The exhibition showcased more than 60 pieces of Mr. Gao Qiang's boneless flower and bird series works and more than 10 pieces of porcelain.
This exhibition brings the audience not only artistic enjoyment, but also a spiritual baptism. The comfortable and elegant artistic conception conveyed by Mr. Gao Qiang in his works makes people yearn for and be quiet. Each work symbolizes the perfect combination of natural beauty and humanistic feelings, outlining the integration of art and life.
At the same time, a series of well-known scholars, artists and critics in the industry were specially invited to participate in this exhibition, bringing wonderful explanations and unique insights on Mr. Gao Qiang's artistic creation. There are also elite friends from all walks of life who are not afraid of the cold wind and thousands of miles to arrive at the scene to watch the exhibition, which truly shows the charm of art.
The exhibition will last until the 22nd, and we warmly welcome the audience to come and visit, meet Mr. Gao Qiang's artistic way, and feel the cultural connotation and emotional pleasure behind his works.
Finally, I would like to thank all the guests and the audience for their presence and support. I hope that this exhibition can bring you the enjoyment of the beauty of art and bring unforgettable memories to everyone. Let us feel the charm of art and appreciate the unique charm of natural beauty in this free and elegant flower and bird painting exhibition.
Ms. Fan Yi, vice president of Rong Bao Zhai Painting Institute, was interviewed.
Mr. Song Chunfeng, Secretary-General of the Association for the Promotion of Chinese Culture, was interviewed.
Li Wenliang, a famous flower and bird painter, was interviewed.
Zhou Tongxiang, a famous flower and bird painter, was interviewed.
Ms. Gao Gao, a young landscape painter, was interviewed.
Mr. Yu Jianguo, Mr. Gao Qiang, professor of Beijing University of Posts and Posts, and Ms. Qu Lili, partner of Zhongwen Law Firm, were interviewed.
Artist friends Zhou Tongxiang, Cui Zepei, Li Wenliang, Jia Shaobo, Tang Wenguo, Yin Zhenguo, Xu Tao and others signed in to commemorate the event.
High strength
gao qiang
Gao Qiang (Nanzhu Xiaolian): Born in Qixian County, Shanxi Province in 1970, he graduated from Shanxi Normal University with a major in oil painting. In 1997, he studied at the oil painting workshop of the German expressionist painter Julia Lohmann, and in 2000, he studied under Mr. Zhao Tingren.
He is currently the deputy secretary-general of the Calligraphy and Painting Art Exchange Committee of the China Folk Literature and Art Association, the Association for the Promotion of Chinese Culture, and the Beijing International Culture. Executive Vice Chairman of the Art Committee of the Promotion Association, former studio tutor of the Painting Academy of Chinese People's University, tutor of Gaoqiang Boneless Painting Sketching Studio of Rongbaozhai Painting Academy, painter of Jia Guangjian Studio of China National Academy of Painting, first graduate class of Jia Guangjian Studio of Peking University School of Arts, vice president of Guangdong Oriental Art Painting Academy, visiting professor of Shandong Liaocheng Vocational and Technical College, vice president of Shanxi Contemporary Flower and Bird Painting Research Institute, director of Shanxi Artists Association, director of Beijing Tongzhou District Artists Association, vice chairman of Linfen Artists Association, director of Qixian Teaching Center of Rongbaozhai Painting Academy。
He has published "Colored Boneless Herbaceous Flowers", "Colored Boneless Woody Flowers", "Zhu Hua Qingyun", "Gaoqiang Flower and Bird Painting Collection", "Pingshui Wenxin", "Plants in the Book of Poetry - Picking Curly Ears", "Plants in the Book of Poetry - Yan Ru Shunhua", "Song Ci Plants - Only Plum Blossoms Like Old People" and so on.
Solo exhibition. In July 2020, Gaoqiang Studio (Linfen) established a private collection of boneless paintings.
In September 2019, Guangdong Provincial Art Museum "World Vision-Gaoqiang Boneless Painting Exhibition".
In November 2017, Xuzhou Yannan Art Hall "Ancient Charm and Fragrance - High-strength Flower and Bird Painting Exhibition".
