Film and television commentary The look and feel of the whole film is divided into several parts: the sci-fi sense at the beginning, the reality at the front, and most of the stage sense. Of course, the director explained at the beginning that the film was filmed in 1967 and was banned by the authorities in the spring of that year. And most of the ** was filmed in 1981. In the narration, the director also expressed his feelings in the past ten years: you are being censored by a censor whose name you don't know at all, and what is the meaning of everything as time passes. In addition to being monitored by power, he also sighed: More than ten years later, it's just my turn. 
In the early 80s of the 20th century, the socialist centralized system in Poland encountered many challenges, and economic problems became an important background for the rise of Solidarity. The working class began to express their dissatisfaction and demands against the poor working conditions and the decline in living standards.
The opening room arrangement is wonderful, starting from one side of the painting, to the other side of the painting, the viewer sees a mirror, and then the whole picture of the room is revealed. Then, the man sat in front of the window, as if he were sitting in a train, and there was a lot of artillery fire outside. He and the window (this plane) are relatively stationary, while behind him (i.e., the side closer to the audience) is the fleeing crowd. It's like the old man in "Snowpiercer" who observes the end of the world outside the window. 
The ruins outside are presented from a subjective perspective, and the soundtrack is not tragic, but apocalyptic. Sometimes it's a documentary, sometimes it's a theatrical stage. There are images such as sand, duck webs, cutlery and tablecloths, which combine virtual and real. Most of the film is in the performance of this stage play. At the end, everyone was washed with water, and the curtain call was completely filmed in the form of a stage play. 