Shan Yu and the pro brick is square, which is the historical material evidence of "Hu Han and Qin" in the Western Han Dynasty. The front is a typical Han seal, and the interpretation is "Shan Yu and his relatives are long live the peace and happiness", and the back is a fierce galloping horse.
Shan Yu and pro bricks, unearthed in Baotou area of Inner Mongolia.
During the Han Dynasty, Baotou in Inner Mongolia reached Wuyuan in the west and Hohhot in the east, which was the southernmost boundary of the Xiongnu nomadic herding, and it was also the place where the Huhan evil single "lived near the Sai". The building materials with Chinese characters unearthed in this area are the historical material evidence of "Huhan and Qin" in the Western Han Dynasty.
In 1954, in the Han tomb of Machi Township near Baotou, Inner Mongolia, Wadang printed with words such as "Shan Yu and Qin", "Long Live Qianqiu" and "Changle Weiyang" were found. According to the identification of archaeologists, it was made at the end of the Western Han Dynasty. There are also hand-me-down bricks of Shan Yu and Qin, which are also printed with words such as "Shan Yu and Qin, Long Live Qianqiu, Changle Weiyang", which are almost exactly the same as the words on the tile, and may have been made in the same era. If these bricks and tiles are indeed relics of the late Western Han Dynasty, they must have been made to commemorate Zhaojun's exit from the fortress, because there was only one such harmony in this period. The fact that the Han Dynasty and the Xiongnu attached so much importance to this event shows the great impact of Zhaojun's expulsion on the politics of the time and its historical role.
Jin Xi's long comment on the calligraphy of "Western Han Dynasty Shan Yu and Qin Brick": There is tranquility in the hearty, there are wind bones in the roundness, the lines are hidden in the waves, and the momentum is majestic like the fierce galloping horse on the back of the brick!
Jin Xichang also believes that writing seals is like Kai, and the pen cannot be single and symmetrical, otherwise there is no rhyme, but the rhyme is too weak and pretentious, and not strong enough. To make the circle even, but also to hide the square pen, in order to show the wind bones. to be able to write majestic and clear. (As shown in the figure, the lower part of the words "music" and "yang" are turned).
The Qing people write seals, and most of the lines are round and soft, and there is no robustness, and there is more than elegance and lack of masculinity. Today's national exhibition style is too much influenced by the Qing seal, so there are more flattery and fewer bones!