In 2012, "The Voice of China" created a precedent for ** variety shows and became a dark horse in the ratings. Immediately followed in 2013, "I Am a Singer" became a god in one fell swoop, becoming the pinnacle in the history of ** variety shows.
However, it is regrettable that the reputation of these two classic variety shows has declined year by year, constantly causing controversy, and finally stopping the broadcast has become an inevitable ending.
However, domestic ** variety shows have been innovating, and the "Sound of Life" series has become a beautiful landscape. "HK Phil Season" and "Treasure Island Season" won 7With a high rating of 2 points, it can be called a highly praised program.
At present, the third season of "The Sound of Life: Family Years" is back strongly, and the popularity has exceeded 1 within three days of its launch900 million, far ahead in the hit variety show, once again proves that the charm of sound cannot be underestimated.
However, I thought that this season's word-of-mouth would be pleasantly surprised, but I didn't expect that after the broadcast, negative reviews emerged one after another, and the reasons for the audience's bad reviews were surprisingly consistent, what happened?
This situation makes people wonder why the third season of "The Sound of Life: Family Years" caused such a wide range of negative reactions? Is the content not engaging enough, or is there something wrong with the production? Will the audience's opinions have an impact on future shows?
Perhaps, this series of problems is what domestic ** variety shows urgently need to face and solve. In the new season, I hope that "The Sound of Life: Family Years" can listen to the voices of the audience, make corresponding adjustments, and revitalize the audience's confidence in domestic ** variety shows.
Actually, I was quite shocked by the programming of this season of "The Sound of Life".
The program uses singing as a clue to connect the development process of China's first century, vividly record the country's strides, and form a "Chinese chronicle".
Although the main purpose of "Family Years" is to show the audience classic red songs and old songs, the original intention of this setting is very positive. However, it is worth noting that this idea may have lost the market of some young people to a certain extent. At the same time, the audience's question about whether the restoration of the red song needs to invite the "national team" to sing.
In today's market, the aesthetic trends and tastes of the younger generation are gradually diversified, and they are more in pursuit of trendy and innovative elements. Therefore, how to attract young audiences while inheriting the Chinese tradition has become an urgent problem to be solved.
Perhaps in future programs, we can consider introducing more novel elements to integrate tradition and modernity to create a more inclusive and attractive form of expression. Through such adjustments, not only can the heritage of traditional culture be retained, but also the audience can be expanded, so that more young people can feel the charm of the world.
Overall, "The Sound of Life", as a program that promotes Chinese culture, has a positive original intention and unique program positioning. In the process of continuous optimization, it may be possible to adapt more flexibly to the aesthetic needs of contemporary audiences and create a more fascinating feast. In this way, it can not only retain traditional audiences, but also attract a wider audience and let more people feel the profound charm of China.
At the beginning, I originally thought that this ** show would invite a lot of big names such as *** Tan Jing , Lei Jia , Han Lei , Liu Huan , Tengger , Phoenix Legend , Gong Linna, etc., if there is really such a lineup, the scene must be very lively, it is simply a good prescription for injecting a dose of "dimensionality reduction strike" into the domestic ** variety show!
However, the actual situation is unexpected, who are the guests in the show?
The older generation of singers such as Sun Nan, Han Hong, Huang Qishan, etc. can undoubtedly stand proudly on the stage, however, Mao Amin's popularity has already fallen to the bottom because of his participation in "Little Flowers", and he actually caused ridicule from the audience when he appeared.
And younger singers include Zhou Shen, Wang Sulong, Yu Kewei, Song Yaxuan, Tan Weiwei, Wang Xinling and so on.
Of course, you can't deny their strength, but it always feels like it doesn't fit well with the style of red songs, doesn't it?
Red songs need to interpret a magnificent atmosphere, but in the show, the singing level of these people is as infectious as participating in the Spring Festival Gala of various David TVs.
The thunder is loud, the rain is small" This is my biggest feeling after the show.
Not only that, as the youngest guest in the show, Song Yaxuan has also become the biggest target of criticism.
The program team asked him to cooperate with Tan Weiwei to perform "Mountains and Rivers", which is simply putting small shoes on him, right? The lack of power in the voice, the lack of momentum in the performance, and even the lack of confidence in the eyes do not match the style of the song at all.
What's more, Song Yaxuan's voice, singing skills, and stage performance are far inferior to the original singer Zeng Yi, let alone compared with Tan Weiwei's penetrating voice.
