Topic: "Intangible Cultural Heritage Documentary, a New Chapter of Cultural Resonance".
Text:
China's international documentary "intangible cultural heritage meal" is quietly staged, allowing us to deeply appreciate the diverse charm of "intangible cultural heritage". A large number of cultural relics protection institutions have participated, so that the documentary alliance has a broader and deeper support for the inheritance of intangible cultural heritage. In this page of legendary history, more and more wonderful are presented.
First of all, we will focus on the two documentaries that have high expectations, "Our Qingming Riverside Picture" and "The Last Craft 4". The two exhibits respectively select the "Riverside Scene at Qingming Festival" in the Palace Museum as the main content, and the 12 intangible cultural heritage skills such as "puppet play" and "shadow puppetry" in the museum are used as the medium for image dissemination. They show the splendor and profundity of Chinese culture in their own unique form. "Dream of Red Mansions" is narrated from multiple perspectives, allowing the audience to have a deeper understanding of the moving plot of "inheritance" and "protection"."Dream of Red Mansions" shows Chinese folk customs in a "strolling" way, from a warm angle, sincere and moving. The appeal of intangible cultural heritage lies not only in its inheritance of traditional culture. "The Last Ancient Song" uses ancient Miao songs as the carrier of images, showing the healing power of Chinese traditional culture at the end of life. Through this film, we can feel the power of traditional folk culture and its special significance in shaping life and healing the soul.
And "The Whisperer" and "The Last Spring Class" are even more prominent. The two series respectively use "Nüshu" and "Cantonese Opera" as the carriers of "intangible cultural heritage" elements and "feelings", and combine "women's complaints" and "Cantonese opera" to show the new style of "intangible cultural heritage" in "emotions" and "social transformation". From these two lenses, we can appreciate the softness and resilience of traditional folk customs, and also appreciate the infinite vitality of contemporary life.
In addition, the participation of national cultural relics institutions in this document festival has also built a broader stage for the inheritance of folk cultural heritage. Intangible cultural heritage has changed from a negative state of existence to a kind of combination of recorded images, spreading its wings. This kind of motivation makes intangible cultural heritage have stronger vitality and can better adapt to the needs of modern society for traditional culture.
The "gluttony" of the "intangible cultural heritage" documentary is not only a display of cultural heritage, but also a carnival of recorded images. From this film, people can not only feel the tradition of the nation, but also feel its vitality in contemporary life. Through such films, people can more deeply understand that the traditional "intangible cultural heritage" is not "dusty for a long time", but is being rejuvenated in modern society.
On the whole, the wonderful performances of international documentaries in China not only make people feel the diversity of traditional Chinese culture, but also give it a new direction of development. Through the stage of this "cultural feast", folklore will still attract more people's attention and discussion. Let's take a look, this "window of intangible cultural heritage" will get bigger and bigger, so that more people can participate in the wonderful feast of Chinese culture. In a documentary way, let the long river of history produce a more far-reaching echo in the long river of history.