Ancient Chinese scholars and doctors had the habit of raising prostitutes. Su Shi is no exception. He said in "Chaoyun Poems and Quotations": "The Yu family has several concubines". However, with the repeated demotion of Su Shi's career, his family gradually deteriorated, and in four or five years, several concubines "resigned one after another". But there is Chaoyun who follows Mr. from the end, and is willing to do so, without regrets. Especially when Su Shi was later demoted to Lingnan, which was not only wild and remote, but also rampant with plague, Chaoyun did not listen to dissuasion, was not afraid of hardships and dangers, and went forward indomitable and accompanied him to the end. Very admirable. At that time, Su Shi was worried that Chaoyun's "weak quality" would not be able to withstand the invasion and destruction of "miasma rain blowing brute wind, and it would not be too late to wither", so he repeatedly advised Chaoyun not to accompany him. "The miasma is rampant, and the stiff servants are invincible", and a certain Xun Xun lost two female envoys", but Chaoyun didn't listen, "Dancheng chased me to the three mountains, not to be Wuyang Yunyuxian". These two lines of poetry have been reversed since Mr. had ordered Chaoyun to beg for words in Qin Guan. Qin made the words of "Southern Songzi" as a gift. The goddess who said that "Dan is the morning cloud, and the twilight is the rain" is compared to the morning cloud, and after saying that the goddess "returned at a glance", she made the master "break people's intestines".
Su Shi believes that Chaoyun's resolute action shows that she is unwilling to be a "Wuyang Yunyuxian", but is willing to follow herself to the end of the cape, this sincere feeling is very rare, and Mr. also cherishes it. Mr. was deeply moved by Chaoyun's noble character of "rather being a ** than being a sunflower". When Lotte was nearly seventy years old, he planned to dismiss the prostitutes and sell the BMW, the so-called "mane and the horse put the willow branches". Unexpectedly, Fan Su couldn't bear to leave, and BMW also looked back to mourn. Mr. "Jiaqi" remembered the sincere feelings of the lord who was old and sick and "couldn't bear to go". At that time, Bai made "Can't Forget the Preface", leaving Su and Ma together. But in the second year, "illness and Lotte lived together, and spring returned with Fan Zi for a while". Fan Su actually left his master. Liu Yuxi wrote a poem and sighed: "I can't keep it when the spring is over, who will go with the wind?""Comparing self-proclaimed Yi and Fan Su, Su Shi and Chaoyun are an alternative situation. Therefore, "Chaoyun Poem" said, "It's not like Yang Zhi, don't be happy".
Chaoyun, the word Zixia, the surname Wang, is from Qiantang. From the age of l2, he entered the Dongpo family, "the new work of the warp scroll medicine furnace, the old marriage of the dance shirt and the song fan". Su Shi often compares Chaoyun to the heavenly maiden who "solves Zen" and "scatters flowers", accompanying him as a self-comparative. Chaoyun served him for 23 years until he died of illness at the age of 34 in Huizhou, Guangdong Province. Chaoyun is a very beautiful woman. When Su Shi first met her in Hangzhou, from the eyes of Dongpo, a great talent, she was "as beautiful as the moon, and at first glance she covered the twilight clouds, which made her even more beautiful." Not only is the demeanor "exquisite", but also the expression is very charming: "Changchun is like a childish girl, fluttering and thinking lightly." Wine and jade cheeks, red silk rolls. The low face is self-contained, and the meaning is quite small. "It has a lot of power. The poet compares her with elegant and noble plum blossoms: "The jade bone is sad and misty, and the ice posture has its own fairy wind." When the sea fairy is sent to explore the Fang Cong. Hanging upside down with green hair. The plain face is turned into powder, and the makeup does not fade red. High affection has been dawning in the sky. Don't dream with pear blossoms. The poet calls himself "high affection", and.
The plum blossoms of "jade bones", "ice posture" and "fairy wind" are metaphors for Chaoyun, which increases people's lamentation for this beautiful woman who died young.