Originally, if he sang alone, he might still be able to stand out among the students of the same period, but when he performed on the same stage with so many seniors in the music industry, he suddenly looked dwarfed, and the gap was staggering.
Since we have delved into the development process of **Chinese pop**, when we talk about this topic, we have to mention one of the founders of Chinese pop**, that is, Gu Jianfen.
As Sun Nan's mentor, Gu Jianfen has cultivated many first-class talents who have emerged in the Chinese music scene, including Na Ying, who is "diva level".
When the teachers and students took a group photo, of course, there should also be Na Ying. What is quite surprising is that in this group photo, Mango Station actually chose to cut off Na Ying's **. This decision makes people feel quite confused, especially when talking about "Meet in 1998", which was popular all over the country, the show only presented Faye Wong's picture and omitted Na Ying.
This series of operations is really confusing. It is worth noting that Na Ying has participated in Mango Channel's variety shows many times, including "Sister Lang" and "The Sound of Life: Treasure Island Season", etc., and she has always been a familiar face of Mango Channel.
Perhaps because "The Voice of China" encountered difficulties due to the death of Coco Li, Na Ying, as a former mentor, may also need to keep a low profile. However, regarding the specific reason, the program team has not responded at present, and seems to intend to take a cold attitude.
However, not only that, but the performance of this season's show also attracted the attention of the audience, revealing an awkward atmosphere all over the screen. This may be because a series of decisions and treatments made the whole show seem slightly awkward and left a deep impression on the audience.
Overall, the details and decisions of this series caused some distress and confusion among the audience, and the history of the development of the pop seemed to be overwhelmed by some embarrassing elements. It is hoped that future programs can deal with similar issues more carefully, so that the audience can better understand and appreciate the development process of **.
When the guests got together, the scene instantly became a little awkward, because everyone naturally formed an atmosphere of "seniority" in order of age. The older guests exchanged pleasantries, while some of the younger artists seemed a little overwhelmed.
In this group, Wang Sulong, Zhou Shen and Song Yaxuan seemed to be at a loss after introducing themselves, not knowing what to do next, and even complained on the spot why there was no host to guide the entire show. This makes the whole atmosphere a little awkward.
In the end, in order to break the deadlock, the young guests had to deliberately look for activities, such as washing cups for their seniors or pouring tea for everyone. This embarrassing social scene made the audience feel helpless, and for a while, the audience sweated in front of the screen for these guests who were not good at socializing, hoping that someone could solve the siege.
With the addition of Gu Juji, everyone fell into an awkward title and an awkward discussion for a while. The audience in front of the screen also felt helpless, hoping that someone would come to the rescue of these guests who seemed to be reluctant to socialize.
As soon as Mao Amin appeared on the stage, she put on the shelf of "eldest sister", first judging the ** product, and then began to find fault with Han Hong, bluntly saying that she didn't get a greeting from the other party on the plane. This kind of blunt performance is surprising, after all, after all the years, she is still able to create a relaxed and awkward atmosphere, arousing the curiosity and speculation of the audience.
However, whether the audience is approving or disgusted by such a performance can be glimpsed from the comments.
Looking at the variety shows of the entire Mango Channel, it is not difficult to find that they are always difficult to satisfy the audience in terms of sequels. One of the main reasons is because the format of these shows has become quite routine.
The most important core of the music variety program is the word "**", but although the selection of songs this season focuses on emotion, it seems to ignore the perception. For old songs that are too old, even with the blessings of the predecessors, they may not be able to deduce a profound charm. Compared with the first two seasons of the show, this is simply a significant gap, and the audience can't help but feel some disappointment about it.
*What kind of future will variety shows usher in?
The significance of covering classics is to absorb the essence deeply and provide inspiration and strength for creating more and better new works.
However, at present, many ** variety shows often fall into the quagmire of picking up people's teeth, buying copyrights casually, and then inviting some celebrities to cover them, which seems to think that this is enough to present a satisfactory ** feast to the audience. Such an idea could not be more wrong.
Feelings can be consumed, and although they can be used once or twice, they may not be as effective the third time.
Even the richest emotional experience will be exhausted one day. The value of Chinese** is not only in the past, but also in the future. I hope that the future ** variety show can pay more attention to innovation and realize the depth and diversity of creation.
At present, "The Sound of Life 3" is on the air. So, what do you think of this season's show? In your opinion, is it beautiful and the show exciting? Maybe while appreciating, we can also think about the development direction of **variety shows and the promotion of ** creation.
The sound is endless, and the family years are on the air