100 help plan
"The Sound of Life" starts from the HK Phil season, bringing the mango sound synthesis to the long silence after "The Singer". And the "Treasure Island Season" with the theme of Taiwan** can be regarded as a retrograde retrograde *** compared to the first season's amazement, it can only be regarded as a mediocre response. This year, this show is back again, focusing on a reunion between the two sides of the strait and three places, so there is——"The Sound of Life: The Glory of the Family".
Viewers who are familiar with the show know that the concept of this show is the inheritance of an old song and a new song. The million-dollar copywriting at the beginning can be said to be a head-on confrontation with Dong Qing's "Reader" of the year, and it was listed as a full-score essay template for the college entrance examination. Documentary-style historical context + interview + nostalgic filter, what you want is taste, height, and pattern. First of all, there is the development history of Hong Kong, and then there is the development history of Taiwan, so this year it is necessary to "make dumplings and smash" -China's first hundred years of development history, China's first chronicle. 
As a result, this year's program was nicknamed "The Spring Festival Gala Season". To tell the truth, it is indeed more like the previous Spring Festival Gala than the Spring Festival Gala in the past two years, and I don't know how much the director will change the planning plan in 2024. Because of the whole show, there is a sentence from the inside out: "Greeting everyone to the early years!".”
First of all, on the lineup, "Big Sister" Mao AminSit down, set the sea god needle. Then most of them came from "I Am a Singer Season 3", which had the strongest lineup that year, likeSun Nan, Han Hong, Gu Juji, Hu Yanbin, Tan Weiwei。As always, the guests had to socialize a little awkwardly, and Mr. Han from xxxl was not polite, and came directly: "I'm a singer in the third season, come here!."”
Then, a small group of five people came to huddle, and the rest of the people who had not participated looked at each other. After all, likeHuang Qishan, Zhou Shen, Yu Kewei, Wang Sulongare also powerful singers. And then there is Sister Phi Gelang, who has become popular in the past two years:Wang Xinling, Chen Chusheng, Zhang Qi, and the heat continues. 
But the most controversial thing has to beXiao Song, as a junior, the audience still has doubts about his ability. But it is also understandable, after all, the show is the theme of "family years", and singers of all ages have to come together to make this concept solid. Especially compared with the pure relationship households inserted in the Spring Festival Gala in the past two years, this child is really okay when he was a child. 
Then, a super big proposition runs through the show - Chinese pop**. From the school music in 1900 to the Anti-Japanese War ** to the popularity of the millennium**, and then to today's diversified ** appearance. With experts from major universities, associations, and organization members as the program pilots, he slowly talked about the changes and vicissitudes of the motherland. 
Like what"Drizzle" and "Farewell"., I don't know if there will be relevant exam questions for ** students?After the reform and opening up, to"Hometown Love".As the representative of the popular **, the opening of the exit from the Spring Festival Gala has become the memory of several generations. "The Crooked Moon", "Let the World Be Full of Love", "Loess High Slope", "Nothing"., simply exposing age. In the images of the past and the familiar melodies, we see the simple, abundant, childish but humane atmosphere of the past. 
The meaning of the so-called classics is that they can experience the changes of the times and break the limitations of time and space. The development, aggregation and unification of popular **.
1. Communication is not only a way to record the environment of the times, but also an important carrier of youth culture. The program pays attention to presenting the broad concept of "pop" in the entire national context, which is destined to move the correctness of cultural value orientation to the entertainment of variety shows. 
So the song selection for the first episode of the program started from "Mountains and Rivers", and the entire historical context was written in it. Then, with the chronology as the index, it was adapted from "Yuguang Song"."Follow You to the Edge of the Sky".Start grabbing the audience. Then, the story of the veterans and martyrs of the War to Resist US Aggression and Aid Korea returned to China was introduced"Hymn to Heroes" and "Sing a Mountain Song to the Party". 
As always, the classic film and television dramas OST "Shanghai Tang", "You're coming back", "Who", "The Shadow of the Fence Wall", etc., are the absolute keys to summoning collective memory. Then the chorus of the second phase was contributedSun Nan and Han Hong's "Beautiful Myth", Zhou Shen and Huang Qishan's "Years" are a god-level combination。It has to be Teacher He Jiong, who cries more emotionally than the audience every time.
According to the old tradition of the show, the ending must be collectively sung, and one of the two episodes is "On the Field of Hope" and the other is "Great China". Judging from the current broadcast results, it can be said that -Parents have to contribute to the ratings again, the nostalgic style has occupied the heights again, the Red Song Club has continued again, and the bloodline of the descendants of Yan and Huang has awakened in the land of China ......
However, unexpectedly, and reasonably, the comment area of this show was attacked by malicious bad reviews. What is it that this generation of young people is disgusted with?is probably "fried cold rice", "sensational", "preaching" and "selling feelings", at first glance, this show seems to have stepped on a minefield with every foot.
But in fact, as mentioned earlier, the theme of the first two episodes of the program is to sort out the history around "Chinese Pop**". The old songs, old people, and old stories in these issues are also real historical reproductions, not empty singing and high-pitched, nor forcibly fried cold rice. From the interview clips and video history, it can be seen that Mango is as cautious as ever.
But the theme is profound and there is no conflict with variety entertainment, if it is said that the entertainment has declined compared with the previous work. From Xiaomei's point of view, this is related to the aura of the singer's predecessors represented by Han Hong, and the social baggage of the junior singers represented by Wang Sulong. Because the way the 14 singers met was far less relaxed than the atmosphere of the HK Phil season, it is very obvious that the comparison between the two seasons can be made here.
But these, before the show has entered the official group competition, it is not appropriate to comment too much. Part of the comments online are glass-hearted assertions about ideological stereotypes. And the real-time reaction of the barrage may be more referential.
It is undeniable that when the pattern, concept, and civilization are all elevated to the national level, there will be a distance from the perception of the ** program. When all songs must have a cultural preset premise before listening, this kind of "high-profile" aesthetic superiority will make the show fall into the embarrassing situation of "boredom".
At least half of the singers in the show are the mainstays of the current music scene, and they also have a great auditory impact in the presentation of the songs. As a fan of music comprehensive, on the premise that there is no problem with the quality itself, if Mango can put down the shelf of "setting a benchmark" and "improving the degree", and return to the true nature of ** and people, it will be easier for everyone to accept the program. Uncle Benshan's words back then were honest and didn't deceive me:
Especially "Singer" is also about to return, **variety shows, in the final analysis, have to be**itself. If you can leave a few amazing stages, the rest of the value guidance is the icing on the cake, and it is easy to stand up again. The next issue will be a group confrontation, and it is still worth looking forward to in terms of singing and stage level. It's just that in such an impetuous environment, it's hard to say how much patience everyone has.