Foreword.
From 1902 to 1904, the German architect Ernst ?As a construction inspector of the East Asian garrison brigade, he was dispatched to China by Germany. During his three years of exploration, he became fascinated by ancient Chinese architecture and became the official scientific advisor of the German Legation in Beijing. In August 1906, at the age of 33, he set foot on Chinese soil again, spending three years and traveling thousands of miles to record the architecture and landscape of China's 12 provinces in the late Qing Dynasty. This period of history was frozen in an instant, providing valuable historical information for later researchers.
CHAPTER 7 PROCEEDINGS.
1. On the banks of the Fen River.
In April 1908, Bai Shiman was on the bank of the Fen River and witnessed a copper unicorn, or a pig, and the mystery of history quietly unfolded.
Second, the Jin Ancestral Hall. 
The Sanqing Cave of the Jin Ancestral Hall, as a cave-style building, enshrines the Yuqingjing Cave True Sect Master Yuan Shi Tianzun, the Shangqing Realm Cave Xuan Sect Master Lingbao Tianzun, and the Taiqing Realm Cave God Sect Master Daode Tianzun, and its magnificent scene is captured by the Bai Shiman lens.
3. Fengsheng Temple.
Fengsheng Temple pagoda, originally built in the Tang Dynasty Wei Chi Jingde's residence, after the Song Dynasty rebuilt, the Qing Dynasty Qianlong period of the ** in the first to show its majestic beauty.
Fourth, the Twin Towers Temple.
Yongzuo Temple in the southeast of Taiyuan City is affectionately called the Twin Pagoda Temple by the local people. In Bai Shiman's **, the main hall building and the appearance of a foreigner make the historical picture more vivid.
5. Chongshan Temple.
Chongshan Temple, originally known as White Horse Temple, changed to Chongshan Temple in the Ming Dynasty, Bai Shiman's camera freezes the majestic posture of the two bronze lions at the entrance of the temple, and the thousand-armed Guanyin Buddha statue in the Great Compassion Hall.
6. Confucius Temple. 
Chongshan Temple experienced a fire in the third year of Tongzhi in the Qing Dynasty, and was rebuilt into Taiyuan Confucian Temple by Zhang Zhidong 17 years later. The buildings, exterior walls, and gates in ** tell the inheritance of an ancient civilization.
7. North Shifang Courtyard.
Taiyuan City East, South, West, North, Southeast, Southwest, Northeast, Northwest, Up, Down, Ten directions correspond to ten temples, ** in the North Shifang Temple, that is, Qianshou Temple, reflecting the grandeur and glory of history.
8. South Shifang Temple.
Baiyun Temple, known as the South Shifang Temple, is said to have built the Guanyin Hall for his mother in the Tang Dynasty. It was added in successive dynasties, and finally rebuilt into "Baiyun Temple" in the second year of Kangxi in the Qing Dynasty.
9. Other buildings.
A building in Taiyuan Mansion, Bai Shiman did not indicate the name of the specific location. The simple and heavy two-story building, the exquisite brick carving on the wall, each ** is a historical lens, looking forward to the interpretation of readers and friends.
Conclusion. Bai Shiman's three-year trip to China has left a precious history**. The ancient buildings of this period are still standing today, bearing witness to China's long history and culture. Through these, we can get a glimpse of the glory of the past and feel the vicissitudes of history. We look forward to more researchers, more readers and friends, and enjoy this magnificent historical picture together.
Stay tuned for the next article "To Linfen" to continue unlocking the mystery of ancient China!
Bai Shiman's three-year trip to China can be described as a historical adventure, and his in-depth investigation and recording provide us with precious historical documents of ancient buildings. During this period, China was at the end of its period of change, and the architecture of the late Qing Dynasty carried rich historical connotations, and Bai Shiman's lens freezes the moment of this history.
In the article, the detailed descriptions of the Jin Ancestral Hall, Fengsheng Temple, Twin Pagoda Temple and other places make the reader feel as if they have traveled through time and space and placed themselves in that ancient and mysterious era. In particular, the attention to architectural details, such as the shrine at the base of the main hall of the Jin Ancestral Hall, the details of the brick pagoda in the Twin Pagoda Temple, and the Thousand-armed Guanyin Buddha statue in Chongshan Temple, all show Bai Shiman's profound observation and recording of ancient architecture.
A building in Taiyuan Mansion and its interior brick carvings are even more fascinating. The exquisiteness of the ancient buildings presented by these ** not only reflects the superb architectural craftsmanship at that time, but also makes us feel the profundity of traditional Chinese culture. This exquisite architectural art is not only a material accumulation, but also a carrier of cultural inheritance, providing a profound historical imprint for future generations.
It is worth mentioning that the historical events revealed in the article, such as the fire of Chongshan Temple in the third year of Tongzhi, and the rebuilding of Zhangzhidong 17 years later, allow readers to appreciate the ancient buildings and also have an in-depth understanding of the vicissitudes experienced by these buildings. Such a historical context closely links Bai Shiman's ** with Chinese history, making this history more vivid and vivid.
The most anticipated thing is the conclusion of the article, a summary of Bo Shiman's three-year trip. This historical journey is not only an investigation of ancient Chinese architecture, but also a cultural exchange and record. Through these, we can witness the changes of an era and feel the weight of history. Looking forward to the next article "To Linfen", we will continue to explore the mystery of ancient China. This kind of historical exploration allows us to better understand our own cultural heritage and inject more historical wisdom into today's society.
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