The long-awaited tomb robbery theme "Return to the Ruins of the South China Sea" is finally online!
From the difficulty of online transmission to the actor's confirmation that the sequel is difficult to deliver, "Return to the Ruins of the South China Sea" has almost become uneasy in the hearts of fans of the drama, but who knows that "The Return of the South China Sea" was airborne, and the platform and the drama party even skipped the normal process of publicity, catching the unprepared audience off guard.
But even in this case, "Return to the Ruins of the South China Sea" still won the first place on the hot list of the Maoyan platform as soon as it was launched, and judging from the momentum of "Return to the Ruins of the South China Sea", this drama has become a popular dark horse in the fourth quarter.
It's just that "Return to the Ruins of the South China Sea" relied on its own IP influence, and it exploded immediately after it was launched, causing heated discussions, but there are still many different voices questioning it.
The most outrageous thing is that many plots in the original book have been deleted, except for some content that is easy to step on the review line, and the details that are completely inconsistent with the review problem have also been left out.
There has been a deletion controversy in "Return to the Ruins of the South China Sea", and it is hard to imagine how those thrilling and even terrifying and bloody bridges will meet the audience when the main plot line enters the climax in the later stage.
Moreover, the audience's only requirement for the theme of adventurous tomb robbery is texture, but the content of "Return to the Ruins of the South China Sea" is full of plastic.
When the Iron Triangle set off for the coral spiral in Southeast Asia, the screen was full of plastic, and the scenery of the drama party was temporarily built in the studio, and the building was full of plastic, and the so-called Southeast Asian style was all set off by the exotic background.
I thought that the program team was spending all the funds on special effects production, but it finally started to adventure, and the broken ships and new caves all gave people a perfunctory feeling.
The scenery outside the window is comparable to the window of the black-hearted hotel, and when the curtains are opened, it is a landscape map, and the group is standing on the boat, but the result is excessive, everyone is detained into a virtual shadow, it is difficult to imagine the theme of tomb robbery in 2023, and the cutout deducts the effect of "Lonely Fang Doesn't Appreciate Yourself".
Compared with the problem of texture, there are two failed actors in the play, who frequently let the audience play.
Although there are many texture problems in "Return to the Ruins of the South China Sea", the Iron Triangle is still an Iron Triangle, the wonderful plot of the original work, as well as the steady acting skills of Pan Yueming, Zhang Yuqi, and Jiang Chao, and the excellent tacit cooperation, still give the audience a reason to continue watching.
But the supporting roles dragged their feet, so that the texture of the whole drama was dragged down again.
The first thing that makes the audience unacceptable is the shaping of the old drama bone Tang Zhenye, although as a powerful old Hong Kong star, Tang Zhenye's acting skills are highly recognized, but I have to say that the exaggerated performance style of the old Hong Kong star is no longer suitable at the moment.
Otherwise, Hong Kong films will not fall to the point of "Hong Kong films are dead".
In the plot, Uncle Ming portrayed by Tang Zhenye always gives people a feeling of overexertion, he wants to show the scheming side of the businessman, but he writes his thoughts on his face, when Uncle Ming introduces the two horses to join the expedition team, Tang Zhenye's facial features are flying around, and he is tired at a glance.
This kind of performance in front of everyone, writing scheming on the face, is the kind of foolish performance that Hao Lei exemplified.
In addition, Tang Zhenye's Hong Kong accent in the play is very lame, although Uncle Ming's setting is a Hong Kong businessman, but in a TV series with all Mandarin members, his abrupt accent still makes people unable to enter the play.
In the plot on the boat, Tang Zhenye was crazy throughout the whole process, wanting to perform the feeling of being drunk, but he performed the crazy feeling of drinking fake wine, compared with Zhou Xiaoou's performance in "Yunnan Worm Valley", Tang Zhenye was completely crushed.
Another shaping that makes the audience dissatisfied is Gu Chai played by Chen Muchi. "Return to the Ruins of the South China Sea" has just been launched, and there have been many complaints about Chen Muchi's acting skills on the Internet.
Chen Muchi is not very good", "It's so good, except for Chen Muchi", during this time, Chen Muchi's various criticisms on the Internet have made many netizens dissatisfied with him, but he does not have sufficient acting strength to convince netizens.
The character of Gu Chai has a sense of wildness and primitive mystery, in the original book, Gu Chai is black and thin, only fifteen or sixteen years old, he can come and go freely in the sea, and in the original book, he is the god of the iron triangle.
But Chen Muchi in the play, let alone fifteen or sixteen years old, he has a greasy feeling of twenty-five or sixteen when he stands there, and the audience can't see the black and thin character traits in him, only a black and strong adult male.
Moreover, the audience is more tolerant of younger characters. If it's a fifteen or sixteen boy, it's reasonable to run around in big pants every day, after all, it's young and there is no shame.
But Chen Muchi is full of adult male sexual tension, his visual age is about to stubble, and he is running around with his abdominal muscles exposed, as if he has a habit of showing flesh, which will only make people feel that the picture is greasy and **.
Of course, this is also Chen Muchi's biggest problem at present.
Since "Fengshen" broke out of the circle, the young actors of the Proton Troupe have successfully entered the traffic circle, but apart from the character's filters and large muscles, most of them have no other charm to attract the audience.
Especially Chen Muchi, who obviously has the best follow-up resources in the proton group, but in "Return to the Ruins of the South China Sea", he played the most important male No. 3 Gu Chai in the original work, but he couldn't play the character's characteristics or even the charm of the character, and would only show his flesh and eyes in front of the camera.
Once or twice the audience can sigh about the sexual tension, three or four times the audience can praise the good figure, but the flesh can be exposed frequently, and the audience will get tired of watching it, the soulless body, the acting skills without connotation, compared with Pan Yueming , Zhang Yuqi and other actors who really rely on their acting skills to gain a firm foothold, of course it will be annoying.
At present, it is a mistake for the casting director to choose Chen Muchi to play Gu Chai, and Chen Muchi's superficiality and uninterest in creating the role aggravate this mistake.
It's hard to imagine how Chen Muchi will let the audience into the play in the subsequent plot, and how to cooperate with the protagonist to perfectly interpret the main line?Relying on that muscle alone, you can't act for half a point.
Of course, "Return to the Ruins of the South China Sea", as the theme of tomb robbery, is very difficult to go online, for most audiences, it is already a victory for this drama to be broadcast online, but if it is broadcast at such a level, there are inappropriate actors to make trouble from beginning to end, it is better to stop broadcasting.
Finally, what do you think of the shaping of Tang Zhenye and Chen Muchi?Join the discussion in the comments section.