The poems not only have a magnificent and fierce grandeur, but also record the history of China's revolution and construction for more than half a century. ** Poetry embodies strong feelings of the people, contains great revolutionary forces, and is full of superb political wisdom and lofty aesthetic ideals.
** With rich connotation and deep strength, the poem composes a magnificent chapter in the leadership of the Communist Party of China in the cause of revolution and construction in the 20th century, records the history of China's revolution and construction for more than half a century, and is a vivid portrayal of the glorious history of the Communist Party of China. ** Poetry embodies strong feelings of the people, contains great revolutionary forces, and is full of superb political wisdom and lofty aesthetic ideals. The general secretary has quoted poems many times to explain the new ideas of governing the country.
**Poetry has a distinct people's character.
Seeking happiness for the people and rejuvenation for the nation is the original mission of the party. **Poetry has always been written for the people, reflecting the main position of the people, and clearly reflecting the will and position of the people.
** At a young age, he had a great ambition to save the nation from danger. In 1919, ** wrote in the "Xiangjiang Review Founding Manifesto": "The mighty new trend of thought has been surging on both sides of the Xiangjiang River!In "Qinyuan Spring, Changsha", the sentences such as "ask the vast earth, who is the lord of the ups and downs" and other sentences write the worry about the fate of the country and the pride of caring for the world. The words also wrote about the grand scene, "Bring hundreds of couples to travel." Recalling the eventful years of the past", "just a young classmate, in his prime;Scholarly spirit, scolding Fang Xuan" and other poems express the spiritual outlook of revolutionary and progressive young people who take the world as their own responsibility and forge ahead with high spirits.
The Workers' and Peasants' Red Army and the People's Liberation Army are the people's armed forces led by the Party in different periods, and they are an important part of the image of the people in the poems. Sentences such as "Minus the Magnolia Flower on Guangchang Road" "The order was issued yesterday, and 100,000 workers and peasants went down to Ji'an" and "Butterfly Love Flowers: From Tingzhou to Changsha" and "Millions of workers and peasants enthusiastically swept through Jiangxi to Hunan and Hubei" all praised the fighting spirit of the Workers' and Peasants' Red Army in an unhindered and invincible battle. "Fisherman's Pride: Anti-the First "Great Encirclement and Suppression"" and "Fisherman's Pride: Anti-the Second "Great Encirclement and Suppression"" vividly wrote the heroic and invincible momentum of the soldiers and civilians in the Soviet area, and showed the heroic spirit of the Red Army in resisting and fighting. In "Seven Laws: The People's Liberation Army Occupies Nanjing", "Zhongshan is pale and yellow, and millions of heroes cross the river", it is written that the PLA is large in number and has a high momentum, and reveals that the victory of the people's revolution has brought about a change in the heavens and the earth, which is in line with the law of historical development.
Under the leadership of the Communist Party of China, the people of all ethnic groups in China have plunged into socialist construction with high spirits. **The poems fully show the scene of the people of all ethnic groups in our country jointly building socialism. In the first song of "Seven Laws and Two Songs, Sending the Plague God", "A Thousand Villages and Lili People Leave Their Arrows, Ten Thousand Households Xiao Shu Ghosts Sing", and in the second song, "Spring Breeze and Willows Thousands of Strips, 600 Million Shenzhou Shunyao" are both based on the people as the object of description, the first sentence specifically writes about the suffering caused by schistosomiasis to the people, while the second sentence cleverly borrows the scene of the arrival of spring in nature and the rejuvenation of the earth, writes about the vicissitudes of the world, and reflects the new spiritual outlook of the Chinese people after the founding of New China.
"Jun Jin unfortunately passed away, who can be asked about the country's problems" in "Seven Laws and Hanging Comrades", expressing the deep condolences of the marshal and the regret after the loss of close comrades-in-arms, which is sincere and touching. "Seven Laws and Mr. Liu Yazi" and "Huanxi Sha and Mr. Liu Yazi" show the deep friendship between *** and democrats. "The sons and daughters of China have many strange ambitions, do not love red clothes and love arms" in "Seven Uniques: Inscriptions for the Female Militia", which shows the spiritual outlook of young women in New China, and calls on all Chinese sons and daughters to participate in militia organizations to protect their families and defend the country.
