This is the 13 17 pages of Ouyang Xunkai's collection of words "The Story of the Drunkard Pavilion" that the author is in, and the whole article has a total of 17 pages.
In these five pages, I have tried to reinterpret Ouyang Xun's masterpiece "The Legend of the Drunken Man's Pavilion" in the regular script style of Ouyang Xun. Every stroke and stroke strives to show the unique charm of Ouyang Xun's calligraphy art, and at the same time conveys my deep admiration for this literary classic.
At the moment of swiping the paper, I seemed to have traveled through time and space, placed myself in the mountains and rivers of Ouyang Xiu's pen, and felt the leisurely and self-satisfied atmosphere of the world. Between the lines, I try to depict the green woods, the towering peaks, and the rippling waters.
Between the lines of these five pages, I tried my best to integrate Ouyang Xun's regular script art with Ouyang Xiu's literary attainments. Every word is a painting, and every sentence is a poem. I hope that through my interpretation, more people can appreciate the unique charm of Ouyang Xunkaishu art and feel the endless charm of the literary classic "The Legend of the Drunken Man's Pavilion".
In these five pages, I am not only copying Ouyang Xun's regular script, but also trying to have a dialogue with the ancients and ask them about the true meaning of calligraphy and literature. I believe that only by deeply understanding history can we better understand the present and the future. Through this attempt, I also have a deeper understanding of the profundity and longevity of Chinese culture.