Twilight into the high-rise building, some people upstairs worried.
Every dusk, there are always people who will lose their souls, just like Li Bai's thinking woman, who goes upstairs to ask: Where is the return journey?Long pavilions are shorter pavilions.
Qian Zhongshu summed up this emotional pattern as "twilight sorrow", which is the aesthetics of twilight imagery that we commonly see in classical poetry.
In a touch of light and shadow swaying, there is "floating clouds and wandering children, the sunset and old human feelings", and there are "slanting Hui veins and water, and the intestines are broken in the white continent." ”
Now it is a cold winter, and there is rarely sunset at dusk, except for the gloomy weather and wind and snow, but there is still a twilight aesthetic.
More than 1,200 years ago, two Tang Dynasty poets sketched two pictures of twilight snow with different sympathies. The twilight snow has long since dissipated in their own world, but we can still hear the sound of those two snowfalls in the future, and they continue to echo.
One is in 777 A.D., Liu Changqing stayed in the mountain villa in the distance of Cangshan at dusk, and entered the poem with the scenery: Chaimen heard the dog barking, and returned to the people on a snowy night.
One is in 817 A.D., Bai Juyi missed his old friend in the small red clay stove, and affectionately invited: If you want snow in the evening, you can drink a cup of nothing
A twilight snow is coming, and a snowy night returns;One is warm and hot, the other is poignant and quiet;But it can be comforting in the twilight snow.
Because at this moment when the twilight is easy to be sad and the twilight snow is even more worried, they all point to the fireworks in the world, where there is a return, looking forward to getting together.
In life, we were all snowy people in the dark, as long as someone is concerned and can return, everything has meaning.
Returning to people on a snowy night may be the best answer to being able to drink a cup. Today, it is better to taste the twilight snow and human affection together.
1.Twilight snow and cold clouds, old friends farewell.
Therefore, the grass is all over the country, and the parting is sad.
The road is out of the cold clouds, and people return to the twilight snow.
Less lonely is early, and it is difficult to recognize late.
Covering the tears in the air, where is the wind and dust.
Tang Lulun "Send Li Duan" and "Li Duangong".
Lu Lun once returned when the snow was falling in the twilight, but the corresponding thing was that his friend Li Duan disappeared outside the cold cloudy sky, unable to drink a cup of nothing.
This poem not only runs through the whole poem with sad words, but also renders and advances layer by layer, interweaving the farewell and the war and displacement.
Originally, parting was dismal, not to mention that it was still on this withered suburban strange road, but it was only the first layer of sadness in the environment.
In the back of Lu Lun's eyes as Li Duan walked away, there was still a cold wind and twilight clouds hanging low. When he came back to his senses and embarked on the journey home, it was twilight and snow, adding a second layer of sadness.
In the miserable wind and snow, Lu Lun, who returned alone, had mixed feelings, and the past came to mind, and lamented that he hated to see Li Duan late.
This third layer of sadness is the focus of Lu Lun's expression, and this sense of sadness in life has been experienced and written by the ten talents of the Great Calendar.
Lu Lun lost his father since he was a child and was frail and sickly, and he relied on his uncle to take care of him.
An Anshi Rebellion made Lu Lun, who had been lonely since childhood, suffer from war and displacement. And he can get to know Li Duan, who is also one of the ten talents of the Great Calendar, which is already a rare warmth and joy in life.
This sentence "less lonely is early, how difficult it is to know the king late", tells the hatred of seeing each other late, and also expresses the loneliness and suffering of life. In particular, this loneliness and hardship are not only at this time, but have been experienced since childhood. The sooner the suffering is experienced, the more you will meet a confidant who can warm each other, and you will only hate it too late.
Sooner or later, life is always difficult to get what you want. Just like the joy and parting at this moment, I can't help myself.
In this way, this parting adds another sadness, in such a war-torn era, I don't know when we can meet again, or even a farewell is goodbye.
Lu Lun could only look at the direction of Li Duan's departure, empty and sad, crying alone, with Du Fu's feeling that "tomorrow is across the mountains, and the world is boundless".
This twilight snow farewell Cen Shen also looked at the snow in the "twilight snow is falling on the door, and the wind is blowing the red flag and does not turn over".
2.Twilight snow empty mountain, the end of the world chases the ministers.
The voice of the ape in the south chased the ministers, and looked back at the autumn grass with tears.
In the cold twilight snowy mountains, several barbarians are the masters.
Tang Hanhong's "Sending Guests to Wuxi".
Han Hong, who is also one of the ten talents of the Great Calendar, also wrote about his parting feelings in the scene of the twilight snow sky mountain, but his foothold was mostly on the pain of debasement.
It can be seen from the title that most of the friends Han Hong sent off were guests who met in Pingshui and were relegated to the remote place of Wuxi in Xiangxi.
Although he didn't have a deep friendship, Han Hong was still quite empathetic, expressing the bitterness and sourness in the heart of the courtiers.
He used the mournful cry of the ape and the withering of autumn grass into his pen, and in the audio-visual combination of one ear and one retrospective, he drew out the tears of the ministers.
This way to the south, not flowers, no smoke and rain, only the wailing of apes, autumn grass yellow, thinking about it makes people melancholy. What's more, it's still a minister, and the future is bleak.
