Preface.
Between 1902 and 1904, the German architect Ernst ?Ernst Boerschmann, as the construction inspector of the German Garrison Brigade, went to East Asia and began his in-depth exploration of ancient Chinese architecture. In August 1906, at the age of 33, he became the official scientific adviser of the German Legation in Beijing and embarked on a three-year comprehensive expedition. During this time, he traveled thousands of miles, covering 12 provinces in the late Qing Dynasty, and photographed a large number of ancient Chinese buildings and landscapes. Subsequently, based on these preciousness, Bai Shiman successively created a number of related works. In order to allow readers who like history to have a deeper understanding of this history, we have specially sorted out and interpreted these **, and studied them with readers and friends through the picture tour Huaxia Network.
Chapter 8: The Expedition to China a Hundred Years Ago.
From the autumn of 1906 to 1909, he traveled almost all of China's 12 provinces: Zhili, Shandong, Shanxi, Shaanxi, Sichuan, Hubei, Hunan, Guangxi, Guangdong, Fujian, Jiangsu, and Zhejiang.
Itinerary 1: Fenyang.
After leaving Taiyuan, Bai Shiman traveled south along the Fen River. He photographed a building in Yanwu Town, Fenyang, documenting the beginning of this journey.
Itinerary 2: Mianshan scenery.
Coming to Mianshan in Jinzhong, Bai Shiman recorded this scenery. According to legend, during the Spring and Autumn Period, the nobleman Jie Zitui of the Jin Kingdom fled with the Jin prince Chong'er and experienced a thrilling story. Their footprints have remained in Mianshan and become the inheritance of history.
Itinerary 3: Pingyang Province (now Linfen).
After arriving at Pingyang Mansion, Bai Shiman came to Yao Temple. Yao Temple was built in the period of Emperor Wei Ming of the Three Kingdoms, after many generations of expansion, ** shows the grandeur of the Yao Temple Guangyun Palace. The Yaojing in the Yao Temple has a unique legend, and the feeling of history is permeated here.
Itinerary 4: In Yuncheng.
Leaving Pingyang Mansion, Bai Shiman arrived in Yuncheng. Yuncheng Salt Lake is one of the world's three major sodium sulfate inland salt lakes, which shows the scenery of Lucun salt pans. Yuncheng is also the hometown of Guan Yu, a famous general of the Three Kingdoms, and Bai Shiman recorded the statue of Guan Gong in the Guandi Temple of the state, outlining the unique style of this historical ancient city.
Conclusion: Exploring the Chinese miracle of a hundred years ago.
Through the lens of Bai Shiman, we can get a glimpse of what China was like a hundred years ago. This adventure full of history not only enriches the vision of German architects, but also leaves us with valuable historical treasures. In the next issue of "To Shaanxi", we will continue to lead readers to have an in-depth understanding of China a hundred years ago, so stay tuned!
This article is based on the German architect Ernst Berschmann's investigation of ancient Chinese architecture in the early 20th century, and presents the architectural features and historical relics of various parts of China at that time in a way that is presented in a lucrative way. Through detailed descriptions and displays, the article makes readers feel as if they have traveled to a hundred years ago and come to the scene to experience Bai Shiman's investigation journey. Here are some comments on the article:
First of all, the topic of the article is unique, and it presents the real appearance of ancient Chinese architecture at that time through the perspective of German architects. This cross-cultural perspective provides readers with a unique historical experience that leads to a better understanding of China a hundred years ago. The three-year expedition to China is not only a record of architecture, but also a profound observation of Chinese culture, history and tradition.
Secondly, the structure of the article is clear, through the division of the itinerary, the investigation of Bai Shiman in China is divided into four parts, each part is displayed through specific ** and text, for readers to present the local natural scenery, architectural style and historical heritage. This structural design not only has a sense of hierarchy, but also allows readers to better follow the footsteps of Bai Shiman and feel the diversity and richness of China a hundred years ago.
The introduction of each inspection point in the article is very detailed, and through the collocation of ** and words, it vividly shows the scenery and architectural style at that time. For example, when describing the scenery of Mianshan, the author not only introduced the historical legends of the Spring and Autumn Period, but also showed the uniqueness of the Baobelly Cliff and Yunfeng Temple of Mianshan through **. This narrative makes it easier for readers to immerse themselves in the story of history and enhances the appeal of reading.
Finally, the article cleverly connects the whole content in the concluding part, emphasizing that through Bai Shiman's investigation, we have the opportunity to get a glimpse of the miracle of China a hundred years ago. The epilogue also mentions that the next issue will continue to go to Shaanxi, which reserves expectations for readers. This technique of arousing the reader's interest not only draws a perfect end to this article, but also brings the suspense of the reader looking forward to the future.
Taken together, this essay succeeds in presenting the miracle of Chinese architecture from a century ago through unique themes, clear structure, and vivid descriptions. In the process of reading, readers can not only feel the precipitation of history, but also appreciate the diversity of culture, which makes the whole article more in-depth and engaging.
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