Chaoyun once gave birth to a son named Su Shi, nicknamed Gan'er, who was "Yingyi" since childhood, but unfortunately died in Jinling before 100 days. This is undoubtedly a thunderbolt blow to the mother, and it makes her painful. "Mother can't hear her crying, and wants to die with you. Therefore, the clothes are still suspended, and the milk has flowed into the bed. I feel that I want to forget my life, and I lie stiff all day long." And it is also a huge pain for the old poet: "I am always happy, and I am happy with this smile." ......When I returned, my arms were empty, and the old tears were like water. "I'm so grief-stricken!Chaoyun was illiterate at the beginning, but he was keen and studious, and he practiced words and posts, "coarse and patterned". He also learned Buddhism from Sishang bhikshuni (nuns) Yichong, "a little bit of righteousness". Su Shi spoke highly of Chaoyun's personality, saying that she was "sensitive and righteous" and "loyal and respectful" to people. When he was in Huizhou, Dongpo's situation was so bad that he entertained guests with "village woman's wine" on credit. Chaoyun not only took on the responsibility of taking care of the housewife of the whole family, but also took care of the old poet's diet and daily life warmly and thoughtfully as a faithful companion who shared weal and woe. So that the old poet gets spiritual pleasure in the predicament.
One day, Su Shi and Chaoyun sat idle, when the young girl first arrived, the fallen trees were bleak, and the poet was sad and sad. Ordered Chaoyun to sing the words of "Butterfly Love Flower" composed by Dabai: "The flower fades and the red green apricot is small." When the swallows fly, the green water surrounds. The willows on the branches blow less, and there is no grass at the end of the world. The swing in the wall, the road outside the wall, the pedestrians outside the wall, and the beautiful woman in the wall laughs. The laughter gradually faded into silence, but the amorous was ruthlessly annoyed. As a "bosom friend", Chaoyun's singing voice will be stinging, and he has tears in his clothes. The poet replied to the day: "The slave can't sing, it's 'the willows on the branches blow and there is little, and there is no grass at the end of the world'." The smart and learned Chaoyun wanted to use "Lisao" to "What is the only grass", and secretly used Qu Yuan to comfort him than Su Shi. After hearing this, Zizhan laughed out loud and said, "It's my government that is sad in autumn, and you are sad in spring." "Although each has its own point, but the two hearts correspond. Although the circumstances of life are bitter, they are full of poetic sweetness.
Su Shi also praised Chaoyun's noble ambition and noble character with "Inner Beauty" and "Cultivation" in "Lisao", believing that she was the goddess of scattered flowers, and accompanied the poet who claimed to be Vimo for the rest of her life: "The white hair and pale face are exactly the realm of Vimo." Empty abbot, scattered flowers are in the way. The red lips are pointed, and the sideburns are more colorful. These are the only ones who live thousands of lives. Good things are heartfelt, and people are in a human state. Under the idle window, the clouds are condensed. The Dragon Boat Festival of the Ming Dynasty, to be learned, Lan for admiration. Find a good poem and ask for a book. Chaoyun not only has a transcendent appearance, but also has the taste of "Lan for admiration". In the poet's mind, she is a fairy, she is a goddess. In Huizhou, Chaoyun also built a release pond with Su Shi to do good deeds. When she was dying, she had a clear mind and died reciting the "six truths" of the "Diamond Sutra". The monk of Qizen Temple sighed that it was rare in the world, and built six pavilions next to its tomb to warn the world.
Chaoyun died in Huizhou on July 5 of the third year of Zhezong Shaosheng of the Northern Song Dynasty at the age of 34. On the third day of the first month of August, Mr. followed his last wish and buried his concubine in the southeast pine forest of Qizen Temple on Fenghu Lake. The choice of this cemetery was made by the old poet with very good intentions. Because of the number of slopes and valleys in the self-habitat Zen Temple, all fold and twist and walk, the most secluded. I don't know that there is a tower in the temple, there is no tomb on the tower, to its tomb, the slope is again obscured, and the tower is very urgent, slightly exposed superior, the breeze blows, then the bell is melodious, and the pine tree answers, desolate. Su Shi was very pleased with the choice of such a cemetery and said: "Live up to its fate." The so-called "sustained nature" here refers to the Buddha nature of Chaoyun. The poet wrote "Chaoyun Epitaph" on the same day, inscribed the day: "Futu is Zhan, Jialan is Yi." If you have a heart, only the Buddha returns. "Chaoyun's undead are satisfied. Three days after Chaoyun's burial, Dongpo wrote "Huizhou Recommends Chaoyun Shu" [. Chat, pray to the gods, and hope to lead the soul of Chaoyun Ying to be born in the Pure Land early. Shuyun: "Shi is responsible for the crime and moved to Yanhuang." There is a concubine Wang Chaoyun, who has worked hard all her life and has followed her for thousands of miles. Suffered from the changes of time, and died of illness. "It's choking to read. The grief-stricken poet went to the cemetery with his young son Su Guo on August 9 to mourn.