In October 2017, "Qiao Yading High-strength Flower and Bird Painting Invitational Exhibition" in Qi County, Shanxi
On November 26, 2016, Qingdao Jianuo Art Museum "Ancient Charm and Fragrance - High-strength Flower and Bird Painting Exhibition".
On October 22, 2016, Dongguan Sanfengtang Art Museum "Ancient Charm and Fragrance - Gaoqiang Boneless Flower and Bird Painting Exhibition".
In October 2015, China Digital Calligraphy and Painting Channel Tianjin News Center "Tianjin Gate Appointment - Gaoqiang Flower and Bird Painting Exhibition".
In November 2013, Beijing Classic Visual Art Museum "Pingshui Wenxin - Gao Qiang's Works Exhibition".
In September 2012, Shandong Qingdao Yanhai Art Museum "Chinese Charm - Gaoqiang Flower and Bird Painting Exhibition".
In August 2011, Beijing Daqian Gallery "Gao Qiang (Nanzhu Xiaolian) Ink Flower and Bird Painting Exhibition".
In August 1997, Shanxi Linfen ** Book House "Gao Qiang Solo Works Exhibition".
In August 1995, Shanxi Qixian Cultural Center "Gao Qiang's Personal Works Exhibition".
Group exhibitions. In August 2022, the 11th Chinese Painting Festival Rong Bao Zhai Painting Institute "Danqing Yicai" Chinese Painting Masters Exhibition.
In March 2022, "Brushwork Comes from Spring, Ink Rhyme Tongzhou - Beijing City Sub-center Chinese Flower and Bird Painting Invitational Exhibition".
In March 2022, the Ministry of Culture and Tourism of Beijing and the China National Academy of Painting "Red Star Shines and Paints China - Exhibition of Art Talents of Future Little Painters by Famous Teachers and Famous Artists".
In January 2022, Rong Bao Zhai Hohhot Branch "National Calligraphy and Painting Masters Ren Yinqing Exhibition".
On October 10, 2021, "Tongzhou Yaji - Beijing City Sub-center Art Works Invitational Exhibition".
In September 2021, Beijing "Encounter with Red Snails - Literati Popularity, Famous Artists and Chinese Painting Exhibition".
In January 2021, Beijing "Ink Painting - Chinese Painting and Calligraphy Masters Exhibition".
In December 2020, Weifang, Shandong Province, "Plum Blossom Character, Chinese Spirit - National Chinese Painting Masters Painting Plum Exhibition".
In November 2020, Beijing Art Zhongguancun 2020 Group Exhibition.
In November 2020, Hohhot Rong Bao Zhai "Falling in Love with Elechuan - National Calligraphy and Painting Masters Invitational Exhibition".
In February 2019, the 5th Jia Guangjian Art Institute "Spring Morning Before the Court" Jia Guangjian Teachers and Students Chinese Painting Exhibition.
In June 2018, "Mentors and Friends - Contemporary Chinese Painting Advanced Research Class Tutor Works Exhibition".
In May 2018, the China Artists Association "Moxiang Zhao'an" Chinese Painting Exhibition.
In November 2017, Shanxi Painting Institute 2017 Sketch Exhibition.
In August 2017, Shenzhen Image Art Museum "Ink Flower Seeking Fragrance" Contemporary Famous Ink Painting Exhibition.
In October 2117, Beijing Songzhuang "Seven Elegance" Contemporary Famous Academic Invitational Exhibition.
In October 2017, Shandong Zaozhuang Tianyuan Art Museum "Art is Endless" Chinese Painting and Calligraphy Masters Invitational Exhibition.
In September 2017, Shanxi Provincial Culture and Art Festival "Times Huazhang" Art Exhibition.
In January 2016, Jia Guangjian Art Museum Jia Guangjian Teacher and Student Exhibition.
2016 Beijing International Culture Promotion Association Contemporary Famous Art Creation Exhibition.
In October 2015, the first Beijing Shenglu International Red Wine Festival and Beijing Guanghe Art Exchange Center grandly opened the invitational exhibition of works by powerful masters.
