Since ancient times, heroes have emerged from the East, and eighteen kinds of martial arts have shone in the long river of history. Among them, a mysterious unpopular weapon, Tielao, was once hidden in the memory of history. This article will dig deep into the findings in the murals of Princess Zhenxiao's tomb and unravel the veil of this long-lost **.
As early as in "The Old Tang Dynasty Book Ji Xuan Biography", Wu Zetian mentioned Tie Lao, describing it as alongside iron whips and daggers. However, the detailed description of Tielao has been lost in later documents. Experts have put forward three speculations about the true face of Tielao.
The first speculation is that the iron is shaped like a bone and is a weapon unique to the ethnic minorities in the north. This weapon has a slender body and a melon-shaped top, which has a powerful striking power and shows excellent armor-piercing effect on the battlefield.
The second speculation links Tielao to Pen. In ** and commentaries, the pen is a special pecking hammer that attracts attention for its strange shape and practicality. The pen described in the book is actually an iron pen held in one hand, which can be used for smashing and pecking, and is of a strange but practical shape.
The third view associates the iron with the flying grapple, that is, a weapon shaped like an iron claw. Although this weapon did not have blades or tips, according to the "Martial Chronicles", it still played a certain role on the battlefield.
In 1980, on Longtou Mountain in Jilin City and Long County, archaeologists discovered an ancient burial chamber, which was confirmed to be the tomb of the princess of the Bohai Kingdom in the Tang Dynasty. This discovery provides a valuable physical basis for the study of Tie Laos. The mural depicting a soldier in the tomb depicts a soldier holding an iron-like weapon that has attracted the special attention of archaeologists.
The owner of the tomb of Princess Zhenxiao is the fourth daughter of the third generation king of the Bohai Kingdom, and is buried on Longtou Mountain. The tomb is a wide structure, made of blue bricks, and decorated with a large number of murals, which vividly depict the images of attendants such as samurai, chamberlain, and musician. Among them, the image of a soldier armed with an iron-like weapon is eye-catching. Archaeologists believe that this is the iron Laos recorded in ancient books.
The shape of this iron is similar to that of an iron hammer, but the head of the blade is in the shape of a large tobacco bag, similar to weapons such as iron hammers and bone dots, and has excellent practicality. It can also be used in peacetime, and can be used as an iron pickaxe when soldiers return to their hometowns to plow the fields, making it an important role in both war and peacetime.
However, with the development of science and technology and the rise of the two industrial revolutions, steel, a high-quality alloy, gradually replaced iron, and cold weapons gradually withdrew from the stage of history. Heavy striking weapons such as iron also disappeared and became a part of history.
Overall, the discovery of the murals in the tomb of Princess Zhenxiao provides a valuable physical basis for the study of Tie Laos. As a mysterious and practical form, the iron played an important role in ancient warfare. Although with the passage of history, weapons such as iron Laos have withdrawn from the stage of history, their existence still reveals to us the richness and variety of ancient warfare.
The mystery of being lost for thousands of years**!The mural of the tomb of Princess Zhenxiao of Bohai Kingdom is shocking, and its true appearance is shocking!
This article shows the historical appearance of this mysterious ** by digging deep into the murals in the tomb of Princess Zhenxiao of the Bohai Kingdom in the Tang Dynasty. First of all, the article outlines the martial arts inheritance of the ancient heroes of the East in a fascinating way, and the richness and variety of eighteen kinds of martial arts make readers have a strong interest in ancient times. Wu Zetian's account then begins the article, revealing the reader's historical existence and arousing curiosity about this lost weapon.
In the analysis of three expert speculations, the author associates the iron with weapons such as bones, pens, and flying grabbings, presenting the reader with multiple possibilities. This diversity of ideas allows readers to have a more specific and rich imagination of the shape of Tielao, and also shows the diversity and uniqueness of ancient unpopular weapons. This depiction skillfully puts the reader in the ancient battlefield and feels the mystery and practicality of the iron Laos.
Subsequently, the article turns to the discovery of the tomb of Princess Zhenxiao, with special emphasis on the identity of the tomb owner and the exquisite construction of the tomb. Through the vivid depictions of the frescoes in the tombs, readers are able to get a glimpse of ancient soldiers and attendants, including a soldier armed with an iron-like weapon, which has become the focus of archaeologists. The revelation of this detail makes the tomb of Princess Zhenxiao a key site for the study of Tie Laos, and provides physical evidence for the existence of Tie Laos.
Among the three speculations about Tielao, archaeologists finally confirmed the true appearance of Tielao through the study of the mural soldier images in the tomb. This discovery provides strong support for our understanding of the diversity of ancient tools of warfare, as well as the usefulness of iron in peacetime. The article cleverly places Tie Lao in the historical context, so that the reader can understand its mystery and better understand its role and status in the society at that time.
Finally, the article cleverly connects the historical destiny of Tielao with a reference to the development of science and technology and the industrial revolution. The rise of steel, a high-quality alloy, and the withdrawal of cold weapons from the stage of history, have drawn an end to heavy striking weapons such as iron. The article ends with this, which profoundly reflects the unstoppable trend of history and the disappearance of iron in the long river of history.
Overall, this review praises the article's in-depth excavation and revelation of the history of Tielao, and its success in guiding readers to this mysterious and practical antiquity through clever narration and attention to detail.
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