**Mind the world, always pay attention to the fate of the people of the world. In "Man Jianghong and Comrade Guo Moruo", "the four seas are churning and the clouds and water are angry, and the five continents are thunderous", which magnificently writes the magnificent tide of revolutionary anger set off by the people of the world at that time, showing the pride and belief of revolutionaries in victory.
**The poems also use plum blossoms, red flags and other imagery to praise the great fighting spirit of the people. By praising the qualities of plum blossoms that are not afraid of the cold, strong and unyielding, and humble and low-key, "Bu Operator Yongmei" shows a broad mind willing to dedicate and presents the beautiful vision that the Chinese people will overcome all difficulties and usher in spring. "On the peak of Liupan Mountain, the red flag spreads the west wind" in "Qingpingle Liupan Mountain", and "down the mountain, the wind spreads the red flag picturesquely" in "Dream Order: New Year's Day", etc., all borrow the image of the red flag to represent the revolutionaries and the revolutionary team, and express the belief that the revolutionary flame will spread throughout the country.
**The poem profoundly and comprehensively presents the typical characteristics of the image of the people, and through the description of the people, it vividly presents that the people are the main body that changes the world and creates history. As a result, it also helps us to further deeply understand the profound thinking of the general secretary of the People-centered.
Poetry is revolutionary and militant.
The general secretary pointed out: "Comrade * led our party to creatively put forward and implement a series of correct strategies and tactics, promptly solved one extremely complex problem after another in the process of the Chinese revolution, and guided the ship of the Chinese revolution to constantly ride the wind and waves. ”
** The poems vividly summarize and describe the history of the struggle of the Communist Party of China to lead the Chinese people in socialist revolution and construction in the 20th century.
"To the middle stream of the water, the waves curb the flying boat" in "Qinyuan Spring, Changsha", shows the sense of mission to save the world and the pride and ambition of others, in the face of the difficulties of the times, do not retreat, do not flinch, and have a vigorous and courageous revolutionary fighting spirit.
The Yellow Crane Tower was painted in the spring of 1927. On the eve of the defeat of the Revolution, some people were in a bleak mood. The phrase "drinking wine and raising the tide of the heart" in the words embodies the fearless spirit and optimism of a proletarian revolutionary, and shows the determination and confidence to carry out the revolution to the end.
"The enemy army is besieged by thousands of people, and I will not move" in "Xijiangyue Jinggangshan", which describes for us the revolutionary fighting spirit of the soldiers and civilians in Jinggangshan who are not afraid of danger and bravely respond to the enemy.
The "Battlefield Yellow Flowers are Extraordinarily Fragrant" in "Picking Mulberries and Chongyang" highlights that the yellow flowers are still blooming in the autumn wind and frost after experiencing gunpowder smoke and fire, and its fragrance is far better than before, which further reflects the fact that the fragrance of chrysanthemums can be appreciated in adversity, with the calmness of dealing with it, and the confidence that the revolution will succeed.
Although the whole poem is short, it has infinite meaning, reflecting the spirit of courage and self-confidence, and the whole word has sonorous rhyme and bright rhythm, expressing the author's optimism and cheerful mood, and eulogizing the indomitable revolutionary heroism and optimism of the people's army. The first sentence of "Minus the Word Magnolia on Guangchang Road" is "the sky is white, and the military situation in the snow is more urgent", and the opening chapter outlines the vast natural background with flying snow, which is concise and grandiose, and leads people to reverie. The word "urgent" explains the urgency of the military situation and the determination of the Red Army soldiers to impatiently complete their tasks. "Bodhisattva Man, Da Baidi" through "the fierce battle, the village wall in front of the bullet hole", "decorate this mountain, today looks better" and other sentences, reflecting the best combat aesthetics and revolutionary optimism, although the walls of the former village are still full of bullet marks, but it is the great rivers and mountains decorated by this bullet marks, and now it seems to have a unique style. The sentence "Now we are stepping forward from the beginning" in "Remembering Qin'e and Loushan Pass" fully reflects the Red Army's feelings of striving to surpass when facing danger.
The Sixteen-Character Order was composed between 1934 and 1935, when the revolutionary cause led by the Communist Party of China was facing severe challenges. Although there is no clear title for these three poems, each poem begins with the word "mountain", indicating the object of writing, and the majestic and steep mountains encountered on the Long March road set off the fearless spirit and grand ambition of the revolutionaries. The poem "Seven Laws: The Long March" shows the lofty realm, unrestrained feelings, majestic momentum and wonderful conception through singing the Long March.