In the month of Chaoyun's death, the poet used the word "Slow Flowers in the Rain" to recall the love with Chaoyun at the beginning, and the misery of his endless "thoughts" once Chaoyun "turned into a cloud" and floated away. After the last film, I recalled the beginning: "The tender face is ashamed of the moth, and it turns into a cloud, but it chases the witch yang." But there is a cold lamp and a lonely pillow, and the moon is empty. Long recalls the beginning, at first harmony, I learned Luanhuang. Unexpectedly, it happened to be three spring peaches and plums, and one night of wind and frost. Almost crying, swallowing word by word. In the next film, he turned to say that he was thinking endlessly: "Danqingkou painting, speechless and smiling, I watched it and was sad." On the sleeves, there are still residual daisies, gradually reducing the residual fragrance. I forgot about it when I was drunk, but I thought about it after drinking. It is worth bearing you, tears in front of the pillow, thousands of points. "It's really a heart-wrenching word. Chen Yan commented on Lu You's love words, thinking that "there is no such thing as a sad thing, nor is there such a sad poem." As far as the centennial theory is concerned, who wants to have such a thing?As far as the millennium is concerned, it is indispensable.
Poetry!Su Shi's poem of mourning Chaoyun can also be discussed in this way. After Chaoyun's death, Su Shi's spiritual pain was very huge. He wrote "Mourning Chaoyun and Citation", "Chaoyun Epitaph", "Huizhou Recommending Chaoyun Shu", "Slow Flowers in the Rain", "Chongzi Heavy Ninety-two Songs", "Three-part Music", "He Tao and Hu Xicao Show Gu Thief Cao", "Xijiang Moon Plum Blossom" and "On September 27 of the last year, I gave birth to a son in Huangzhou and was named Gan'er, which was very different. Until July 28 this year, he died of illness in Jinling, and composed more than a dozen poems such as "Two Poems and Weeping", "Giving Chaoyun", not including the many references to Chaoyun's death in the books he wrote to friends and relatives.
Two months after Chaoyun's death, the last eight sentences of the first eight sentences of the "Chongzi Heavy Ninety-two Songs" composed in September of that year lamented: "This year calls for a bad year, and the stiff servants are like chaos. Although I am healthy at this meeting, the wind is blowing in the morning glow. Make me like a frost moon, and the lonely light hangs on the end of the world. The West Lake does not want to go, and the tomb tree is called the jackdaw. "The mood and atmosphere are very sad and tear-jerking. The second cloud: "Drink last year's hall together, and look down on Qiushuiwen." This water and this person chase each other. When you get old, you rest, and you can be diligent in your creation. This is a good order, and I don't hesitate to share it with my son. The affection of "chasing each other" and the mourning of "cherishing points" all make people mourn. The "Three Music" composed at the beginning of October was born from the "Golden Silk Clothes" of the Tang Dynasty poet Li Zhu's concubine Du Qiuniang, and the flowers fell compared to the clouds, from the poetic "persuade the monarch not to cherish the golden threaded clothes, and persuade the monarch to cherish the youth." The flowers can be broken straight and must be broken, don't wait for no flowers and empty branches" to turn into a layer, and bitterly express their "miserable" mood and infinite "cherish" resentment, which is also very moving. Word cloud: "Beauty is like the moon, at first glance, the twilight clouds are covered, and it is even more beautiful." There should be no hatred, and there should be no hatred. Jiao is very empty and only sad, and when he gets out of bed, he is lazy, and he swallows before he speaks. If you don't come for a few days, you will lose all the red leaves. Today, the wine is strong, and I ask who to reduce, and I have a little fragrant snow. What is the scattered flowers, but the disease, Vimo is not sick. But he lowered his eyebrows and did not answer. sang "Golden Wisp", a resentment. It can be broken. And cherish it, juvenile flowers. Recalling the past from the "present" and saying his "cherishing" from the other party's "grievances" adds to the poignant and moving artistic effect. Kong Fanli's "Su Shi Annals" recorded that in November of the same year, "Fu "Xijiang Yue" Yongmei mourns Chaoyun". The poet of this word refers to himself as "high affection" and uses "Xiaoyun" as a metaphor for Chaoyun, which not only praises Chaoyun's elegant appearance of "plain face" and "ice posture", but also focuses on rendering her inner character of "jade bones" and "fairy wind", which highlights the poet's deep and unforgettable feelings of longing. "Dream of Red Mansions" once used the mouth of Jia Yucun to praise Chaoyun and Baoyu, both of whom are the same kind of "infatuated lovers". We are not only moved by the infatuation of a cultural giant like Su Shi, but also admired the spirit of Chaoyun, a weak woman, who is finally accompanied by the ends of the world.