In the twenty-ninth year of Qianlong, Huang Jingren tried to become famous for the first time, but he took many steps and had a bad fate. Faced with the cruel reality of being born in a poor family, he vented his poverty in his poems and expressed his nostalgia alone at night. The "Miscellaneous Feelings" in the article depicts his mental journey, and the wind is full of sad songs, but he only gets the name of Bo Xing. This masterpiece has become a classic that has been passed down through the ages, but few people know its author. This may be the so-called "poetry celebrities are not popular".
Huang Jingren began with "Immortals and Buddhas are vast", expressing that he is at a loss on the road of seeking immortals and Buddhas. However, in fact, he was repeatedly defeated in the imperial examination journey day and night, and fame and fortune were hard to find. In the poem, "The wind is full of sad songs, and the mud is stained with the name of Bo Xing", which vividly depicts the pain of Huang Jingren's life and the loneliness of his personality. He is like a fluffy grass in the wind, it is difficult to withstand the wind and rain, and he can only exchange for Bo Xing's reputation.
Nine out of ten people are white-eyed, useless scholars" is Huang Jingren's confession of growing up for 20 years. He borrowed the technique of the ancients Ruan Ji to express the world's indifference to him with "white eyes", and "useless is a scholar" is a self-deprecation of his own identity. This kind of rhetoric reveals his dissatisfaction with the times and his helplessness about his scholarly identity.
In the section "Mo is sad because of the poems, the spring birds and autumn insects make their own sounds", Huang Jingren responds to his friends' advice to him to "make more bitter words". He does not believe in "poetic prophecy", insisting that his poems are like birds singing in spring and insects singing in autumn, and only expressing personal feelings rather than prophecy. This expression is not only a firm attitude towards his original intention, but also a defense of the freedom of literary creation.
Through Huang Jingren's poems, the article profoundly depicts the ups and downs of his life and his helplessness about fate. Although the poet of the Qing Dynasty passed away briefly, the poems he left behind have been praised through the ages and have become a beautiful chapter in the history of literature.
Huang Jingren's life is full of tragedy and bitterness, and his poetry is like a mirror, reflecting the helplessness and bitterness of the literati of that era. Through the poem "Miscellaneous Feelings", this article profoundly reveals Huang Jingren's dilemma and mental journey as a scholar.
First of all, Huang Jingren's poems express his repeated defeats in the imperial examination and his various difficulties in society. Faced with a poor background, although he ranked first in the children's examination, he repeatedly hit a wall in the later township examination. This experience of repeated defeats is vividly depicted in "Miscellaneous Feelings" as "the immortal Buddha is boundless and unsuccessful", as if he was at a loss on the road to pursuing fame and saw no hope. This depiction of state of mind makes the reader feel deeply confused and hesitant by Huang Jingren.
Secondly, the repeated self-deprecation of "useless scholars are scholars" in the poem shows Huang Jingren's helplessness about his own identity and his indifference to society and scholars. This self-deprecation is not only a reflection on individual experiences, but also a question of the social status of the entire literati class at that time. In this era, although the reader is respected to a certain extent, he is often faced with the shackles of worldly eyes and social status. Through this self-deprecation, Huang Jingren not only expressed his own helplessness, but also reflected the limitations and indifference of society towards literati at that time.
In addition, the paragraph in the poem, "Mo is sad because of the poems, and the spring birds and autumn insects make their own sounds" shows Huang Jingren's insistence on the freedom of poetry creation. He refused to accept his friends' advice to "speak more bitterly" and firmly believed that his poetry, like the sounds of nature, was a true and free expression. This attitude is both a manifestation of the tenacity of his personality and a rebellion against the literary ethos of the time. Under the constraints of feudal society, the creation of literati was often strictly regulated, but Huang Jingren chose to maintain independent thinking and adhere to his own creative style, which is undoubtedly a cherishment of literary freedom.
To sum up, this article presents the bumpy fate and inner struggle of a scholar in the Qing Dynasty through an in-depth analysis of Huang Jingren's poetry. Although Huang Jingren's poetry has been passed down to a limited extent, through this article, we can better understand his expression and his independent pursuit of literature and freedom. Although the wandering poetic soul of this poor scholar passed away in the world, he left an eternal mark in the poetry.
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