I read the article "Looking at the Prehistoric Cultural Exchange between Xinjiang and Central Asia in China from the Perspective of the Triangle Petroglyphs on the Opposite Top", it is said:
Opposite top triangle petroglyphs are a special type of petroglyphs, the basic feature of which is to represent the body of an animal or person with a triangle connected by two vertices. This kind of petroglyph is distributed in Central Asia and Xinjiang, and shows a high degree of consistency in the production technology, petroglyph style, image type, painting environment, etc., so it is necessary to put them together for systematic research to solve the problem of their origin and rheology.The paper concludes:
Through the comparative study of iconography and archaeological culture, we can roughly conclude that the triangular rock art images in Xinjiang and Central Asia originated from the Samara culture of the Neolithic period in the Lianghe River Basin, and appeared in large numbers in the early Bronze Age culture of Iran, and spread in different directions in stages from the late Bronze Age. Among them, the eastward diffusion route is through Afghanistan, along the Pamir Plateau into the Ferghana Basin;Subsequently, it entered Xinjiang further along the Tianshan Mountains, and arrived in Xinjiang in the second half of 2000 BC.Heheha
Originated from the Samara culture. Laughed at me.
What does this top triangle look like?
That's what it looks like.
Students who have read Baoxuezhai's article will recognize it at a glance, and this so-called "triangle at the top" is not a sign of Chinese civilization
Five" word!Let's take a look at the top triangle of the Shangshan culture 10,000 years ago.
Ascending mountain culture to the top triangle.
The so-called Samarra culture is something that blows through the sky, that is, six or seven thousand years ago, how dare the blind people say that this "triangle on the top" originated in West Asia?
Let's see how the "five" character for the top triangle of the Shangshan culture came to Samarra.
Of course, it is along the painted pottery road, from Gansu Qinghai area.
Yangshao culture has more triangular patterns on the top.
Let's take a few first, and you won't be mistaken.
There is no human form, you say?
Look at this:
So, who is the prototype of this "opposite top triangle" person?
Haha, look at this triangular god at the top.
Well, this figure-five hero is the ancestor of the Yi people, and his name is Zhi Agrolong, because he was born in the year of the dragon and was raised by the dragon in the Dragon Palace, so his nickname is Ah Long.
There are many legends about Zhige Along in the Yi district. There are chapters not only in "Leotey", but also in "The Origin of the Yi Nationality". Specially compiled into a book are the Guizhou version of "Zhiga Alu King" and "Zhiga Alu Biography";Sichuan's has the Yi version of "Zhige Alu" and the Chinese version of "Zhige Along";The Yunnan version has "Aru Fever" and so on.
So, who is the prototype of the god king that the Yi people believe in, of course, is the Taitian Emperor who rides the Beidou Emperor's car, drives six dragons, divides yin and yang, sets four hours, and builds five elements.
During the Warring States period, Emperor Taitian looked like this: covered in dragon scales, stepping on the sun and moon.
Seven thousand years ago, the Yangshao period looked like this.
The famous human face fish pattern basin, the human face in the middle is actually the god face of the Emperor Taitian, and the two yin and yang fish are just in the middle of the human face to form a "five" character on the top triangle.
The earlier Emperor Tai Yi looked like this. A large number of triangles do not have a top, but form the shape of a wave.
Eight thousand years ago, Xinglongwa was too one day to have an emperor's face pattern.