Readers, do you know what the "Ejun Qijin Festival" is?This is a bronze from the Warring States period, which is now treasured in the Anhui Provincial Museum. This artifact unveils the mystery of the tax exemption 2,300 years ago and has become a shining pearl in historical archaeology. Let's dig deeper into the mystery of this artifact that has been hidden for thousands of years.
In 1957, a farmer in Shou County, Anhui Province, accidentally excavated four pieces of copper flake artifacts when he was digging soil to build a house in Qiujia Garden in the east of the city. At first, the farmer didn't think much of it and took the mysterious artifacts home. In the same year, the staff of the local cultural relics research institute learned of this news and hurriedly went to the village to collect cultural relics. Surprisingly, the four pieces of copper were unusual, and they were actually engraved with words.
After the artifacts staff brought the copper pieces back to the institute, they began to study and translate them carefully. There are a total of 311 words on the copper sheet, involving four main contents. First of all, the copper sheet is engraved with "Tun three boats for one, fifty", which means that Xiong Huai agreed to the duty-free limit for Xiongqi land goods, but there is a certain limit, which is equivalent to 150 tons in modern times. Secondly, the copper sheet clearly states: "No gold, leather, w, arrows." "These were all military supplies, and at that time, during the Warring States period, armaments and materials were scarce, so it was natural that trafficking was strictly prohibited. Third, the copper sheet clearly stipulates that the Xiong Qi caravan is prohibited from asking for food and lodging from the local **, and there are clear restrictions on the caravan's accommodation and meals on the way. In the end, a mysterious phrase appeared in the copper sheet: "The year returns".
Experts have put forward three speculations about the "return of the year". The first is that it can only go back and forth once a year, and each passage can only be carried by 50 crotches and 50 cars, giving a clear number of passes and traffic volumes. The second is that there can be unlimited traffic every year, but each passage can only use 50 crotches of boats and 50 cars, and the traffic volume shall not be exceeded. The third is that not only can there be no limit on the number of passes per year, nor can it limit the number of cars and boats each time, but the total number of boats and boats cannot exceed 50 boats and 50 cars in a year.
Experts prefer the third conjecture, since it is more reasonable to regulate both the number and volume of traffic, while at the same time adjusting the type and quantity of goods trafficked according to the season. It is worth mentioning that in the process of research, experts also found that the "annual return" may mean that the tax exemption quota for each piece of copper is one year, and after expiration, it needs to be returned to the government for verification to ensure that it is valid for consecutive years.
This cultural relic, which was named "Ejun Qijin Festival" by experts, not only uses the technology of wrong gold, has anti-counterfeiting logos, but also makes exquisite production and becomes a precious historical relic. The discovery of copper sheets not only reveals the tax-free system 2,300 years ago, but also gives us a glimpse of the bright light of ancient commerce.
Nowadays, the "Ejun Qijin Festival" is quietly displayed in the Anhui Museum, showing its unique style. The discovery of this cultural relic is not only a restoration of the ancient history of tax exemption, but also a witness to the commercial activities and cultural inheritance of the Warring States period. Through the ancient code left behind by this copper sheet, we seem to be able to travel back in time and feel the mysterious Warring States Period.
In this artifact sealed by time, we see not only an ancient history, but also the unlocking and amazing discovery of a tax-free code. Let's immerse ourselves in the exploration of this ancient mystery, feel the echo of history, and savor the weight of time.
The article "Ejun Qijin Festival: The Unlocking and Amazing Discovery of the Ancient Tax Exemption Code" gives us the opportunity to peek into the mystery of the Warring States Period, in which the "Ejun Qijin Festival" revealed has become a pearl of history, making people marvel at the complexity and sophistication of the ancient commercial system.
First of all, this article takes us into the scene of four copper flake artifacts excavated by a farmer in Shou County in 1957 through a detailed narrative. This depiction makes people feel as if they are in that historical moment, and feel the joy and wonder of the people at that time when they faced these precious cultural relics. The article combines the discovery of the farmer with the timely intervention of the staff of the local antiquities research institute to show how this historical mystery was revealed.
Secondly, the article provides an in-depth interpretation of the words engraved on the copper plate, especially three speculations about the phrase "one year to return". Such a detailed analysis shows the hard work and deep thinking of the experts in the research process. Through this process, readers can better feel how historical researchers analyze the information behind ancient cultural relics step by step when restoring the past.
Regarding the discovery of the "Ejun Qijin Festival", the article gave a high evaluation, emphasizing its unique value in historical archaeology. For the unlocking of this ancient tax-free password, we seem to be able to see through the fog of time and get a glimpse of the bits and pieces of business ** and cultural inheritance at that time. Artifacts are not just static exhibits, they are a link between the present and the past, allowing us to better understand and value our history.
In addition, the article gives a detailed explanation of the tax-free system represented by the "Ejun Qijin Festival", from "Tun three boats are one, fifty" to the embargo of military supplies, and then to the regulations on food and accommodation, each layer is a restoration of the social system at that time. Such an in-depth analysis gives the reader a clearer understanding of the commercial ** and social system of the Warring States period.
Finally, the article brings our attention back to reality through a wonderful ending, mentioning that this cultural relic is now quietly displayed in the Anhui Museum. This leading narrative makes the whole article feel like an adventure through time, and the reader feels as if they are part of this historical journey.
Overall, this review** is a comprehensive and insightful review of "The Golden Festival of Ejunqijin: The Unlocking and Amazing Discovery of the Ancient Tax Exemption Code". Through an in-depth analysis of the stories behind the history, readers not only have a deeper understanding of the cultural relics of the Warring States period, but also have a clearer understanding of the complexity of historical research. This article allows us not only to be readers, but also participants, to immerse ourselves in the grand narrative of this history.
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