At the symposium to commemorate the 130th anniversary of the birth of Comrade ***, the general secretary pointed out that "Comrade *** has demonstrated the far-sighted political vision, unswerving revolutionary conviction, extraordinary courage to open up, perfect art of struggle, outstanding and superb leadership ability, pure feelings for the people, open-minded and broad-minded realm, and fine style of hard struggle." * The poems are full of revolutionary pride and fighting character, which embodies his ancient pride and unrestrained fighting character as a great revolutionary leader.
**Poetry embodies a broad view of history.
**The poems are full of the spirit of revolutionary optimism, the organic unity of revolutionary romanticism and revolutionary realism, and contain a broad view of history.
From the perspective of time span, the time span in the poem is large, the momentum is magnificent, and the scene is vast. "Thirty-eight years have passed, with a flick of the fingers" in "Water Tune Song Tou and Revisiting Jinggang Mountain", "The Past is More Than a Thousand Years" in "Lang Taosha Beidaihe", and "10,000 Years is Too Long, Seize the Day" in "Man Jianghong and Comrade Guo Moruo", among which the millennium and 10,000 years are just a flick of the fingers in the pen. Of course, there is a broader time span in the poem, from "Farewell to the Apes and Apes" to "The song is unfinished, Dongfang Bai" in "He Bridegroom: Reading History". In addition, ** poems not only write about the time of human society, but also about the time of natural history, which is a huge span and a wonderful imagery. For example, it is written in "Nian Nujiao Kunlun": "Born out of thin air, reckless Kunlun, read the spring of the world." "Kunlun Mountain has been around since the orogeny, and the time is measured in hundreds of millions of years. The long river of history, the long river of mankind, the long river of nature, and the long river of the universe are all flowing calmly and vividly on the paper under his pen.
From the perspective of space span, the space in the poem is vast and far-reaching, the sky is far away, and even boundless. For example, in "Qinyuan Spring Snow", "looking at the inside and outside of the Great Wall, but the rest is reckless", the inside of the Great Wall can be regarded as the south of the motherland, and the outside of the Great Wall can be regarded as the north of the motherland;"The great river goes up and down, and suddenly it is surging", writing that the great river originates in the west and flows to the sea in the east. It should be said that the southeast, south, and northwest of the motherland are all within the author's observation. In "Bodhisattva Man: Yellow Crane Tower", "the vast nine schools flow in China, and the sinking line runs through the north and south", and in "Butterfly Loves Flowers: From Tingzhou to Changsha", "An International Tragic Song, Hurricane Falls from the Sky for Me", we can see the author's free grasp of the vast space between heaven and earth. In the sentences "three feet from the sky" and "piercing the blue sky", it seems that the author can ride in the universe with pride. In "Nian Nujiao Kunlun", "Ande leans on the sky and draws the sword", you can feel the image and courage of the author standing up to the sky. In "Seven Laws and Two Songs: Sending the Plague God", "Sitting on the ground and traveling 80,000 miles a day, surveying the sky and looking at a thousand rivers from afar", and "Man Jianghong and Comrade Guo Moruo" at the beginning of "A small globe, a few flies hit the wall", in these poems, the author seems to be in the universe, carrying out a dialogue between heaven and earth. In "Water Tune Song Tou Revisiting Jinggang Mountain", "you can go up to the moon for nine days, and you can go down to the five oceans to catch turtles", from the grasp of the vast space of the nine heavens and the five oceans, we can see the author's revolutionary heroism of bravely climbing.
**Poetry also has the embodiment of crossing the time and space tunnel, such as "Tao Ling doesn't know where to go, the arable field in the Peach Blossom Spring" in "Seven Laws: Climbing Lu Mountain", which allows us to travel through time and space, and enter the artistic conception of the Peach Blossom Source with Tao Yuanming.
**The description of time and space in the poem reflects the rich and wonderful imagination, connects the vast history, and is free to climb and pitch, reflecting the pride and power throughout the ancient and modern, at home and abroad.
** Standing at the height of the nation, the country and even mankind, the poems care about the people's suffering, historical progress, and world peace and development, embodying the magnificent feelings of the ego, enhancing our historical and cultural self-confidence, broadening our horizons, broadening our minds, and enhancing our ambition, confidence and backbone to be Chinese.
Author: Yao Xishuang is a professor and doctoral supervisor of Communication University of China, and president of the Chinese Society for the Modernization of Chinese Language).