Han Hong, who has never known him in his life, may not have an inseparable hatred at this time, but this guest must have an endless hatred in his heart.
It is difficult to let go of the hometown and the old people who are drifting away, and it is even more difficult to let go of the pain of debasement, and this bitterness is fixed by Han Hong in the twilight snow of the empty mountain.
He imagined that his courtiers would look for a place to stay for the journey in the empty mountains and the twilight snow in the deep mountains, and it took a lot of trouble to find a few families.
This family is not looking for someone, it is a rather strange Miao family. The difference in language Xi adds to the sadness of being a stranger in a foreign land.
This sentence "a few barbarians are the masters" is not only worried about how to stay when the twilight snow is busy, but also worried about how to live in the future.
This kind of emotions are piled up together, perhaps it is the sigh of Liu Changqing and Pei Langzhong, who are also chasers, when they were separated: apes and guests scattered at the head of the twilight river, and people are sad and self-conscious.
3.The snow is clear at dusk, and the book window is bright at night.
The wind rolls cold, the clouds are twilight, the snow is clear, and the river smoke washes away the wicker light.
There are several pieces in front of the eaves that no one sweeps, and the book window is bright overnight.
Tang Rongyu's "Ji Xue".
The twilight snow in Rong Yu's pen is not a late day and a desire for snow, but a sunny day at the beginning of the twilight snow, and self-satisfaction.
In the evening, a gust of north wind whistled by, blowing away the cold clouds in the sky, as well as the smoke and willow branches and snow by the riverside, and the whole world became clear in an instant.
In Rong Yu's view, everything in heaven and earth is like a clear light washed by water, and Jiang Liu has also become lighter, as if releasing the weight of thousands of snow.
Rong Yu was naturally happy at the beginning of the twilight snow, but what was even more surprising was that there was still snow under the eaves that had not yet had time to be cleaned, and it was a good time to read at night.
Because the reflection of the snow will be reflected on the book window, Rong Yu can read all night like Sun Kang Yingxue in the Jin Dynasty, and the window is brighter.
At the beginning, Sun Kang studied hard because his family was poor and couldn't afford to buy an oil lamp, but at this moment, Rong Yu's night reading through the snow window is more of an atmosphere of reading.
From the word "again", it can be seen that this is a sense of surprise, there is no sense of poverty, and it is not the first time that I have read it at night in the snow window.
Of course, Rong Yu did not read for the sake of atmosphere, but because of the snowfall, it gave the icing on the cake to the long reading on a cold night.
It is similar to the atmosphere of reading under the moon, such as "a wine in the bright moon, a thousand books in the breeze", with a clear breeze and a bright moon, and the fragrance of wine and books.
Therefore, Rong Yu not only loves the twilight snow and the early sunshine, but also loves the remnant snow and bright windows, and loves the wind and snow in the night window, which can help the long night of reading.
4.In the twilight of the snow river, the fishermen return.
The sky is about to be twilight, the snow is dancing, half plum blossoms and half floating catkins.
The river came to the painting place at night, and the fishermen returned.
Yuan Ma Zhiyuan, "Shouyang Song, Jiangtian Twilight Snow".
If you ask what the snow looks like, how do you answer?
Xie Daoyun will say "If the catkins are not raised by the wind", Lu Benzhong will say "The snow is like plum blossoms, and the plum blossoms are like snow." Seemingly and unseemly, it is amazing. ”
Ma Zhiyuan will skillfully combine the two, half plum blossom and half floating catkins, in one word, the elegant charm and lightness of falling snow.
Coupled with the freeze frame of "the sky is about to twilight, the snow is dancing", so that this snow falls chic and wanton, giving people a sense of loneliness and magnificence in the world.
This word "chaos" is particularly vivid and expressive, it conveys not messiness, not sorrow, not Li Yu's whereabouts of plum like snow.
If it can be summed up in one word, it is that the form is scattered and gathered, no matter what shape and posture it poses, this snow is free and wanton.
And when Ma Zhiyuan focused his vision on the river, he saw a fisherman returning in a robe, which became a stroke of genius for the twilight and snow scene of the river.
He has Liu Zongyuan's nobility and refinement of fishing alone in the cold river and snow, but he is less lonely and lonely, and more chic and casual, which is secretly in line with this vast snow.
In fact, the expression closest to the last two sentences is Zheng Gu's "Occasional Theme in the Snow": "When the river comes to the painting place in the evening, the fisherman returns with a coat." ”
However, in Zheng Gu's poems, there is no description of the scene of the twilight snow falling wantonly, and the pen is extremely light, which makes people not feel the interest of opening and closing.
The same fisherman returned, with the twilight snow dancing dots, as if all emotions would be amplified, the sad added to the sorrowful, and the crazy even more crazy.
In many moments of life, we have hoped that the sky will be dusk, the snow will dance, so that everything will come more wantonly, and everything will go more freely.
When all the catharsis is over, we just want to walk into this twilight gently, walk through the lights of thousands of homes, return to people on a snowy night, surround the red clay stove, keep the book window overnight, there is no end of the world, no longer empty mountains and twilight snow.
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