A 1,300-year-old Tang Dynasty tomb was excavated in Subujing Township, Yanchi County, Ningxia, and the astonishing discovery revealed the dance traditions of the Ningxia people at that time. The tomb door is carved with a magnificent scene of Hu Xuan Dance, as if it is a vivid reproduction of the dance that was very popular at that time. This discovery not only connects the fragments of history, but also gives people a glimpse of the richness and mystery of the dance culture in Ningxia during the Tang Dynasty.
The stone carvings on the door of the Tang Dynasty tomb depict two dancers dancing with long scarves in hand. They skillfully danced, and their postures were elegant and elegant, as if they reproduced the gorgeous style of the Hu Xuan Dance of that era. This dance image is reminiscent of the poems of Yang Yuhuan, a Tang Dynasty court dancer, as well as some famous poets such as Bai Juyi, Cen Shen, Li Taibai and Yuan Zhen.
Yang Yuhuan, as a first-class family and dancer in the Tang Dynasty, was praised by later generations as one of the four beauties of ancient China. She is not only known for her singing and dancing talents, but also proficient in Hu Xuan dance, and her light and fluttering dancing posture is breathtaking. Descriptions of this dance are also common in literature, depicting its colorful style.
Archaeologists have identified the stone carvings on these tomb doors as reproductions of the Hu Xuan dance, which was an integral part of the Tang Dynasty court. Poets such as Bai Juyi, Cen Shen, Li Taibai and Yuan Zhi have all left words of praise for the Hu Xuan Dance, and are full of praise for its beautiful and moving dance.
The owner of this cemetery called himself the "Great Xia Yueren", a member of the Sogdian people of Central Asia. The Sogdians were a merchant people living in Central Asia, skilled in business, and had frequent exchanges with China via the Silk Road**. Their cultural Xi have survived over time, and the Zhaowu Jiu people in the Ningxia region of the Tang Dynasty are one of them, and their unique identity and culture have been demonstrated to a certain extent in the discovery of the cemetery.
This cultural relic not only makes us marvel at the weight of history, but also shows us the diversity and integration of the society at that time. In the Tang Dynasty, the Ningxia region, as the settlement of the nine surnames of Zhaowu, left a unique mark in the long history of the integration and interaction with the Turkic and other ethnic groups. The stone carvings of Hu Xuanwu on the tomb door seem to be a witness to the cultural exchange and integration at that time, and also a mirror of history, allowing us to get a glimpse of the diverse aspects of the culture of Ningxia during the Tang Dynasty.
The 1,300-year-old dance tradition has survived in this cemetery, creating an ancient and beautiful picture. This archaeological discovery provides us with a window into history and culture, and gives us a deeper understanding of the dance art and cultural landscape of Ningxia during the Tang Dynasty.
The dance inheritance of 1,300 years ago, the cultural heritage of Ningxia in the Tang Dynasty, this cemetery gives us not only a retrospective of history, but also a witness to the cultural diversity of the Tang Dynasty and the cultural inheritance of the nine surnames of Zhaowu.
This article on the archaeological discovery of the Hu Xuan Dance in Ningxia during the Tang Dynasty is truly amazing. This discovery is not only an excavation of history, but also a testimony of cultural inheritance and a demonstration of the diversity of Tang Dynasty society.
First of all, the article outlines a vivid picture of the dance of the Tang Dynasty 1,300 years ago by describing in detail the stone carvings of the Hu Xuan dance on the tomb door. The scene of dancing with a scarf in hand seems to present the graceful state of dancing at that time in front of the reader's eyes. Such a description is not only vivid and vivid, but also a restoration of the culture and art of the Tang Dynasty, allowing us to feel the charm of dance art at that time.
Secondly, the article gives an in-depth interpretation from the aspects of historical background, Zhaowu nine surnames, and cultural inheritance of the Tang Dynasty. These contents show the social diversity and cultural integration of the Ningxia region during the Tang Dynasty, and especially highlight the importance of the identity and culture of the Zhaowu nine people at that time. For the inheritance and integration of these ethnic cultures, we can feel the tolerance and acceptance of multiculturalism in the Tang Dynasty society, which is very commendable in history.
In addition, the article also mentions the relevant information of historical figures such as Yang Yuhuan, and links the inheritance of dance with the social style of the time, making this review more historical and culturally deep.
In general, this article introduces the archaeological discoveries of the Huxuan Dance in Ningxia during the Tang Dynasty in simple terms, showing the brilliance of dance art and the charm of cultural inheritance at that time. Through this article, we can have a deeper understanding of the diversity and cultural richness of Tang Dynasty society, and feel the deep imprint of history in these precious cultural heritages.
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