Interpretation and analysis of "The Story of the Drunkard Pavilion".
The Legend of the Drunken Man's Pavilion is a beautiful travelogue prose by Ouyang Xiu, a literati of the Song Dynasty. The article depicts the natural scenery and cultural landscape of Langya Mountain in Chuzhou with vivid brushstrokes, as well as the scene of the author enjoying with the people, expressing the author's love for natural landscapes and optimistic attitude towards life.
First, the structure of the article.
The article can be divided into four sections. The first part introduces the geographical location and naming of the Drunken Man PavilionThe second part describes the natural scenery of Langya Mountain and the scenery of the four seasons;The third part writes about the scene of the officials and people in Chuzhou having fun;The fourth part points out that the drunkard means to have fun with the people, and summarizes the whole text.
2. Artistic characteristics.
1.Profound artistic conception: The article takes "the drunkard's intention is not in the wine, but in the mountains and rivers" as the theme, through the description of the natural landscape, to create a deep and far-reaching artistic conception, so that the reader seems to be in it, feel the magic and beauty of nature.
2.Beautiful language: Ouyang Xiu uses vivid brushstrokes and delicate language to vividly depict the natural scenery and cultural landscape of Langya Mountain. At the same time, the rhetorical devices such as duality and comparison in the article also add to the beauty of the rhyme of the article.
3.Emotional sincerity: The article expresses the author's love for natural landscapes and optimism about life. Through the description of the scene of enjoying with the people, it shows the author's feelings of caring for the people's livelihood and having fun with the people, so that readers can feel the author's sincere emotions.
3. Ideological connotation.
The Legend of the Drunken Man's Pavilion is not only a beautiful travelogue prose, but also contains rich ideological connotations. By depicting the beauty of natural landscapes and the scene of enjoying with the people, the article expresses the author's yearning for a harmonious society and his optimistic attitude towards life. At the same time, the article also reflects the author's people-oriented thinking of caring for the people's livelihood and sympathizing with the people's feelings. These ideological connotations still have important enlightenment significance for contemporary society.
With the full text: The Story of the Drunkard Pavilion
All around Chu are mountains. Its southwest peaks, the forest gully is particularly beautiful, and the one who looks at it is blue and deep and beautiful, Langya also. The mountain travels six or seven miles, and gradually hears the sound of water gurgling and pouring out between the two peaks, and the brewing spring is also. The peak turns around, there is a pavilion wings on the spring, and the drunkard pavilion is also. Who is the pavilion maker?The monk of the mountain is also wise. Who is the name?Too shou calls himself also. Taishou and guests come to drink here, drink less and get drunk, and the year is the highest, so he calls himself a drunkard. The drunkard's intention is not in the wine, but in the mountains and rivers. The joy of mountains and rivers, the heart and the wine of the house.
If the sun rises and the forest opens, the clouds return and the caves are twilight, the obscure changers, and the morning and twilight in the mountains. The wild fragrance is fragrant, the beautiful wood is beautiful and prosperous, the wind and frost are noble, the water falls and the stone comes out, and the four times in the mountains are also. Towards the beginning, returning at dusk, the scenery of the four seasons is different, and the joy is endless.
As for the loser singing on the way, the traveler resting in the tree, the former calling, the latter responding, the crickly carrying, the one who comes and goes, the Churen travels. Fishing near the stream, the stream is deep and the fish are fat. The brewing spring is wine, and the spring is fragrant and the wine is good;The mountain cuisine is wild, and the miscellaneous and former Chen is too feasting. The joy of the feast, not silk and bamboo, among the shooters, the game wins, the staggered, the sit-up and noisy, the guests are happy. Pale and white-haired, depressed, too drunk.
The sunset is in the mountains, the shadows are scattered, and the guests are too guarded to return. The woods are shady, the chirping is up and down, the visitors go and the birds are happy. However, birds know the joy of mountains and forests, but they do not know the joy of people;People know that they are too happy to swim, but they don't know how to be too happy. Drunk can have fun with it, and those who wake up can speak to the text are too guarded. Who is Tai Shou?Luling Ouyang Xiu also.