"Return to the Ruins of the South China Sea" has finally started broadcasting in anticipation, but this belated masterpiece does not seem to have fully ignited the enthusiasm of the audience. Set on the seabed of the South China Sea, this adventure story that combines the golden captain and the ruins of a thousand-year-old country, although the picture is gorgeous and the special effects are thrilling, it seems too conservative and cautious in terms of innovation and breakthroughs.
The plot of this movie largely continues the classic elements of the Ghost Blowing Lantern series, allowing the audience to feel the familiar adventure atmosphere while enjoying the wonderful pictures. However, relying too much on classic elements has also led to the cliché and conservative development of the plot. Wildly.
Eight. 1. The images of Wang Fatzi and Shirley Yang, although they have been adapted, seem to be a little less agile and more greasy in the eyes of some audiences. The kind of temperament that once made Hu Bayi come to life seems to have been gradually consumed in the passage of time.
Hu Bayi in the film is portrayed as a person with broken thoughts, and he always remembers his dead comrades-in-arms in his mouth, which makes people feel the pain and struggle in his heart. Although this setting enriches the inner world of the characters to a certain extent, it also makes Hu Bayi's image lose its original freedom and boldness. And the role of Wang Fatzi is also a little disappointing. Although Jiang Peng's performance is still hardworking, the fat man in the play is a little less responsible, and there are several more philistines. It is difficult to see the brave image of standing up in times of crisis in his body. Instead, it was an ordinary person who was calculating and greedy for small profits.
Compared with the previous work, "Return to the Ruins of the South China Sea" appears to be more flat in the shaping of the character image and lacks in-depth excavation. Although Shirley Young's image is still calm, intelligent, and brave, she has lost that unique feminine power and is more like a vase character. The development of the plot does not seem to provide more room for this character to play, and she is still the female figure who plays a supporting role in the expedition.
The film is well-made, the picture is gorgeous, and the special effects are thrilling, these are the highlights of "The Return of the South China Sea". However, none of this seems to be able to hide the flaws in the plot and characters. The kind of amazement and shock that I once felt in the Ghost Blowing Lantern series has disappeared in this drama. The audience seems to have Xi the visual impact of monsters, but they don't seem to have much expectation and attention to the development of the plot and characters.
Hundred schools of help plan In general, although "Return to the Ruins of the South China Sea" continues the classic elements of the ghost blowing lantern series to a certain extent, it is too old-fashioned and conservative in terms of character image and plot development. This may be because the production team is too focused on stability and insurance in the face of such a high-profile series, and ignores the importance of innovation and breakthrough.
The highlight of the film is undoubtedly its visual effects and special effects production. The gorgeous pictures and thrilling special effects make the audience experience a visual feast. But unfortunately, none of this can hide its shortcomings in plot and character building. This regret makes the audience enjoy the visual feast at the same time, but also can't help but question the overall quality of the film.
Although there are some deficiencies in "Return to the Ruins of the South China Sea", it is undeniable that there are some uncontrollable factors that lead to the restoration of the original plot, it may be difficult to realistically present it to the audience, perhaps, after entering the return to the ruins, the plot will rekindle the audience's passion, let's wait and see!