The history of the Tang Dynasty reveals the three blackened heroes, who are they?

Mondo History Updated on 2024-01-30

In the long history of the Tang Dynasty, there are three controversial figures, they are Su Dingfang, Li Jiancheng, and Li Mi. However, it is worth noting that despite their great achievements in history, they have been blackened to the fullest in some versions of the historical narrative and have become villains. This article will provide an in-depth analysis of these three historical figures and unravel the mystery of history.

Su Dingfang was the founding general of the Tang Dynasty, although he was not included in the twenty-four heroes of Lingyan Pavilion, but he became a generation of famous generals with outstanding military merits. He conquered the Turks, pacified Baekje, and conquered Goguryeo, destroying the Three Kingdoms in one fell swoop, and capturing the lord of the Three Kingdoms alive. Su Dingfang once served as General Zuo Xiaowei and General Zuo Wuwei, and was named Xing Guogong. However, in some historical narratives, Su Dingfang is blackened into a conspiracy and vicious villain. He was accused of being the villain who killed Luo Yi and Luo Cheng's father and son, and became a feud between the Su family and the Luo family. However, historical facts show that all this is a misunderstanding, Su Dingfang is not Luo Cheng's enemy, and Luo Ben himself has no solid evidence in history.

Li Jiancheng was the eldest son of Li Yuan, the founding emperor of the Tang Dynasty, and the first crown prince of the Tang Dynasty. He made a lot of achievements in the pacification of Xihe and the capture of Huoyi, and supported Li Yuan's Jinyang army. However, despite his historical exploits, some versions of historical narratives portray him as a conspirator, a sinister, incompetent, and womanizer. He was accused of killing Luo Cheng, fornicating with Li Yuan's concubine, and attempting to murder Li Shimin. There is a clear difference between this blackened depiction and historical reality, and some of Li Jiancheng's exploits have been downplayed or ignored in some versions of the historical narrative.

Li Mi was a descendant of Li Bi, a general of the Western Wei Dynasty, and the son of Li Kuan, the Shangzhu State of the Sui Dynasty. He had outstanding talents in civil and military affairs, and participated in the uprising with Yang Xuangan. However, Li Mi's defeat doomed him to the fate of blackening in some historical versions. He surrendered to the Tang Dynasty after the Xuanwumen Rebellion, but was killed for betrayal. In some historical narratives, Li Mi is portrayed as an incompetent, lustful, and selfish villain. He cooperated with Cheng Yanjin, but because of his conspiracy, the Wagang Army was torn apart. After surrendering to the Tang Dynasty, he was accused of killing the princess in an attempt to rebel again, and was eventually executed.

Through in-depth analysis of these three historical figures, we find that there is a clear difference between the blackened elements in some historical narratives and the actual historical facts. This blackening phenomenon may be influenced by the position of the historical narrator and the background of the times, making these heroic characters become historical villains in some versions. When we are in history, we need to rationally examine different versions of the narrative in order to understand the true face of historical figures more comprehensively and objectively.

In this article, the author reveals the phenomenon of blackening in some historical narratives by analyzing three important figures in the history of the Tang Dynasty: Su Dingfang, Li Jiancheng, and Li Mi. With a clear structure and vivid description, the article successfully presents the transformation of the image of these three historical figures in different versions.

First of all, the article gives an in-depth interpretation of Su Dingfang. As the founding general of the Tang Dynasty, Su Dingfang had made great achievements, but in some historical narratives, he was portrayed as a conspiracy and vicious villain. The author points out the difference between this blackening and historical facts, and explains the truth behind Su Dingfang's misunderstood situation that he became a feud between the Su family and the Luo family. This nuanced historical analysis provides readers with a deep understanding of Su Dingfang's true image.

Secondly, the article deeply analyzes the historical blackening phenomenon of Li Jiancheng, the prince of the Tang Dynasty. Li Jiancheng has had some exploits in history, but in some versions of the historical narrative, he is portrayed as a sinister, incompetent, and womanizer. By comparing the similarities and differences between historical reality and blackened depictions, the article calls on readers to look at history rationally and not be misled by one-sided narratives. This enlightening perspective provides readers with a wake-up call to the position of the historical narrator, making them more alert to the historical story.

Finally, the article focuses on Li Mi, a historical loser. Through the analysis of Li Mi's life, the article reveals that he is portrayed as an incompetent, lustful, and selfish villain in some historical versions. This blackening phenomenon contrasts sharply with Li Mi's actual deeds, and provokes reflections on the rationality and objectivity of historical narratives. Through this example, the author urges readers to be cautious in their evaluation of historical figures, and not to be swayed by one-sided historical narratives.

Overall, this article vividly demonstrates the phenomenon of historical figures being blackened in different versions through an in-depth analysis of three figures in the history of the Tang Dynasty. The article is clearly structured and powerful, and provides useful enlightenment for readers to understand the complexity and multifaceted nature of history more comprehensively. At the same time, through the reflection on historical narratives, the article guides readers to treat historical stories more rationally and not to believe one-sided narratives, so as to understand and evaluate historical figures more accurately.

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