In the ancient hierarchical feudal society, the dragon robe was a symbol of the supremacy of the emperor's status. From the Qin and Han dynasties to the Sui and Tang dynasties, and then to the Ming and Qing dynasties, dragon robes not only have strict specifications in design, color, system and ornamentation, but also pay great attention to use, replacement and cleaning. So, when the emperor's dragon robe is worn for a long time and smells, how to deal with it?
The name dragon robe originated in the Qin Dynasty, and the First Emperor set a precedent for using the dragon to symbolize the identity of the Son of Heaven. He embroidered nine five-clawed dragons on his robes, embodying the identity of the "Ninety-Five". At first, the main color of the dragon robe in the Qin and Han dynasties was the unique "Xuanse" (black), because the Qin State was in a wild land in the early days of the founding of the country, and the water source was scarce, so the choice of black symbolized the desire for water.
With the reign of Qin Shi Huang and the establishment of a unified dynasty, the dragon robe became a symbol of the identity of the Son of Heaven. During the Qin and Han dynasties, the production process of dragon robes was relatively simple, and the textile materials were mainly hemp, silk, wool, etc. Due to the lack of improvement in textile technology, dragon robes are often not washed often, because on the one hand, they are prone to shrinkage, and on the other hand, there are few opportunities to wear them.
The Han Dynasty inherited the Qin system, and the main color of the dragon robe remained basically unchanged. During the Sui and Tang dynasties, the aesthetic fatigue of pure black dragon robes gradually appeared, and colored dragon robes such as red and yellow gradually appeared. However, black was still the dominant color until the time of Emperor Wen of Sui, when he believed that "heaven and earth are yellow" and decided to use yellow as the main color of the dragon robe, replacing black.
With the deepening of social hierarchy, the colorful dragon robe was gradually monopolized by the emperor. During the Qing Dynasty, the emperors pursued the luxury of dragon robes even more, not only using top-quality silk fabrics, but also inlaid with jewels to make the dragon robes more prominent.
In ancient times, cleaning dragon robes can be described as an art. During the Ming and Qing dynasties, the production process of dragon robes reached its peak, requiring the use of the best silk in the country. The process of making a dragon robe is complex, requiring exquisite silk craftsmanship and intricate ornamental design. During the Ming Dynasty, the dragon patterns on the dragon robe even increased from 9 to 12, forming the "Silk Twelve Chapter Gunfu".
Since the robe is mostly made of silk fabric, washing can cause shrinkage and damage to the ornamentation. Therefore, the ancient palace people adopted two steps: deodorization and decontamination. In the deodorization stage, aromatherapy is used to dye the dragon robe with precious spices such as ambergris to remove the odor. For stains, the palace people used ingenious sectional weaving and repair techniques to ensure that the cleaned dragon robe was intact.
During the Sui and Tang dynasties, with the development of society, the daily development of dragon robes became an inevitable trend. The cleaning of the dragon robe is imperative, and ordinary washing is no longer suitable. Due to the particularity of silk fabrics, traditional cleaning methods can no longer meet the demand. In addition to the aromatherapy method and the dismantling method, the cleaners introduced the "alcohol method".
The alcohol method not only removes stains, but also eliminates odors, making it the preferred method for cleaning dragon robes. However, this method is still extravagant and expensive, and the alcohol used must be an extremely difficult to brew "imperial sake", and every drop is worth a lot. This cleaning process is time-consuming and laborious, but it keeps the robe in good condition.
Through the ** of the ancient emperor's dragon robe cleaning art, we can't help but sigh at the luxurious life of the ancient emperors. Even when it comes to the seemingly simple issue of cleanliness, they demonstrate the ultimate pursuit of status symbols through unique methods and ingenious means. However, this luxury is also limited by poverty, which makes people think more deeply about the hierarchical nature of ancient societies.
In feudal society, the dragon robe was not only a costume, but also a symbol of power. The strict regulation and extravagant maintenance of dragon robes by ancient emperors was not only an adherence to their own noble status, but also an expression of social hierarchy. Behind the dirty dragon robes, the ancient emperors carried a deep understanding of power, identity and tradition, and also reflected the extravagance of their lifestyle and helplessness about poverty.
This article delves into the art of how to clean and maintain the dirty dragon robes worn by ancient emperors, presenting a unique combination of status symbolism and luxury life. It is not difficult to see from the article that the ancient emperors' norms for dragon robes and the way they cleaned them up not only showed their maintenance of power, but also highlighted the embodiment of hierarchy in feudal society.
First of all, the article takes the development of history as the context and clearly shows the evolution of the dragon robe. From Qin Shi Huang's creation of the concept of dragon robes, to the aesthetic changes in the Sui and Tang dynasties, and then to the peak of dragon robe production technology in the Ming and Qing dynasties, readers can better understand the unique position of dragon robes in feudal society through this historical evolution.
Secondly, for the process of cleaning the dragon robe, the article introduces in detail the various techniques used by the ancient palace people, such as aromatherapy, segmented weaving, repair technology and alcohol method. These unique methods not only show the extreme pursuit of people at that time to keep the dragon robe in good condition, but also show their inheritance and innovation of traditional culture.
In the structure of the article, the whole narrative is made more vivid and interesting by combining the process of cleaning the dragon robe with the historical period. In terms of expression, the author uses a wealth of rhetorical devices to make it easier for readers to immerse themselves in the scene of ancient emperors wearing dirty dragon robes.
Most impressively, the article highlights the extravagant side of the ancient emperors, who, despite the seemingly mundane task of cleaning up dragon robes, are particularly special because of their pursuit and adherence to tradition. The cleaning of dragon robes by ancient emperors is not only a material demand, but also a manifestation of the feudal social hierarchy and respect for traditional culture.
Overall, this article vividly shows the blend of feudal social hierarchy and luxury life by digging deep into the story behind the cleaning of ancient imperial dragon robes. The explanation is clear and logically rigorous, presenting readers with a different picture of the life of ancient emperors.
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