Every Spring Festival, the land of China is filled with a festive atmosphere to welcome the God of Wealth. Traditionally, the fifth day of the first lunar month is considered the birthday of the God of Wealth, and on the fourth night of the Lunar New Year, each family holds a grand banquet to celebrate the birthday of the God of Wealth. Most of the gods of wealth referred to here refer to the "five-way god of wealth", also known as the "five gods".
Although the Five Manifest Gods are the most worshiped gods today, their origins are not so "serious". The Five Manifest Gods, also known as the "Five Gods", were originally shown as "evil gods" and "obscene gods". In the 90s of the last century, Hong Kong had filmed several movies with the theme of "Five Connected Gods", and I believe many people have heard of it.
However, the transformation of the Wutong God from an evil god to a god of wealth stems from the prosperity of the commodity economy in the Jiangnan region. When it comes to the image of the god of wealth of the five gods, we have to mention the monster with which it is inextricably linked - Muke.
The legend of the wooden guest has a long history, and it is recorded in the "Solid Gourd Collection" that "Kagetsu News." Ganzhou rejuvenates the country. There are wooden guests in Luoshan. The shape is quite human-like. Talking to himself about Qin Shi. Build a palace of Afang. Timber pickers. Legend has it that the Wood Visitors were forcibly recruited by Qin Shi Huang when he built the Afang Palace, and they escaped while picking wood and lived in peace and contentment in the mountains. Gradually, they grew fangs and claws like birds and beasts, but their intelligence was no different from that of ordinary people.
Under the premise of this intellectual equality, the woodcutters began to trade with humans in exchange for the necessities of life. They dwelt in the mountains and made elaborate artifacts in exchange for humans. The way the carpenters trade is different from the normal trading in the human market, where humans bring goods near the habitat of the woodmen, leave behind items such as knives, axes, cloth, etc., and then leave far away. Soon after, the woodcutters would come and pick up the goods, leaving behind the rare timbers and delicate woodwork of the mountains.
Although the parties to the transaction have never met, they are known for their integrity and integrity.
The "combination" of Muke and Wutong God originated from Hong Mai's extensive collection and sorting of the legends of Wutong God in the Song Dynasty. Among them, the story of Liu Qi, a merchant in the Jiangnan area, and his wife Zheng are particularly eye-catching. Zheng's beauty is like a flower, but her beauty did not bring fortune to Liu Qi, and business was very poor. Zheng is forced to associate with a man named "Golang-kun", while Liu Qi spends his days in a tavern.
One day, Liu Qi came home and found gold, silver, and silk piled up all over the house. Zheng claimed that it was a gift from "Gorou-kun". Although Liu Qi was angry at his wife's infidelity, he did not immediately break with his wife in the face of great wealth.
In the end, Golangjun completely took possession of the Zheng clan and even helped Liu Qi find a new wife. The Gorou-kun in this story is the god of the five passes.
In Yi Jianzhi, there are many legends about the god Wutong, among which Wutong is usually described as a mountain spirit, resembling an ape, which can transform into a beautiful male image to seduce women.
In the society of the Song Dynasty, with the development of the commodity economy, people's perception of wealth awed and uneasy. This kind of "partial wealth god" has become the object of worship because it can bring sudden wealth. The belief that this unscrupulous god of wealth and the wealth it represents was illusory and ephemeral in ancient legends, and this belief became a symbol of greed.
Overall, behind the legend of the birth of the God of Wealth lies a desire for wealth and a fear of uncertainty. Through the legend of the five gods, this ancient story presents the pursuit and exploration of people's pursuit and exploration of the mysterious power of wealth in the historical background.
This article profoundly explores the legend of the God of Wealth and the cultural connotations behind it, as well as its relationship with the Muke and Wutong gods. From the text, we understand that the image of the God of Wealth is not static, but has undergone historical changes and cultural evolution, standing out from the original "Five Links God", and gradually evolving into the righteous god worshiped by modern people.
The legend of the Woodcutter introduced in the article provides a unique perspective on the origin of the God of Wealth. As a group of laborers who escaped hard labor, they lived in isolation in the mountains, and eventually became known for their integrity and primitive way of trading. This legend depicts an existence that is very different from the human world, infusing the legend of the God of Wealth with an element of mystery and primitiveness.
At the same time, through the legend of the five gods, the article shows the complex mentality of society's desire for wealth and uneasiness. The god of Wutong was originally depicted as an evil god and a god of obscenity, but with the development of the economy and the change of social concepts, its image gradually evolved into the god of wealth. This change reflects society's pursuit and exploration of wealth and its mysterious power, and also reflects people's deep concern about the uncertainty behind wealth.
This paper provides a thorough analysis of the economic development and wealth concept of Song Dynasty society. With the rise of the commodity economy, people's perception of wealth has changed, and the god of wealth has become an object of worship. This belief in wealth reflects the desire for wealth to get rich, but it also suggests that this wealth may be short-lived and illusory. This dual attitude towards wealth makes the image of the God of Wealth more complex and profound.
Overall, this article presents a rich and multifaceted cultural picture through an in-depth analysis of the legend of the God of Wealth and the story behind it. As a cultural symbol, the God of Wealth is not only a symbol of wealth, but also a reflection of society, beliefs, and human nature. By skillfully connecting the legends of Muke, Wutong God, and God of Wealth, the article presents a cultural narrative rich in depth and inspiration.
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