Qin Guan, degraded to the state, splashed ink, and sang "A Thousand Autumn Years". Its famous articles are widely praised and innumerable. However, because the meaning of the word is too sad, it is regarded as a bad omen. Outside the sand by the water, the city retreats in spring. The shadows of the flowers are chaotic, and the sound of the warbler is broken. Floating sparse wine cups, parting with wide belts. People are gone, and the blue clouds and twilight are opposite to each other. Reminiscing about the West Pond Meeting, the heron flies with the cover. Hand in hand, who is there today. The dream of the sun is broken, and the face in the mirror changes. Spring is gone, and the flying red is as sad as the sea.
Spring is gone, flying red and sorrowful like the sea" is particularly impressive, but chanting so far, this deep sorrow like the sea seems to have already submerged the lyricist. After reading it, Zeng Bu sighed: "Qin Qi will die soon, how can he be 'sad like the sea' and exist?"Kong Pingzhong was shocked when he saw the sentence "Zhu Yan changed in the mirror", and said, "Shaoyou is in his prime, why is his words so pathetic?".Not long after, Qin Guan really died. This poem is simply his painstaking work, and the last sentence pushes the lyrics to a climax, similar to the sentence that Lin Daiyu came up with, "The crane shadow in the cold pond, and the cold moon buries the soul of the poem", which is beautiful and beautiful, and it hurts too much.
Generally, poetry and singing should always be based on the style of the original work, but Su Shi does not stick to clichés, and the words are completely in accordance with his own style, but he is the most outstanding among many harmonies. "A Thousand Autumn Years and a Little Rhyme": Outside the island and the sky, the old body retreats first. Tears splashed, Dan heartbroken. The sound shakes the jade pendant, and the color weight ** belt. 10,000 miles, the slanting sun is facing Chang'an. Whoever is far away will be able to cover the sin. The king's life is heavy, and the minister's festival is here. New favors are still coveted, and old learning is difficult to change. I have already taken advantage of the pole and floated on the sea.
"A Thousand Autumn Years" became a curtain call for the friendship between Su and Qin, and unexpectedly became a masterpiece to express their hearts. is also derogatory, Su Qin's mood is very different. Su Shi seems to be able to "be detached and complacent, and not change his degree" in any adversity, precisely because he "uses poetry as words", and his optimistic and expansive temperament can be seen in both genres of poetry, either "Life is like a reverse journey, I am also a pedestrian", or "The boat is gone, and the rest of my life is sent to the sea". After suffering a few blows, Qin Guan was a little slumped, always "the eyebrows are long, and the spring breeze blows can't be unfolded", otherwise it is "the spring river is full of tears, inexhaustible, and a lot of sorrow". Even if he saw a bright and beautiful spring, he only felt "the shadow of the flowers is chaotic and the sound of the warbler is broken". "A Thousand Autumn Years" sang and when Su Shi was on the way back to pardon in his later years, this rhyme is similar to his combing of his life, at the beginning he has already lamented that he "retreated before he is old", and under all kinds of blows, "tears splashed, Dan heartbroken". But after experiencing countless blows, he still feels that "the old learning is hard to change".
After Qin Guan was praised as the queen, he was alone, so he could only unconditionally bear everything that fate brought him with a sensitive heart, from the beginning of looking forward to "how to get the east monarch to be the master, keep the green sideburns and face for a while", to "the dream of the sun is broken, and the face is changed in the mirror", until "the occasional meeting is sad and sad". Green sideburns and red face to see the two decays again".
What about Su Shi?Even if he was exiled to Hainan Island, far away from the capital and the mainstream, Su Shi still had his own set of positioning methods, "10,000 miles, the slanting sun is opposite Chang'an".
The article "A Thousand Autumn Years: The Lyricist is as Sorrowful as the Sea, Su Shi's Open-mindedness and Qin Guan's Affection" profoundly shows the different states of mind of Qin Guan and Su Shi at the time of depreciation, and through the interpretation of "Thousand Autumn Years" and "Thousand Autumn Years of Rhyme and Less Travel", it presents the completely different attitudes of the two literary giants towards the ups and downs of fate.
Qin Guan's "A Thousand Autumn Years" expresses a deep feeling of sorrow, and the sad words represented by "Flying Red and Ten Thousand Sorrows Like the Sea" almost drown the lyricist himself in the deep sorrow of the sea. By quoting comments from the time, Zeng Bu made a prediction about Qin Guan's pessimistic attitude, while Kong Pingzhong expressed his consternation at "Zhu Yan Gai in the Mirror", pointing out that Qin Guan was deeply pathetic. The whole article uses vivid descriptive techniques to vividly outline Qin Guan's psychological changes in the face of adversity, showing his helplessness and pain in the face of suffering.
Different from Qin Guan, Su Shi showed an open-minded attitude towards life in "A Thousand Autumn Years and Little Rhyme". The article pointed out that Su Shi was not bound by clichés, and used his own style and Qin Guan's works to make peace, showing his detachment and self-satisfaction in the face of adversity. Su Shi's words reveal the emotion of the passing years, but he is not troubled, but shows a kind of persistence in the old and coveting the new grace. By comparing the state of mind of the two literati, the article vividly shows Su Shi's open-minded and optimistic character, as well as his positive identification with his attitude towards life.
The article deeply analyzes the connotation of the two words "Thousand Autumn Years" and "Thousand Autumn Years of Rhyme and Travel", and through revealing the poet's mental journey, readers can better understand the completely different mentalities of Qin Guan and Su Shi in the face of displacement. The overall structure is rigorous and the expression is clear, and through the interweaving of quotations and historical backgrounds, the reader can deeply appreciate the emotional experience of these two literati in the twists and turns of fate.
It is worth mentioning that the title of the article "A Thousand Autumn Years: The Lyricist is as Sorrowful as the Sea, Su Shi's Open-mindedness and Qin Guan's Affection" cleverly refines the theme of the article and attracts readers to read. The title fully demonstrates the core idea of the article, which arouses curiosity about the journey of the two literati and arouses interest in reading.
Overall, through an in-depth interpretation of literary works, this chapter vividly shows the completely different states of mind of the two literary giants, Qin Guan and Su Shi, when they were degraded, as well as their different attitudes towards adversity. By citing commentaries and historical documents, the article enhances its persuasiveness and credibility, giving the reader a deeper understanding of the spiritual world of these two literati.
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