pleasant, tranquil idyllic scene.
The words "protecting the field" and "pai min" in the last two sentences are both taken from the Book of Han, and Wang Anshi secretly uses allusions to write about landscapes, in fact, he is also praising the noble qualities of his neighbors. This kind of expression can be called a high-quality compliment in the world, showing Wang Anshi's profound literary attainments.
A spring water surrounds the flower body, and the flower shadow is enchanting.
Even though it was blown into snow by the spring breeze, it was crushed into dust by Nanmo.
In his later years, Wang Anshi always seemed to be immersed in all kinds of beautiful scenery, perhaps because his mood has changed, and his observation of the surrounding scenery has become more nuanced. This poem is beautifully written, cleverly depicting a pool of spring water rippling through the word "winding", with flower shadows in the water, and apricot blossoms on the shore falling with the wind, like snowflakes. However, the petals were crushed to dust as the horses passed by, showing the diversity of spring.
Even if the apricot blossoms wither, they still maintain their white color, which may also be Wang Anshi's insistence on innocence while writing about apricot blossoms. The poem is neat and delicate, showing the vitality of spring through the depiction of color.
The wild water is removed from the horizontal house, and the birds call each other in the afternoon window.
The spring breeze blows herbs every day, and there is no desire for Shanbei and Shannan Road.
In his later years, Wang Anshi often visited Zhongshan Wuzhen Temple, where the environment is beautiful and there are staggered streams. During one of his visits, he felt sleepy in the afternoon, so he leaned in front of the window to take a nap. Between dreaminess and sobriety, the crisp birdsong echoes in the air. At this time, it is the spring of peach and willow green, and everything seems long, light, soft and blurry.
The poem is full of sensations and is suitable for enjoying in the afternoon sun. Through the word "residual dream", the poem has a dreamy artistic conception, making the whole picture appear quiet, distant, and full of infinite artistic conception.
The sun is pure and the mountains are dyed, and the wind and grass are scented.
The plum remnants are a little snow, and the wheat is a stream of clouds.
The poem depicts a clear mountain in the clear sunlight, lush vegetation blown by a warm breeze, plum blossoms withering in spring, and a river of green clouds growing wheat in four images. These four objects form a warm and vibrant spring scene, and the mountains and rivers each show an intoxicating look, giving people a pleasing feeling.
Wang Anshi's small poem, with its neat structure and clear expression, was praised by Song Huzai's "Tiaoxi Yuyin Cong Words" as "really making people sing and sigh three times". This is a pearl in his poetry in his later years, which continues to spread his affectionate depiction of the spring of the landscape.
Wang Anshi's poems in his later years are almost all about his leisurely life after retirement. Unlike others, his poems are full of deep subtlety, showing a meticulous observation of natural landscapes. These poems, whether in structure, artistic conception or diction, show Wang Anshi's outstanding literary attainments.
A commentary on Wang Anshi's Jinling poetry in his later years.
Wang Anshi's poetry in his later years, especially in Jinling, shows his deep emotions and delicate observation of natural scenery. In the poems of this period, the poems are mainly written about scenery and songs, especially represented by quatrains, which profoundly reflects the peak of Wang Anshi's poetry art.
First of all, from the perspective of his creative theme, Wang Anshi's poems in his later years mainly depicted natural scenery and landscape scenery. Compared with the passionate debates in his political career, Wang Anshi seems to be more quiet in his later years, and pays more attention to feeling the beauty of life. This transformation is manifested in his descriptions of places such as Nanpu, Huyin Shibi, Beipi Xinghua, Wuzhenyuan and Qi'anbi, each poem is picturesque, outlining rich natural scenery and showing his deep affection for nature.
Secondly, the writing technique in Wang Anshi's quatrain is even more breathtaking. For example, in the poem "Nanpu", through the skillful description of the scenery of water willows, he shows a deep perception of the beauty of nature. The neat and elegant expression of the poem makes the poem more rhythmic and gives people a pleasant reading experience. In the poem "Apricot Blossoms in the North", through the vivid description of spring water, flower shadows, and apricot blossoms, the colorful picture scroll of the whole spring is presented in front of the reader. The scenes in these psalms seem to leap before the reader's eyes, making one feel as if one is in the middle of it.
In addition, Wang Anshi's poems also reveal thoughts on life and the passage of time. In the poem "Goshin Temple", through the description of the remnants of the dream in the afternoon window and the spring breeze blowing herbs every day, he seems to be lamenting the rapid passage of time and expressing his deep affection for the passing of time. This contemplation of the passage of time makes his poems more profound and resonates with readers.
Finally, the dictionaries in Wang Anshi's quatrains are also the essence of his poetry. In "Mr. Shuhu Yin Bi", he skillfully uses allusions in the "Book of Han" to express his praise for the quiet environment of the neighborhood through "protecting the field" and "pai min". This skillful use of allusions not only enriches the connotation of the poem, but also shows Wang Anshi's erudition and talent.
To sum up, Wang Anshi's poetry works in Jinling in his later years have become one of the classics in the history of Chinese literature with his deep emotions, delicate descriptions of natural scenery, ingenious scene writing techniques and exquisite allusions. These poems are not only literary treasures, but also pictures that show the rich inner world of poets in their later years, leaving an eternal artistic light.
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