In June 2015, the first Jiangsu Art Fair Exhibition of Nanjing International Exhibition Center was held.
In June 2015, Shandong Dongying Grand Theater "Inheriting the Past and Casting the Present" Chinese Art Investment and Chinese Painting Masterpiece Recommendation Exhibition.
In April 2015, Shandong Linyi Hongru Art Museum, China Folk Literature and Art Association "Ink and Wash Rhyme" five-person exhibition.
In April 2015, Jia Guangjian's teacher and student works exhibition at Shanghai No. 1 Art Museum.
In March 2015, Jia Guangjian Art Museum in Hebei Province "Spring Morning Before the Court" Jia Guangjian Teachers and Students Chinese Painting Exhibition.
In February 2015, Beijing's "Moyun Culture Bids Farewell to the Old and Welcomes the New Year, Thanksgiving Sanchunhui Spring Emerges - Contemporary Youth Gongbi Welcome Exhibition".
In January 2015, China Art Investment "Clarity of Taste - Recommended Exhibition of Chinese Famous Artists".
In January 2015, Shenzhen Image Art Museum "Ink Painting Elegance - Young Artists Academic Nomination Exhibition".
In October 2014, the 10th Anniversary Teaching Achievement Exhibition of China National Academy of Painting.
In October 2014, Beijing Yidege Danfeng Chaoyang Art Museum "Taoism and Nature - Jia Guangjian Studio Five Artists Exhibition".
In September 2014, the China Folk Literature and Art Association hosted the "Third National Strength and Value Masters Invitational Exhibition".
In April 2014, the 4th National Line Drawing Exhibition.
In January 2014, Huangzhou Art Museum "Viewing Humanities - 100 Invitational Exhibition".
In March 2013, China Culture Daily Art and Culture Weekly "Return to the Basics and Open a New - The First Academic Invitational Exhibition".
In July 2013, Jia Guangjian Art Museum "I like to see the beautiful new Yongqing - Chinese painting masters pick up the wind and travel works exhibition".
In November 2012, Jia Guangjian Art Museum "Beijing-Tianjin-Hebei Chinese Painting Masters Invitational Exhibition".
In September 2012, Jia Guangjian Art Museum "Beautiful New Yongqing Works Exhibition".
In August 2012, the Ministry of Culture "China Art Industry Expo" exhibition.
In July 2012, China National Academy of Painting "Jinshiwan" Contemporary Chinese Painting Masters Invitational Exhibition.
In September 2012, the "Jing Hao Cup" Chinese Painting Biennale Exhibition of China National Academy of Painting.
In September 2012, the China Folk Literature and Art Association hosted the "Second National Strength and Value Invitational Exhibition".
In July 2011, he was awarded the "Outstanding Works Exhibition of Teachers and Students" by China National Academy of Painting
In September 2008, the 5th Shanxi Province Art Exhibition.
All flowers are simple and not noisy
Interpretation of high-strength boneless paintings.
Jia Guangjian. When I met the word Qingjian, I thought of Gao Qiang's boneless painting, and then saw this sentence from Shen Kuo's "Mengxi Pen Talk": "The rhyme is leisurely, and the words are concise." "I can do what I want, and I can use it.
After Gao Qiang's continuous questioning, watching flowers and reading paintings, sketching and pondering, and unremitting exploration, his boneless flowers and birds are now quite personal.
Boneless flower and bird painting from the five dynasties of the Northern Song Dynasty flower and bird painting independent into a department, after the continuous evolution and development, its historical origin and technical evolution, to the inheritance and development of culture and enrich the appearance of Chinese painting form has a non-negligible role. The exploration of boneless flowers and birds can be said to uphold the tradition and integrate Chinese and Western, and covers some elements of contemporary art culture.
The indifferent and noble character of the Nantian faction is high in the mountains. Gao Qiang pondered the ancient paintings, according to the water in the ink to make a boneless smudge, so that those flowers and plants are bright and spiritual, every touch;**Nantian penmanship, between turnovers, there is always a gain. In order to seek the natural vividness of the penmanship, Gao Qiang often reads the post, seeks a broad vision, and sometimes even buys a picture album not for painting but for inscriptions. Between the beginning and end of a word, between the line and the stop, you can realize a lot of interest and reason. Then I can find it under the pen when I use the pen or inscription, so I am proud and happy.
When he sketched and drafted, the composition of Western painting and the knowledge of Chinese painting were indeed integrated into one place. Only in the practice of painting can we truly appreciate the almost empty state of the ancients, "wanting to get rid of the vertical and horizontal Xi, and being naïve";Only then can we observe the relationship between painting and all things and self, "there is no, there is no", and there is nobodyOnly then can we grasp the proper status and mission of boneless painting in contemporary art culture.
Reading Gao Qiang's works carefully, I can see the boneless lines that are hidden and outlined, and it seems to be more fresh and pure under his brush: it seems to be complicated, not piled up, and the layers are open, and it is the beauty that has been accumulated day by day;And it seems simple, but in fact it is the most difficult, to draw the spirit of flowers, one or two flower branches, three or five petals is a proud free life. Ink and color and water, between the hidden and the present, the existence and the non-existent should be harmonious, not crowded, not noisy, as if all the flowers in the world can be quiet here. When asked about Gao Qiang, he said that there was a frank conversation, and only after understanding flowers did he know the language of flowers. People who revere life and love art always receive more gifts from all things.
For this kind of dialogue, he can visit the countryside, look for flowers and grass, stop when he sees flowers, and take pictures as he goes. There is often a flower that is very eye-catching, so you can put things down, take out a sketchbook or convenient paper, outline the flower shape, and keep it in your heart. Sometimes the river beach is barren and grassy, and I don't care about mosquito bites, and I have a soft spot, and I always prepare anti-scab clothes;Sometimes the community fence falls and meets, and it is not possible to do it for a while, so it is convenient to go early the next morning, so that the flowers wake up, which is the spirit, and will not disturb the people of the neighbors;Sometimes in the scenic spots, there may be curious onlookers, and they do not avoid the strange gaze and sketch themselves. Gao Qiang also often raises flowers. Because of the envy of the ancients, "Irrigate flowers in Nantian, play with moss, smoke and study colors, chant the spring breeze, and believe in the creation of me." He wrote "One Flower and One Grass" and "Speaking of Flowers", all of which flow from the bottom of his heart, and it is the painter's vision and state of mind, which is different from the usual author.
This kind of advocating of sketching, after the dialogue, the pen falls on the paper, and there is already a freehand component. Realistic and freehand, can not be separated. Because of this, the strong boneless flowers and birds have a different breath. The things that come from the sketch have a natural living atmosphere, no pruning, natural and casual, and it is not an exaggeration to call it Gaoyi. Many of his works are obtained in this way, and he is not afraid of Jiang Lang's talents, because the flowers are not exactly the same, and the paintings are not similar, and each one has its own personality and its own brilliance of life. The most valuable thing is the choice and color of the picture, which always makes people feel quiet and far-reaching, "the meaning is far away, not quiet and not far away;."The realm is precious and deep, not bent or deep", which is also Gao Qiang's unremitting pursuit of boneless painting.
In February, the wild is fragrant, and all flowers can also be fragrant. The strong boneless flowers, simple and not noisy, the most genuine fragrance.
Appreciation of the work
Big Birthday
65cm×65cm
Flowers
65cm×65cm
Three friends of the year
30cm×60cm
Long taste
30cm×60cm
Dogwood
30cm×60cm
Feel at ease
30cm×60cm
Compassion
30cm×60cm
Great auspiciousness
30cm×60cm
Camellias
30cm×60cm
Blue sea peach
30cm×60cm
Dofu
45cm×33cm
Suxin
45cm×33cm
One of the four screens of flowers, the second and the third
143cm×38cm×3
Xiaolian and Maoqing collaboration album
35cm×52cm×6
Wang Maoqing: Graduated from the China Academy of Art in 1992, he was appointed as the executive vice president of the Art and Design Research Institute of the China Academy of Art in 2013, and the chairman and curator of the Shenzhen Image Art Museum.